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curated Internet presence that frames your profile in a concise and clear way

You should have a curated Internet presence for the job market. The fact is, you will be Googled.

You should have a curated Internet presence for the job market. The fact is, you will be Googled.

Princeton's Arvind Narayanan and Ed Felten have published a stinging rebuttal, pointing out the massive holes in Cavoukian and Castro's arguments -- cherry picking studies, improperly generalizing, ignoring the existence of multiple re-identification techniques, and so on.

Cavoukian and Castro are rightly excited by Big Data and the new ways that scientists are discovering to make use of data collected for one purpose in the service of another. But they do not admit that the same theoretical advances that unlock new meaning in big datasets also unlock new ways of re-identifying the people whose data is collected in the set.

Re-identification is part of the Big Data revolution: among the new meanings we are learning to extract from huge corpuses of data is the identity of the people in that dataset. And since we're commodifying and sharing these huge datasets, they will still be around in ten, twenty and fifty years, when those same Big Data advancements open up new ways of re-identifying -- and harming -- their subjects.

Junot Díaz’s Drown and Edwidge Danticat’s Krik? Krak!—both of those collections, from the late ’90s—and James Baldwin’s “Sonny’s Blues,” which I still think is one of the most perfect short stories ever written.

Zora Neale Hurston and Mules and Men. In that book, she writes, “Mouths don’t empty themselves unless the ears are sympathetic and knowing.”

And this tends to turn into the idea that writers of color are in some sort of “identity corner,” whereas white writers just get to write about life. I will never forget one night in workshop when the professor asked our brilliant mutual friend Brit Bennett to explain what her story had to say about the black experience. Like her story had to be some after-school special, either harrowing or uplifting, just because her characters were black.