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Tara Wibrew

SPIN's 100 Greatest Guitarists of All Time | SPIN | Best of SPIN | All Time - 0 views

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    The article John mentioned in class today
Mary Morgan

Nightmare Time With Finn & Jake *NSFW/NSFL - 0 views

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    *Chapter 1- Spoiling Survivor- Jenkins NOT SAFE FOR WORK- (NOT SAFE FOR LIFE)! Jenkins mentions briefly the undercurrenty world of fan fiction. This has been a community that is often the butt of many jokes. The vocal artist "Duke", has a particularly hilarious audioboo in which he finds terrible things online such as facebook statuses, google reviews, foreign bootleg DVD descriptions, and reads them aloud in his advertising voice. (Spelling and grammar mistakes included!) I actually personally love the animated show Adventure Time, but in this link, Duke reads some particularly disturbing fanfiction. Fanfiction very often has a sexual connotation and reputation as fantasy writing, lending to it being laughable among "trolls" or other internet threads. Feel free to delete this if its inappropriate- sometimes my personal filter is off-kilter when it comes to the internet. I mean no offense or harm. It is media convergence in its seedy side, academically speaking.
John Fenn

NY Times Continues to Push Old-Media Boundaries - Center for Citizen Media - 0 views

  • It moves the paper much more into the linked world we all now inhabit.
    • John Fenn
       
      shifting boundaries bewteen readers/producers...
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    "It moves the paper much more into the linked world we all now inhabit."
meghanadamovic

Balance Your Media Diet - 0 views

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    Boundaries galore--how much time do you allot to different media? 
meghanadamovic

William Powers - Event - Library Foundation of Los Angeles - 4 views

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    Interesting talk about connectedness (now and in the past). Especially interesting around 25 minutes in when he talks about Seneca, Shakespeare, and Thoreau and how connectedness played into their times despite being before all the communication technology we usually think of these days. I'm thinking about this in relation to the Sherry Turkle article and "an imaginary past".
Tara Wibrew

Why Nikola Tesla was the greatest geek who ever lived - The Oatmeal - 1 views

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    speaking of patents, inventions, creators, radio, and SCIENCE...
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    Another piece from The Oatmeal. This time, the comic honors Nikola Tesla, trumpeting his triumphs, his willingness to share knowledge, and his ability to remain quiet on the subject of how much of a jerk Einstein was. A humorous but relevant piece when read alongside Lessig.
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    Nice find...I saw this earlier, but did not make the connections to our readings!
John Fenn

Virginia Heffernan - The New York Times - 4 views

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    Poke through the list of columns by Virginia and peruse a few that align with our general unit theme of "social" stuff & media...
caseyi

A 'bat signal' to defend open Internet - 1 views

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    (CNN) -- Remember earlier this year when Wikipedia went black in protest of anti-piracy legislation moving through the U.S. Congress? Yeah, well, that may be nothing compared to this. A group called the Internet Defense League, borrowing a page from Batman, is trying to create a "bat signal" for mobilizing open-Internet activists against similar legislation.
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    The battle for "internet freedom" continues! This time Reddit co-founder Alexis Ohanian will introduce the Internet Defense League just in time for Congress to visit the CISPA legislation, which allows the U.S. government, in cooperation with certain tech companies, to access various personal internet traffic information. The president has already threatened to VETO this bill due to concerns for confidentiality and civil liberties.
Mary Morgan

BEST WORST MOVIE | TROLL 2 DOCUMENTARY - 0 views

shared by Mary Morgan on 12 Apr 12 - Cached
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    great example of the story of intention vs. interpretation, ironic appreciation vs. new sincerity In 1989, a group of unknown Utah actors starred in what would be crowned the worst movie of all time: TROLL 2. After two decades of running from this cinematic disaster, the cast can no longer hide from the legion of followers that celebrate them for their ineptitude.
Tara Wibrew

The Flight From Conversation - NYTimes.com - 3 views

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    Sunday Review opinion piece from the NY Times that questions how much our use of media may or may not lead to "connecting" with others. Is technology keeping us from learning how to carry on a conversation? How to interact with human beings in-person? How much is one's self-curated (and self-edited) identity representative of the total package that is the self?
John Fenn

How Social Media Is Replacing Traditional Journalism As A News Source [INFOGRAPHIC] - A... - 3 views

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    The immediacy of the social media seems to be drawing the audience, but what is lost in the translation? News takes time to gather, vet, and verify. So our demands for instant information would seem to be conflicting with the process of newsgathering. This piece showed that 49 percent of respondents had heard or seen a news item that turned out to be false. If we are to continue to absorb information that comes our way so quickly, at what point does credibility, authenticity, and factuality no longer apply? Worse yet, how many people will begin to remember some piece of news they saw online that is false without even realizing the error? How might this impact our own historical remembrance? Hmmmmm....
John Fenn

Pepe - 3 views

  • With the growing permeation of online social networks in our everyday life, scholars have become interested in the study of novel forms of identity construction, performance, spectatorship and self–presentation onto the networked medium.
  • Though the novel’s story transpires in a pre–digital age, the volatile play of identity that ultimately destabilizes Moscarda has only increased since the advent of online social networks.
  • How would Moscarda’s tragedy play out in the inherently networked world of today? This article hopes to shed light on contemporary dilemmas of identity constructivism and self–representation while simultaneously re–evaluating one of the most celebrated works of one of Italy’s profoundest thinkers on identity and personhood.
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  • Again, the process of anticipating, interpreting, and assimilating the perception of others — similar to Moscarda’s attempts to experience the outsider gaze — is a key notion in Goffman’s work and is echoed in the work of contemporary theorists writing about online identity (b
  • We attempt to reframe this notion in a contemporary context, by posing the question: how would Moscarda perform the mirror experiment were he alive today?
  • we speculate that a present–day Moscarda would be as concerned about the public perception of his physical persona as that of his virtual one. In other words, a Moscarda of the day would be curious to explore how he is portrayed and perceived both off–line, in the real world, and online, on social media
  • sites the basic function of a profile is to present one’s identity. A personal profile is thus the component of one’s online identity that best approximates one’s physical, public appearance.
  • t is important to differentiate between these categories because they constitute three different levels of authorship and three different mechanisms by which aspects of one’s identity are revealed.
  • This constant digital embellishment of one’s profile points to the role of the social network as a performance stage, or a “space for performing the self” [21]. Users of online social networks “perform” and construct an online identity via a constantly updated stream of text (microblogging messages, biographical notes, photo comments), videos, and images.
  • Reflecting on the importance of the photographic medium in everyday life, Susan Sontag notes: “We learn to see ourselves photographically. To regard oneself as attractive is, precisely, to judge that one would look good in a photograph.”
  • but the bulk of his social activity would have gone largely undocumented, or confined to informal discourse and gossip. The systematic documentation of Moscarda’s social whereabouts and activities (e.g., “Moscarda is now friend with ___”) together with the traces left on his profile by third parties (e.g., a wall post from a friend reading: “hello Moscarda, it was great to see you yesterday at ___!”) represents a crucial departure from the traditional ways in which one’s identity is presented to the world.
  • s beings birthed into pre–existing societal constellations, we are outfitted with ready–made scripts and roles which we can choose to adopt, perform and even improvise on.
  • In its original sense, the rubric “performative” was intended to apply to certain “illocutionary” speech acts that were neither true nor false, but “performative.
  • How would Moscarda go about enact a similar performative construction and deconstruction in today’s networked reality?
  • he could post embarrassing photos of himself or his friends, publish unusual, rude or politically incorrect comments, drastically change his profile information, publicly reveal personal secrets, or remove some of his crucial contacts. The list is potentially endless and not limited to a single social network. Modern social networki
  • Facebook is a forum in which multiple communities and societal roles necessarily meet: these days, your parents, your children, your colleagues, and your friends are all on Facebook.
  • acebook, however, allows its users a very limited range of identity maneuver. By encoding prescriptive or formulaic alternatives within its system (gender: male or female; religious views: Christian, Jewish, etc.; Political views: liberal, conservative, etc.), by slotting its users in preset geographical or associational networks, by enforcing the authenticity of user profiles, and by cloning everyone within the same spectrum of light blues and unadorned walls, Face
  • If for Butler, mimicry and masquerade form the essence of identity, then Facebook offers a padded playpen in which to explore the polyglot nature of the self, while at the same time homogenizing its adherents by excluding the radical and the troubling
  • As noted by van Kokswijk (2008), this identity proliferation does not necessarily undermine the integrity of one’s “real” identity. Rather, he contends that by having different profiles and wearing different habituses, Dida (or anyone) does not decentralize or diminish her identity; rather, she multiplies it infinitely.
  • Yet, these efforts are counteracted by the thoroughly dynamic, immediate and interactive nature of social networking sites that tacitly or often explicitly coerce their users to constantly act upon their social circles: “Unlike everyday embodiment, there is no digital corporeality without articulation. One cannot simply ‘be’ online; one must make one’s presence visible through explicit and structured actions.” [32] In this vein, most Facebook users are incessantly prompted to contact friends who they have not been in touch with lately (“Write on ___’s wall! Send her a message!”), and to browse through endless lists of suggested friends (“People you may know”), and even to provide a description of their past activities (“Add a Life Event to your Facebook Timeline”). B
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    Uno, Nessuno, Centomila (One, No One and One Hundred Thousand) is a classic novel by Italian playwright Luigi Pirandello. Published in 1925, it recounts the tragedy of Vitangelo Moscarda, a man who struggles to reclaim a coherent and unitary identity for himself in the face of an inherently social and multi-faceted world. What would Moscarda identity tragedy look like today? In this article we transplant Moscarda's identity play from its offline setting to the contemporary arena of social media and online social networks. With reference to established theories on identity construction, performance, and self-presentation, we re-imagine how Moscarda would go about defending the integrity of his selfhood in the face of the discountenancing influences of the online world.
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    Pirandello's Six Characters in Search of an Author provides another interesting facet to this discussion. In the play, a family of characters arrive at a rehearsal-in-progress, begging for the producer, playwright, and other actors to write down and perform the family's story. The family members do not exist outside of their interactions with the rest of the family; the characters themselves cannot exist without the acknowledgement and assistance of the artists; and, despite traditional lines between real life and fiction, every family member character and "real-life" character is altered by the interaction. How much are our identities--as we experience them--dependent on others for validation? Are we performing our lives for others? At what point do we (can we) draw boundaries between spectator and performer, especially in relation to identity creation?
meghanadamovic

Now in Moving Pictures: The Multitudes of Nikki S. Lee - New York Times - 1 views

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    Meghan, did you get to see this film?
John Fenn

Open Graph - Facebook Developers - 1 views

  • At Facebook's core is the social graph; people and the connections they have to everything they care about. Historically, Facebook has managed this graph and has expanded it over time as we launch new products (photos, places, etc.).
  • The Open Graph allows apps to model user activities based on actions and objects. A running app may define the ability to “run” (action) a “route” (object). A reading app may define the ability to “read” (action) a “book” (object). A recipe app may define the ability to “cook” (action) to a “recipe” (object). Actions are verbs that users perform in your app. Objects define nouns that the actions apply to. We created sets of actions and objects for common use cases and a tool for you to create your own custom actions and objects. As users engage with your app, social activities are published to Facebook which connects the user with your objects, via the action.
    • John Fenn
       
      Wow...."you" become an app in this environment. Intriguing, esp. when we think about the "arbitrary' actions noted in the first paragraph...
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    How does Facebook's Open Graph and "Social Design" concepts apply to mapping social media?  I'm not entirely sure how the process and operations work just yet, but I think there is certainly something of importance here pertaining to this week's topic. 
John Fenn

Digital Media And Boundaries - 1 views

  • Before beginning I think it is important to note that I am not against social media; I have a facebook, twitter, and a very inactive myspace (I can’t figure out how to delete!). I am an avid status writer, photo poster, and occasional procrastinator who thinks it may be time to rethink my social engagement
    • John Fenn
       
      what kinds of "boundaries" are embedded in this paragraph? around "social", modes, portals, platforms?
  • There seems to be nothing I want to know and feel privy to that isn’t already broadcasted over the internet. In my case this over-divulging of information is equally true.
  • The same is true for any physical relationship yet in the digital world there is no buffer. Where I can tell my friend in person how far I am want a conversation to go, online activity is done with only one person in mind: the sender.
    • John Fenn
       
      universally and always 'true'?
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  • However, online parting physically can be replaced with keeping tabs on people digitally. This behavior in particular can feed energy into thought life, behavior, and speech that needs to altogether be moved past.
    • John Fenn
       
      "boundaries" extending across physical/electronic spaces...thoughts here?
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    There is no question that we should all evaluate our social interactions online, but it is interesting that we now have to reconsider how to censor ourselves and our "friends" in online environments as if those digital messages represented the same type of interaction as if we were face-to-face. We have given this type of communication the same status, but are they really? Or do we need to develop a different sort of etiquette?
John Fenn

The Couch » Media Boundaries and Kids » The Couch - 0 views

  • Electronics were created to make life easier. Instead, they’ve become time-consuming beasts gobbling up any extra moment in our day. Since unplugging, the kids are doing even better in school. Books are seen in the hands of my kids now, and their test scores are soaring. Have I mentioned the greatest advantage? Our home is a sanctuary from the storms of the world. Peace reigns once again.
    • John Fenn
       
      rhetorical stance here? assumptions? notion of boundaries is one of PROTECTION...
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    As the matriarch of our home it wasn't long before I realized I was plugged in a lot, and when I looked around, it was clear I had little constraint with plugged in things. We were battling a fire-spitting media-dragon-our television. When I stopped to think about it, there were days I gave more of my undivided attention to it than any of my four children combined. It was my daily drug of choice, taking me to far-away places, allowing me to peek inside homes I prayed were more dysfunctional than ours, and taught me more about great white sharks than I cared to admit. Yes, I loved my TV. I couldn't imagine living without it.
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