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"On the Internet, everybody is a millenarian. Internet journalism, according to those who produce manifestos on its behalf, represents a world-historical development-not so much because of the expressive power of the new medium as because of its accessibility to producers and consumers. That permits it to break the long-standing choke hold on public information and discussion that the traditional media-usually known, when this argument is made, as "gatekeepers" or "the priesthood"-have supposedly been able to maintain up to now. "Millions of Americans who were once in awe of the punditocracy now realize that anyone can do this stuff-and that many unknowns can do it better than the lords of the profession," Glenn Reynolds, a University of Tennessee law professor who operates one of the leading blogs, Instapundit, writes, typically, in his new book, "An Army of Davids: How Markets and Technology Empower Ordinary People to Beat Big Media, Big Government and Other Goliaths." The rhetoric about Internet journalism produced by Reynolds and many others is plausible only because it conflates several distinct categories of material that are widely available online and didn't use to be. One is pure opinion, especially political opinion, which the Internet has made infinitely easy to purvey. Another is information originally published in other media-everything from Chilean newspaper stories and entries in German encyclopedias to papers presented at Micronesian conferences on accounting methods-which one can find instantly on search and aggregation sites. Lately, grand journalistic claims have been made on behalf of material produced specifically for Web sites by people who don't have jobs with news organizations. According to a study published last month by the Pew Internet & American Life Project, there are twelve million bloggers in the United States, and thirty-four per cent of them consider blogging to be a form of journalism. That would add

Pro-Ams - people pursuing amateur activities to professional standards - are an increasingly important part of our society and economy. For Pro-Ams, leisure is not passive consumerism but active and participatory, it involves the deployment of publicly accredited knowledge and skills, often built up over a long career, which has involved sacrifices and frustrations. The 20th century witnessed the rise of professionals in medicine, science, education, and politics. In one field after another, amateurs and their ramshackle organisations were driven out by people who knew what they were doing and had certificates to prove it. The Pro-Am Revolution argues this historic shift is reversing. We're witnessing the flowering of Pro-Am, bottom-up self-organisation and the crude, all or nothing, categories of professional or amateur will need to be rethought. Based on in-depth interviews with a diverse range of Pro-Ams and containing new data about the extent of Pro-Am activity in the UK, this report proposes new policies to support and encourage valuable Pro-Am activity.

Globalization and the internet have created a space for news and political discourse that overrides geography and increases opportunities for non-mainstream, citizen-based news sources. Drawing a distinction between emerging citizen and professional media, this study examines one rapidly expanding and increasingly influential citizen news source - weblogs. We analyzed the linking patterns, the online network led to by six of the most popular news and political weblogs to study their relationship to other weblogs and the traditional professional news media in the USA and internationally. Findings suggest a more complementary relationship between weblogs and traditional journalism and less echo-chamber political insularity than typically assumed. The blogosphere relies heavily on professional news reports and half of its linked-to sites can be considered non-partisan.

A New Website for a Changing World SocialDocumentary.net is a new website that features documentary photography from around the world-images and words that explore the human condition. Easily Create Documentary Websites About Critical Issues Facing Our World Today Professional and amateur photographers, journalists, NGOs, students-anyone with a story to tell and a collection of good photographs-can easily and affordably begin creating websites on SocialDocumentary.net. Global warming, international justice, post-conflict reconstruction, HIV/AIDS, or life in Afghanistan or suburban America are just a few of the themes that you can find on SocialDocumentary.net. The goal of this website is to make our lives richer and more informed about issues affecting us and our world today. Powerful photographs can also lead to meaningful change in the lives of ordinary people. SocialDocumentary. net provides tools for photographer to inform viewers how to take action-either by supporting NGOs doing work on the issues, or by engaging in direct political action. Not all documentary photographers are concerned with action. Many photographers featured on SocialDocumentary.net are concerned with subtleties of the human experience and exploring personal themes. Photographs on SocialDocumentary.net-whether of struggling farmers in Africa or of suburban teenagers in Philadelphia-offer a fresh way to look at the world and a greater understanding of humanity. The secondary goal is to create an online image bank of quality photographs documenting all aspects of the world created by an international collection of photographers. This will enable students, college professors, journalists, and anyone else to easily see any part of the world in quality digital imagery and gain valuable information about the subjects they are viewing. We encourage all photographers, everywhere, to use this site as a tool in their own image-making and documentary exploration. We also encourage n

Welcome to OPF! We established OPF May 2006 as an open forum for professional and enthusiast photographers worldwide. You will find the latest discussions on technology, creativity, function and other issues related to photography. Furthermore, these threads are moderated and reviewed by expert photographers. We are a true community of photographers with real names and common interests and experience. OPF is a community of thinkers and doers, dedicated to the working Professional and the creative mind.

Are "amateurs" replacing the professional photojournalists?

It's an anxious time to be graduating from journalism school. The economy is in the tank and newsrooms are being decimated. But yet, it is also a great time to be a journalist, with more news and information available than ever before and more ways than ever to reach audiences. At the recent International Symposium on Online Journalism at the University of Texas at Austin, I asked a range of professionals what advice they had for journalism graduates entering the job market. There was broad agreement that students should leave journalism school being able to work across print, broadcast and online. At the very least, they should understand the new tools available to reporters and be continually learning. As one professional said, school is just the beginning of learning. At the core is good writing and reporting, regardless of the medium. But to stand out from the crowd, journalism graduates should follow their passions, develop an area of specialization and master that area.

Center for Citizen Media Rotating Header Image The Decline (and Maybe Demise) of the Professional Photojournalist Dec 4th, 2006 by Dan Gillmor. The rise of the citizen journalist is not a new phenomenon. People have been witnessing and taking pictures of notable events for a long, long time. And they've been selling them to traditional news organizations just as long.

"Corentin Wauters: Gamma is one of the most famous photojournalism agencies. Some even call it legendary. How important has it been for photojournalism? Michiel Munneke: I think Gamma - but also others like Magnum, for instance - played an extremely important role from early years on, especially in documenting crucial news events around the world. It's important to realise that in those days you had magazines like Life and the Picture Post who very generously allocated tens of pages to events like the war in Vietnam, for example. Those publications and photographs made a huge impact on their readerships. I think it's fair to say that the founders of Gamma, like Raymond Depardon - although he moved to Magnum at the end of the '70s - and Gilles Corron, who died in 1970 in Cambodia, can be classified as legendary. They played a very important role in news documenting in those years. Raymond Depardon said that in 1966 you only had to travel far away and take three shots to get published in magazines Paris Match or Le Nouvel Observateur. How has the profession of photojournalism changed since Gamma was founded? If Depardon was saying that competition for space in publications like Paris Match or Le Nouvel Observateur is stronger, then he's absolutely right. Competition is far more severe. Circulations are going down, advertising revenues are shrinking, and consequently budgets for journalism and for photography are being cut. image Nowadays its very rare that publications send photographers for assignments overseas. Take a renowned magazine like Time. They still have photographers on staff but they very rarely get assignments to go overseas. It's a sign of the times. Gamma, but also other big photojournalism agencies like Sipa, were founded in Paris. The city had a big name as a centre for photojournalism. To what extent is that true today? I think for those years it was really true. But now, in the era of globalisation and digitisation, it doesnâ

"We are a community of image experts committed to sharing our experience and knowledge throughout the industry. We provide professional networking and educational opportunities. If you create, edit, research, license, manage or publish pictures, ASPP is the place for you.

ASPP is one of several organizations and associations that came together in 2006 under the umbrella name Imagery Alliance. Our mission is to advocate for the rights of our member associations and their constituencies, and to promote their shared interests. In addition, this coalition of professional and industry trade associations advocates for the protection of copyright interests for visual works. Listed below are some links to useful information on issues which affect us all, and to some of our sister organizations which have developed specific guidelines.

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About this magazine LIFE Magazine is the treasured photographic magazine which chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today's people and events. They have free access to share, print and post images for personal use.

About this magazine LIFE Magazine is the treasured photographic magazine which chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today's people and events. They have free access to share, print and post images for personal use.

This is an article of particular interest to the Citizen Photojournalism project. Writer Alissa Quart writes for the Columbia Journalism review amongst others, and in this article, she considers the impact of citizen photojournalism on agencies and professional photojournalism in general.

I must say that during last Sunday's riots in the Old CIty of Jerusalem the citizen journalists outnumbered those who were rioting . At least 6 photographers complained about their difficulties of capturing an image without someone sticking a cell phone or other small camera into the frame . A Palestinian man poked his head of the entrance of his home and asked me to assist a Norwegian man who ran into his home to seek safety but was too afraid to leave the area and was trapped . I helped the man make his way down the alley that separated the masked Palestinian youths who were throwing stones towards the Israeli border police at the other end and told him to stick to my side where he would be more protected by the stone building along the way . This has happened a number of times during my coverage of the Palestinian Israeli conflict and in some ways hinders a photojournalist because they leave the scene to assist someone else , can endanger them further my walking in between lines however even the seasoned professionals have opted out of situations that risked their own safety .

"Those of us who purchased an iPad or who have read reviews know that it does not include a camera, but for professional photographers and serious shutterbugs it's what the iPad can do for your photography that counts. Even before I purchased the iPad, I knew the device would automatically replace my laptop as my photo portfolio. So here are some ways I'm thinking we photographers can use the iPad."

"It's no secret that web design is a fast-growing industry. Virtually every type of business is in need of a quality website. There are opportunities at the large agency level down to freelancers developing small-business websites from home. So how do you break into this exciting field? With little or no experience creating websites, getting yourself up to speed can be a daunting task. There are so many different avenues of design and development to explore. Which way should you go first? Which skill sets suit you the best? We aim to give you an overview of a few things things that are essential to a well-rounded knowledge of web design. These are starting-points, if you will. Below each item, we've listed additional resources for you to continue on in your learning process. Before we get into it, heed one important lesson: You can't become a professional web designer overnight. It takes years to reach an expert level in any aspect of the field. But everybody starts somewhere, and there's no better time than the present begin your web design education."

"Think blogs, Tweets and social media are a waste of time? Then think again. It's all about building a fanbase and reaching out to a wider audience through online word of mouth. Diane Smyth speaks to four professional photographers who've made it pay. "

The UPDIG guidelines aim to clarify issues affecting accurate reproduction and management of digital images. These guidelines were created to establish photographic standards and practices for photographers, designers, printers, and image distributors. The guidelines cover Digital Asset Management, Color Profiling, Metadata, and Photography Workflow. Version 4.0 of the guidelines represents the industry consensus as of Sept 22, 2008. The guidelines were prepared by the UPDIG Coalition, with the help of many digital imaging professionals, software vendors, and hardware manufacturers. The UPDIG Coalition is dedicated to promoting standards for photographic digital imaging.