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Only popular resistance from below and the reformists’ electoral victories could curb the hard-liners’ drive for total subjugation of the state, society, and culture.

The Green revolt and the subsequent nationwide uprisings in 2017 and 2019 against socioeconomic ills and authoritarian rule profoundly challenged the Islamist regime but failed to alter it. The uprisings caused not a revolution but the fear of revolution—a fear that was compounded by the revolutionary uprisings against the allied regimes in Syria, Lebanon, and Iraq, which Iran helped to quell.

once they took over the presidency in 2021 and the parliament in 2022 through rigged elections—specifically, through the arbitrary vetoing of credible rival candidates—the hard-liners moved to subjugate a defiant people once again. Extending the “morality police” into the streets and institutions to enforce the “proper hijab” has been only one measure—but it was the one that unleashed a nationwide uprising in which women came to occupy a central place.

the culmination of years of steady struggles against a systemic misogyny that the postrevolution regime established

With the emergence of the “people,” a super-collective in which differences of class, gender, ethnicity, and religion temporarily disappear in favor of a greater good, the uprising has assumed a revolutionary character. The abolition of the morality police and the mandatory hijab will no longer suffice. For the first time, a nationwide protest movement has called for a regime change and structural socioeconomic transformation.

Over the years, headscarves gradually inched back further and further until finally they fell to the shoulders. Officials felt, time and again, paralyzed by this steady spread of bad-hijabi among millions of women who had to endure daily humiliation and punishment. With the initial jail penalty between ten days and two months, showing inches of hair had ignited decades of daily street battles between defiant women and multiple morality enforcers such as Sarallah (wrath of Allah), Amre beh Ma’ruf va Nahye az Monker (command good and forbid wrong), and EdarehAmaken (management of public places). According to a police report during the crackdown on bad-hijabis in 2013, some 3.6 million women were stopped and humiliated in the streets and issued formal citations. Of these, 180,000 were detained.

This is the story of women’s “non-movement”—the collective and connective actions of non-collective actors who pursue not a politics of protest but of redress, through direct actions.

the uprising is no longer limited to the mandatory hijab and women’s rights. It has grown to include wider concerns and constituencies—young people, students and teachers, middle-class families and workers, residents of some rural and poor communities, and those religious and ethnic minorities (Kurds, Arabs, Azeris, and Baluchis) who, like women, feel like second-class citizens and seem to identify with “Woman, Life, Freedom.”

The thousands of tweets describing why people are protesting point time and again to the longing for a humble normal life denied to them by a regime of clerical and military patriarchs. For these dissenters, the regime appears like a colonial entity—with its alien thinking, feeling, and ruling—that has little to do with the lives and worldviews of the majority.

The feminism of the movement, rather, is antisystem; it challenges the systemic control of everyday life and the women at its core. It is precisely this antisystemic feminism that promises to liberate not only women but also the oppressed men—the marginalized, the minorities, and those who are demeaned and emasculated by their failure to provide for their families due to economic misfortune.

A segment of Muslim women did support the Islamic state, but others fought back. They took to the streets to protest the mandatory hijab, organized collective campaigns, and lobbied “liberal clerics” to secure a women-centered reinterpretation of religious texts. But when the regime extended its repression, women resorted to the “art of presence”—by which I mean the ability to assert collective will in spite of all odds, by circumventing constraints, utilizing what exists, and discovering new spaces within which to make themselves heard, seen, felt, and realized. Simply, women refused to exit public life, not through collective protests but through such ordinary things as pursuing higher education, working outside the home, engaging in the arts, music, and filmmaking, or practicing sports.

At this point in time, Iran is far from a “revolutionary situation,” meaning a condition of “dual power” where an organized revolutionary force backed by millions would come to confront a crumbling government and divided security forces. What we are witnessing today, however, is the rise of a revolutionary movement—with its own protest repertoires, language, and identity—that may open Iranian society to a “revolutionary course.”

The disproportionate presence of the young—women and men, university and high school students—in the streets of the uprising has led some to interpret it as the revolt of generation-Z against a regime that is woefully out of touch. But this view overlooks the dissidence of older generations, the parents and families that have raised, if not politicized, these children and mostly share their sentiments. A leaked government survey from November 2022 found that 84 percent of Iranians expressed a positive view of the uprising. If the regime allowed peaceful public protests, we would likely see more older people on the streets.

Although some workers have joined the protests through demonstrations and labor strikes, a widespread labor showdown has yet to materialize. This may not be easy, because the neoliberal restructuring of the 2000s has fragmented the working class, undermined workers’ job security (including the oil sector), and diminished much of their collective power. In their place, teachers have emerged as a potentially powerful dissenting force with a good degree of organization and protest experience.

Shopkeepers and bazaar merchants have also joined the opposition. In fact, they surprised the authorities when at least 70 percent of them, according to a leaked official report, went on strike in Tehran and 21 provinces on 15 November 2022 to mark the 2019 uprising. Not surprisingly, security forces have increasingly been threatening to shut down their businesses.

Protesters in the Arab Spring fully utilized existing cultural resources, such as religious rituals and funeral processions, to sustain mass protests. Most critical were the Friday prayers, with their fixed times and places, from which the largest rallies and demonstrations originated. But Friday prayer is not part of the current culture of Iran’s Shia Muslims (unlike the Sunni Baluchies). Most Iranian Muslims rarely even pray at noon, whether on Fridays or any day. In Iran, the Friday prayer sermons are the invented ritual of the Islamist regime and thus the theater of the regime’s power. Consequently, protesters would have to turn to other cultural and religious spaces such as funerals and mourning ceremonies or the Shia rituals of Moharram and Ramadan.

During the Green revolt of 2009, the ruling hard-liners banned funerals and prevented families from holding mourning ceremonies for their loved ones

the hard-line parliament passed an emergency bill on 9 October 2022 “adjusting” the salaries of civil servants, including 700,000 pensioners who in late 2017 had turned out in force during a wave of protests. Newly employed teachers were to receive more secure contracts, sugarcane workers their unpaid wages, and poor families a 50 percent increase in the basic-needs subsidy.

beating, killing, mass detention, torture, execution, drone surveillance, and marking the businesses and homes of dissenters. The regime’s clampdown has reportedly left 525 dead, including 71 minors, 1,100 on trial, and some 30,000 detained. The security forces and Basij militia have lost 68 members in the unrest.

The regime’s suppression and the protesters’ pause are likely to diminish the protests. But this does not mean the end of the movement. It means the end of a cycle of protest before a trigger ignites a new one. We have seen these cycles at least since 2017. What is distinct about this time is that it has set Iranian society on a “revolutionary course,” meaning that a large part of society continues to think, imagine, talk, and act in terms of a different future. Here, people’s judgment about public matters is often shaped by a lingering echo of “revolution” and a brewing belief that “they [the regime] will go.” So, any trouble or crisis—for instance, a water shortage— is considered a failure of the regime, and any show of discontent—say, over delayed wages—a revolutionary act. In such a mindset, the status quo is temporary and change only a matter of time.

There are, of course, local leaders and ad hoc collectives that communicate ideas and coordinate actions in the neighborhoods, workplaces, and universities. Thanks to their horizontal, networked, and fluid character, their operations are less prone to police repression than a conventional movement organization would be. This kind of decentralized networked activism is also more versatile, allows for multiple voices and ideas, and can use digital media to mobilize larger crowds in less time. But networked movements can also suffer from weaker commitment, unruly decisionmaking, and tenuous structure and sustainability. For instance, who will address a wrongdoing, such as violence, committed in the name of the movement? As a result, movements tend to deploy a hybrid structure by linking the decentralized and fluid activism to a central body. The “Woman, Life, Freedom” movement has yet to take up this consideration.

a leadership organization—in the vein of Polish Solidarity, South Africa’s ANC, or Sudan’s Forces of Freedom and Change—is not just about articulating a strategic vision and coordinating actions. It also signals responsibility, representation, popular trust, and tactical unity.

if the revolutionary movement is unwilling or unable to pick up the power, others will. This, in fact, is the story of most of the Arab Spring uprisings—Egypt, Iraq, Lebanon, and Yemen, for instance. In these experiences, the protagonists, those who had initiated and carried the uprisings forward, remained mostly marginal to the process of critical decisionmaking while the free-riders, counterrevolutionaries, and custodians of the status quo moved to the center.

Things are unlikely to go back to where they were before the uprising. A paradigm shift has occurred in the Iranian subjectivity, expressed most vividly in the recognition of women as transformative actors and the “woman question” as a strategic focus of struggle.

Those who expect quick results will likely be dispirited. But the country seems to be on a new course.

Some private outlets have also thrown their weight behind Egypt’s new leaders. A reporter at one newspaper said that her editor had given his staff explicit instructions not to report on pro-Morsi demonstrations and to make sure that articles indicated that the perpetrators of violence were always Islamists. The reporter requested anonymity, and her claims about the editor’s remarks could not be independently confirmed. A look at Saturday’s articles on the Web site of the newspaper seemed to corroborate her assertions.

State television prepared the public for the earthquake, in soothing segments that made no mention of Mr. Morsi or the Brotherhood, which instead was referred to as “that group.” A host interviewed a retired general, who spoke about the central, critical role of Egypt’s military over decades. Clips of fighter jets screeching through the sky were played, as well as patriotic anthems.

Events stoked the growing sense of victimhood among the president’s supporters at a demonstration in Nasr City, where the sudden loss of privilege was acutely felt. As journalists were warmly welcomed at the sit-in, there was no talk of Mr. Morsi’s own prosecutions of his opponents in the news media, which while less draconian, were just as selective.

he hoped that his prosecution would “throw the spotlight on the cases of others unjustly detained in Egypt, especially the jailed journalists." Since the military takeover of the country in July 2013, tens of thousands of political opposition figures have been arrested and detained as part of a sweeping security crackdown on dissent that has targeted Muslim Brotherhood members and supporters as well as secular activists, researchers, journalists and intellectuals

Balshy on April 4 published a list of some 40 journalists in Egypt who were either imprisoned or under threat of being detained

While there has hardly been any noise over the jailing of journalists with alleged links to the Muslim Brotherhood, the verdicts against Naaot and Nagy and the arrest warrant against Balshy provoked outrage in Egypt. After an outcry in Egyptian media over the conviction of Naaot, President Abdel Fattah al-Sisi last week urged parliament to review the country’s blasphemy laws, which critics have denounced as outdated and harmful. Meanwhile, in an outpouring of anger on social media over Nagy’s conviction, activists have campaigned for the novelist’s release using the Arabic hashtag that translates into #CreativityOnTrial.

Twenty-two rights organizations, six political parties and nearly 100 individuals signed a strongly worded petition condemning the warrant for Balshy’s arrest as “an attack on the media.”

Until recently, much of the Egyptian media and the majority of Egyptians had also rejected international criticism of the restrictions on the media in Egypt, perceiving the criticism as “part of the foreign conspiracy to destroy Egypt.” Lately however, there has been an almost abrupt turnabout with more journalists — including regime loyalists and those who had previously practiced self-censorship — becoming increasingly vocal in their criticism of “the muzzling of journalists through intimidation tactics” and “the unfair detention of writers and researchers.”

The regime clearly has not learned the lesson from Mubarak’s unplugging of the Internet during the 2011 uprising — a move that fueled the anger against the former dictator, leading to his ultimate overthrow. The government must acknowledge that the right to information and freedom of expression are basic human rights.

low-cost organizational structure and no durable organizational mechanisms are put in place

he political evanescence of social media activism raises issues of accountability and democratic control on the new emerging leaders of social movements, because of a certain opacity that accompanies the fluidity and partial anonymity of online interactions

The political evanescence of digital activism in the Egyptian revolution needs to be understood in connection with the libertarian ideology of “leaderlessness” and “horizontality” that has provided a cultural framing for social media use among activists

it is apparent that the Egyptian revolution, as any great upheaval in history, was not completely spontaneous and leaderless. Rather it bore the mark of complex direction exercised in concert by multiple leaders, from grassroots groups on the ground as the April 6 Youth Movement, to organized forces such as the Muslim Brotherhood, Left opposition parties and NGOs, to end with digital activists responsible for spreading revolutionary information, recruiting online communities of supporters and publicizing protest events

While Ghonim had some basic activist experience, having done some digital campaigning in support of the presidential campaign of Mohammed el-Baradei in 2010, he was little known within activist circles. From the distance and safety of Dubai where he was working for Google, he collaborated with activists on the ground including Mohammed AbdelRahman Mansour who acted as co-admin on the page, and Ahmed Maher of the April 6 Youth Movement, the group that pioneered digital activism in Egypt. It was only after he was released from prison in the midst of the eighteen-day insurrection, that he suddenly became a famous and respected figure. Yet, Ghonim did not manage, neither he tried, to turn the great influence he had exercised during the revolution into any form of structured political leadership during the transitional phase. Ironically the Facebook fanpage he founded has discontinued its communications with a status message celebrating “the power of the people” on 3 July 2013, the day of the anti-Morsi coup. Ghonim has recently left the country for voluntary exile after a streak of attacks on the news media.

The case of Tamarrod demonstrates how the fluidity in the field of social media in the activist field, dominated by flexible groupings coordinated through social network sites can open space for opportunist groups. Both Wael Ghonim and the main leaders of Tamarrod were secondary figures in the activist scene in Cairo, despite the fact that some of them, had been previously involved in pro-democracy campaigns and in the Elbaradei presidential campaigns. Similarly to what happened with previous political groups it was a great extent this outsider aura that managed to gather so much enthusiasm from Egyptian youth. The group managed to build an extensive network across the country, collecting millions of signature (the exact quantity will remain unverified) to withdraw confidence from Morsi. However, it progressively became clear that Tamarrod was far from being simply a disingenuous and spontaneous citizens groups. It has been publicly confirmed that the campaign received substantial funding from a number of Egyptian entrepreneurs, including Naguib Sawiris. It is also reasonably suspected that the group received financial and operational support from the Egyptian army, and the so-called deep state, which saw in Tamarrod a sort of useful idiot to get rid of the Muslim Brotherhood and create a favorable climate for the coup d'etat. Since the campaign of repression orchestrated by al-Sisi and the new post-coup government, the group has been marred by intestine fight between different factions, and seems to have lost much of its “street cred” among Egyptian youth. It was yet another group falling victim of its own precipitous rise.

Compared with other risks to human life and well-being, contemporary international terrorism remains a minor problem

The Islamic State killed 31 people in Brussels on Tuesday, but more than half a billion people in Europe were just fine on that day. So when the British government raised the “threat level” and told its citizens to avoid “all but essential travel” to Belgium following Tuesday’s attacks, it is demonstrating a decidedly non-Churchillian panic. Needless to say, that is precisely what groups like the Islamic State want to provoke.

the same toxic blend of media and politics that brought us Donald Trump’s candidacy makes it nearly impossible to have a rational assessment of terrorism

Newspapers, radio, cable news channels, and assorted websites all live for events like this, and they know that hyping the danger will keep people reading, listening, and watching. The Islamic State and its partners really couldn’t ask for a better ally, because overheated media coverage makes weak groups seem more powerful than they really are and helps convince the public they are at greater risk than is in fact the case. As long as media coverage continues to provide the Islamic State et al. with such free and effective publicity, why should these groups ever abandon such tactics?

The Islamic State wouldn’t have to use terrorism if it were strong enough to advance its cause through normal means or if its message were attractive enough to command the loyalty of more than a miniscule fraction of the world’s population (or the world’s Muslims, for that matter). Because it lacks abundant resources and its message is toxic to most people, the Islamic State has to rely on suicide attacks, beheadings, and violent videos to try to scare us into doing something stupid. The Islamic State cannot conquer Europe and impose its weird version of Islam on the more than 500 million people who live there; the most it can hope for is to get European countries to do self-destructive things to themselves in response. Similarly, neither al Qaeda, the Islamic State, nor other extremists could destroy the U.S. economy, undermine the U.S. military, or weaken American resolve directly; but they did achieve some of their goals when they provoked us into invading Iraq and when they convinced two presidents to pour hundreds of billions of dollars into the bottomless pit in Afghanistan.

Terrorism is not really the problem; the problem is how we respond to it

At the moment, the challenge of contemporary terrorism seems to be bringing out not the best in the West — but the worst. Instead of resolution and grit, we get bluster and hyperbole. Instead of measured threat assessments, patient and careful strategizing, and a realistic sense of what can and cannot be achieved, we get symbolic gestures, the abandonment of our own principles, and political posturing.

how would a grown-up like Marshall or Dwight D. Eisenhower respond to this danger? No doubt they’d see it as a serious problem, but anyone who had witnessed the carnage of a world war would not be cowed by intermittent acts of extremist violence, no matter how shocking they are to our sensibilities. They’d use the bully pulpit to shame the fearmongers on Fox and CNN, and they’d never miss an opportunity to remind us that the danger is not, in fact, that great and that we should not, and cannot, live our lives in fear of every shadow and in thrall to monsters of our own imaginings. They would encourage us to live our daily lives as we always have, confident that our societies possess a strength and resilience that will easily outlast the weak and timorous groups that are trying to disrupt us. And then, this summer, they’d take a European vacation.

“Shiite channels have been operating for years and have not caused strife or crises that Salafist channels ignite. This is because Shiite channels do not incite to violence and bloodshed and do not declare others to be infidels.”

Human rights activist and lawyer at the Association for Freedom of Thought and Expression, Ahmed Ezzat, told Deutsche Welle in 2012 that the law does not criminalize embracing or promoting the Shiite faith. Shutting down any Shiite channel or prosecuting any promoter of the Shiite ideology would be based on a broad application of the law against blasphemy of religions, he said.

“The legal criteria in shutting down any station would be based on its content and on whether or not it is viewed as blasphemy or incitement against any religion or belief."

“some Salafist channels, such as al-Hafez and al-Nas, were shut down in 2013.”

“What is happening is a part of the chaotic media and religious discourse. There are 121 religious channels broadcasting via Nilesat, including more than 60 Shiite channels, some of which explain Shiite ideas in a moderate way," he said. "Others are extremist and incite against the Sunni sect. Sunni channels respond also to such incitement with counterincitement. Thus, all extremist channels — be they Shiite or Sunni — need to be taken down.”

many Shiite channels are not at loggerheads with the state institutions, but rather with some Salafist parties.

the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them

The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.

in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music

singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes

As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.

Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.

the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship

The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago

What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens

It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.

the recent appointment of the new minister of information, Salah Abd El-Maqsoud, a MB membe

Traditionally the ranks of the Brotherhood have held professionals including doctors, lawyers, engineers, and teachers. They count precious few artists, columnists, or authors in their fold and as a result tend to be significantly more underrepresented than other political parties. Apparently, they've taken it to heart. Salah Eissa, the assistant secretary general of the syndicate told the Egypt Independent in June that the FJP's paper had recently published several articles that spoke of "purging the press of liberals and leftists."

On August 9, Khaled Salah, the editor-in-chief of Al-Youm Al-Sabei, a paper that has been increasingly critical of the Brotherhood, was attacked by what he said were MB protesters on his way to his television program. The attackers, whom he claimed were holding pro-Morsi banners also smashed the windscreen, windows, and mirrors of his car, calling him "one of those who antagonized Morsi." Nor was he the only one; Youssef el-Hosseini, appearing on the same program, was also attacked. MB spokesman Mahmoud Ghozlan categorically denied the charges but the banners were identified by independent witnesses. An investigation is underway.

Journalists listened warily to Morsi's comments earlier this week on supporting "the idea of forming a national council to oversee state and private media." In Egypt, the words "National Council" are usually synonymous with "Government Stranglehold."

Louis Greiss, former editor of the state-owned weekly Sabah el-Kheir said the Brotherhood might not know what they're up against. "Egypt's press has had 200 years of government intimidation," he said. "There's always a way around it. They always get tired before we do."

journalists who have a shameful record of  inciting of religious hatred, justifying the suppression of the freedom of expression as well as encouraging security crackdown of political protest before and after the revolution

to insure genuine reform within state-run media and press institutions, liberating them from the oppressive grip of executive power and intrusion from any ruling party

accusations were used by supporters of the Muslim Brotherhood to justify surrounding and assaulting prominent journalists, who were critical of the Brotherhood or the President, at the Media Production City Yesterday

August 9, 2012

Noah, who in the Bible's Book of Genesis built the ark that saved his family and many pairs of animals from a great flood, is revered by Judaism, Christianity and Islam. An entire chapter in the Koran is devoted to him.

Cairo's Al-Azhar, the highest authority of Sunni Islam and a main centre of Islamic teaching for over a millennium, issued a fatwa, or religious injunction, against the film on Thursday. "Al-Azhar ... renews its objection to any act depicting the messengers and prophets of God and the companions of the Prophet (Mohammad), peace be upon him,"

Mel Gibson's 2004 film "The Passion of the Christ" on Jesus's crucifixion was widely screened in the Arab World, despite a flurry of objections by Muslim clerics. A 2012 Arab miniseries "Omar" on the exploits of a seventh century Muslim ruler and companion of the Prophet Mohammad also managed to defy clerics' objections and air on a Gulf-based satellite television channel.

The “tragedy of the US government’s attempts to engage online”, Amanullah said, is that “there’s nothing these people like more than to see the US government specifically acknowledging and interacting with them online. They turn right around to their followers and say, ‘See? We’re every bit as powerful as we say we are, the US government is proof.’”