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"Launched in November 2009, Elephant is a quarterly magazine on contemporary art and visual culture published by Frame Publishers. Marc Valli, owner of the Magma design book stores in London, is the editor in chief. Featuring up-to-the-minute visual material, fresh faces and original voices, Elephant covers and uncovers new trends and talent in contemporary visual culture."

It's hard to go past the placeholder text that our webmaster originally put here. "This is information about the magazine. We are this old. We are this awesome." If we elaborate a little though, Going Down Swinging is a curious beast. Founded in 1980 by broke writers Kevin Brophy and Myron Lysenko, and employing a Hall of Fame of different editors along the way, we've spent the last 31 years helping broke writers publish other broke writers. Along the way we've developed a reputation as Australia's most innovative and idiosyncratic literary journal. Brophy and Lysenko's original components of fiction, essay and poetry have long sat side by side with the audio and the visual. The only Australian journal to regularly publish spoken word CDs along with each print edition, we also publish full-colour graphic novellas, and commission performance pieces to send on tour. In 2011 the evolution continues, with our first all-digital edition. This is much more than simply putting a paper journal online. GDS #31 is an all-new publication, featuring video, audio, fiction, photography, poetry, and visual art, disparate forms talking to each other in a way that could never be done in print. Smartphones and e-readers mean the journal will be available to anyone with an internet connection. Which is good, because it means GDS can keep bringing you the best artists you've never heard of.

Sticky redefines the notion of a retail environment as a non profit arts space dedicated to Australian and international zine culture

Building Long-term Support for Experimental Art

"Antonia Hirsch's The Surplus Library on Affect and Economic Exchange considers the library as a unique social space in which knowledge is circulated through a system of non-monetary trade or interpersonal exchange. The project's website displays cover images of books on the subject along with the email addresses of their owners, and an open invitation to participate in the completely inefficient process of borrowing a book via mail. (To be included in the library, a book must be deemed worthwhile by Hirsch.) By facilitating the global exchange of these books about exchange-containers for ideas, but also personal objects marked by marginalia, dog-eared pages, personal inscriptions-Hirsch examines the relationship between social bonds and the production (and consumption) of knowledge. The Surplus Library, begun in 2011, currently includes around one hundred titles. In the past two years, Hirsch has also edited Intangible Economies, a thematically related series of articles published in the Canadian art magazine Fillip, where she is an editor at large; an anthology of the same name was published in the fall. Triple Canopy's Brittany Paris discussed the project and the book with Hirsch over Skype and email in November and December."

"Atlas brings together a collection of empirical, symbolic, and critical texts from many academic disciplines-history, political science, art criticism, theory of criticism, literature, visual poetry, and verse-as well as a number of texts which were manifestos in their time. The point of this mass of fields is to create an autonomous space for reflection and the imagination so that it is possible, in the emancipatory movement from primary, objectivist, and engaged thinking, to proceed to activity. It offers themes for criticism, destruction, reflection, intellectual shifts, or imaginative conjunctions."