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JJOHNSON PRACTICE PhD/ LDoc http://ldoc-cdt.ac.uk/beyond-participation-use-of-photographic-methodologies-in-peer-led-therapeutic-environments-by-those-accessing-mental-health-services/ My website www.lensculture.com/julia-johnson LTAL Info http://www.bbc.co.uk/news/uk-england-cambridgeshire-18524178 Heroes and the aftermath trailer: https://vimeo.com/93989196 ETHICS ''Beyond the Lens'' book (AOP) 2014 https://www.amazon.co.uk/Beyond-Lens-Gwen-Thomas-ebook/dp/B00U1IK2TA

Through its own production, support, purchase and retrieval, Amber has built up a significant photographic collection. Where possible, we're putting this work online. The photographic engagement with the North of England has produced a remarkable enough body of work, but since Side Gallery opened in 1977, this has been extended through exhibition purchases and donations to include a wide-ranging representation of the international classic and contemporary documentary that continues to inspire us. Where we hold the rights and/or where the photographer gives permission, we're committed to putting as much of this work online as possible. As funding allows, new exhibitions will appear and some exhibitions will be developed further.

Photographs of a man accused of the attempted murder of a photographer in Mozambique, Africa, have been released.Photographer Kypros Kyprianou (pictured), who grew up in England, claims 'bandits' tried to kill him in a remote African villagePicture credit: Copyright Kypros Kyprianou

New York Times Magazine Withdraws Altered Photo Essay UPDATE, 5:57 p.m. ET: The New York Times has published a new editors' note about the altered photo essay that was published in Sunday's Times Magazine. The newspaper says "most of the images did not wholly reflect the reality they purported to show." The note does not address which photos were altered, or whether the photographer misrepresented them to the editors. PDN has tried to reach Edgar Martins, the photographer, but has not heard from him. Here's the Times' note: "A picture essay in The Times Magazine on Sunday and an expanded slide show on NYTimes.com entitled 'Ruins of the Second Gilded Age' showed large housing construction projects across the United States that came to a halt, often half-finished, when the housing market collapsed. The introduction said that the photographer, a freelancer based in Bedford, England, 'creates his images with long exposures but without digital manipulation.' "A reader, however, discovered on close examination that one of the pictures was digitally altered, apparently for aesthetic reasons. Editors later confronted the photographer and determined that most of the images did not wholly reflect the reality they purported to show. Had the editors known that the photographs had been digitally manipulated, they would not have published the picture essay, which has been removed from NYTimes.com."