Group items tagged

When comparing the size of this negative association with other predictors of cognitive decline, watching television for >3.5 hours a day had a greater sized negative association (standardised beta = −0.034) than being in the lowest wealth quintile (as compared with the median quintile: standardised beta −0.027), while watching television for >7 hours a day had a greater sized association (standardized beta = −0.048) as being in the highest wealth quintile (compared with the median quintile: standardised beta = 0.043) or having no educational qualifications (standardized beta = −0.058).

associations between television viewing and verbal memory remained even when considering a range of variables relating to sedentary behaviours, suggesting that it is not just the sedentary nature of television watching that is responsible for its relationship with cognition.

Television involves fast-paced changes in images, sounds and action and, unlike other screen-based activities such as internet use and gaming, television is the most passive way of receiving such stimuli

television leads to a more alert but less focused brain

In addition to any potential cognitive stress created through the alert-passive interaction while watching television, the content of the programme itself can be stressful, such as through the depiction of graphic scenes, violence or the creation of suspense. Analyses of UK television from 2001–2013 (covering the country and much of the period of the data collection for the study reported here) have shown between 2.1 and 11.5 violent scenes per hour in UK soap operas, with 40% of these being categorised as moderate or strong violence22. It has even been proposed that the vividness of such experiences is greater than real-world experiences of events such as violence, conflict or disasters, as the drama is enhanced for entertainment purposes23. Chronic stress is known to lead to increased levels of glucocorticoids, which can have a direct effect on the hippocampus due to the presence of glucocorticoid receptors in that region of the brain. Consequently, stress has been shown to lead to atrophy of the hippocampus and impaired neurogenesis24, alongside impairments in cognition25.

excessive television could be linked with verbal memory through displacing other, cognitively beneficial activities such as playing board games, reading and engaging with cultural activities11,26. This theory implies that the relationship between television viewing and memory is not entirely down to television having negative effects per se, but rather television reducing the amount of time that people spend on more activities that could contribute to cognitive preservation

This study is not suggesting that watching television in older adulthood confers no benefits. Indeed, research with adults has suggested that TV dramas in comparison with TV documentaries can increase performance in tests of theory of mind, suggesting that television can enhance understanding of others27. Educational television can be an efficient way of learning when programmes are designed appropriately28. Television has also been shown to be a form of escapism from difficult life circumstances29. Further, research investing the effects of television viewing in the context of people’s daily lives has found that adults routinely report television as a means of relaxing30 (although this should be considered in relation to the potentially stress-inducing effects of television viewing discussed earlier). Nevertheless, this study suggests that watching substantial amounts of television is longitudinally associated with poorer verbal memory in older adults.

it remains unclear whether television viewing might affect other components of executive function

the Polish government passed a law preventing people from referring to concentration camps in the country as “Polish” camps, or saying anything about Polish collaboration with the Nazis

it’s actually a war about Holocaust memory. At first, the Jews were angry at Dani for the planned monument, and now we’re dealing with the Polish government being angry about the way we tell the story.

A Polish Jewish journalist who was interviewed in the film told me that the government is now trying to prove that most of the Polish people helped the Jews. This is, of course, a lie.

When you go to demonstrate in a Palestinian village in the West Bank, which is literally fighting for its life, you are maybe among 10 Israelis. You ask yourself: “Where is everyone? Why are there only 10 of us?”

In Israel, since I am part of the privileged group in society as a Jewish Ashkenazi man, I don’t experience hardship on a daily basis like Palestinians who live right next to me. I was never asked to cut anything from a film, never asked to compromise, and never silenced.

My Palestinian friends who live in Israel cannot say that about themselves. When the poet Dareen Tatour writes a poem and posts it on Facebook, it can be dangerous. She can get arrested. This is a radical thing that would not happen to me even though I say far more brutal things than she does.

Look what’s happening now with the Shomron Fund. They’re holding a film festival for settlers in the occupied territories. This is part of the process of mind control because they’re saying this is a legitimate part of Israel, and so it’s only natural to have a film festival there. And it’s not just some fringe festival. Israeli filmmakers and film funds are all part of it’s becoming very official.

Who is this reconstruction for, and for what purpose?

At their best, these heritage reconstruction efforts offer not just symbolic progress but jobs to local residents. The UAE projects that the reconstruction of the al-Nuri mosque will employ 1,000 Iraqi graduates. The World Monuments Fund is training Syrian refugees in Jordan to assist in heritage reconstruction efforts when they return home. But even then, these projects suggest a skewed set of priorities.

Reconstruction efforts in Iraq and Syria have been a top-down process, as several architectural experts have warned. Their agendas are set not by the needs of communities so much as the interests of national governments. And it is in the interests of those governments — not only the Iraqi and Syrian governments themselves, but also Russia, the UAE, and others — to promote the restoration of cultural heritage. Heritage tourism is very lucrative. Heritage also allows governments to burnish their image and questionable legitimacy, to consolidate their power after civil wars, and to project a false sense of normalcy. And funding heritage allows other countries to pose as the saviors of civilization. There is much less symbolic value, or money, in practical things.

Culture is important, but it’s hard to enjoy it when you can’t find food to eat or a place to sleep … or a city to return home to.

“Rebuilding is easy. People can rebuild their city and go back to their lives. They just need some money.” Iraqis and Syrians know what they want to rebuild (notably, ruins like Palmyra do not top the list). Local architects are full of ideas of what they want their cities and towns and villages to look like in the future. We only need to start listening.

In 1882, the Kingdom of Italy, which was founded only two decades earlier, invaded Eritrea, and seven years later, it conquered Somalia. Between 1895 and 1896 Italy also tried to conquer Ethiopia, but it failed spectacularly, with the Ethiopian troops inflicting on the Italian attackers the worst defeat ever suffered by a European nation in Africa. In 1911, the Italians took Libya.

Fascist troops conquered Ethiopia in 1936, with the help of chemical weapons, and took Albania in 1939

“Having colonies was seen as a way of being modern,”

It’s estimated that during the 60 years of Italian colonialism, almost 1 million people died due to war, deportations, and internment

widespread summary executions, torture, and mass incarceration. To crush the Libyan resistance, in 1930 the Italian general Rodolfo Graziani, nicknamed “the butcher of Fezzan,” put the civilian population in concentration camps. In Ethiopia, the Fascists deployed chemical attacks. When Ethiopian rebels tried to kill him, in 1937, Graziani had 19,000 Ethiopian civilians executed in retaliation.

After the end of World War II, Italy’s new ruling class, largely composed of anti-Fascists, created two intertwined myths: the myth of the “good Italian colonialist” and the myth of the “good Italian soldier.”

The aim was to create a sense of cohesion between the new anti-Fascist government and the general population, by reassuring the latter they don’t share the blame of the dictatorship’s deeds

The myth of the good colonialist was devised as a propaganda tool to make the point that Italy should keep its colonies that were conquered before Fascism, which didn’t work out.

When Ethiopia requested the extradition of Graziani in 1949, Italy refused, despite the fact that he was included in a list of war criminals of the United Nations for the use of toxic gases and the bombing of some Red Cross hospitals.

In 1952, the Italian government commissioned a study of its past colonial activities from a group of 24 scholars, largely former colonial officials, including governors and geographers. The committee, known as “Comitato per la documentazione dell’Opera dell’Italia in Africa,” (Committee for the Documentation of the Italian Activities in Africa) continued its work until 1984, producing 40 volumes, most of them hagiographies.

Unlike other European countries, Italy never had prominent voices confronting its colonial crimes

“The French public might not have agreed with the position of Sartre or Fanon, but they knew who they were,”

colonial brutality is the subject of a classic of Italian cinema: Gillo Pontecorvo’s 1966 film The Battle of Algiers, which won the Golden Lion at the Venice Film Festival and a nomination at the Academy Awards, chronicled the brutal French repression of Algeria. It posed no problem, because the bad guys were the French.

the Italian governement intervened in 1982 to prevent the distribution of a movie that would have put Italy’s colonialism in bad light: Lion of the Desert, chronicling Italy’s repression of the Libyan resistance led by Omar al-Mukhtar, was not aired until 2009, during a state visit by Muammar al-Qaddafi

As recently as 1997, Italy formally protested against the United Kingdom because the BBC aired a documentary, called Fascist Legacy, about Italian war crimes. The Italian state TV channel RAI bought a copy of the movie but never aired it.

in 2012, a mausoleum honoring Graziani, the war criminal, was erected near Rome. A court ordered it to be taken down, because it violated a law against “Fascist propaganda” (Graziani also headed the pro-Nazi army of the Salò Republic), but the order was never carried out. While it has been defaced and mocked with graffiti, the mausoleum still stands.

Italy decolonization was “a passive process, not an active one.” Italy did not go through a lengthy independence war, as France did in Algeria, nor did it witness a large-scale civil rights movement, as Britain did in India: Italy simply lost its colonies because it lost the war

there were “two types of removal: one from the authority but also one from the Italian people.” She points out that many Italian families have recent ancestors who fought in colonial wars in Africa. “If people were to check in their attics, they will likely find memorabilia of that period,” but they ignore it

a small but growing number of Italian authors who are tackling Italy’s colonial violence head on

Italian authorities should build monuments to the victims and start teaching about colonial violence in schools: “Many high school books still claim that Italy went to Africa to bring civilization.”

Despite the fact that Italy is fast becoming a multiethnic society, and despite the fact that its colonies came to an end almost 80 years ago, the country doesn’t seem ready to face its own past.