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Sunny Jackson

Speculative fiction - Wikipedia, the free encyclopedia - 0 views

en.wikipedia.org/...Speculative_fiction

Information Fiction Learning

shared by Sunny Jackson on 18 Dec 13 - Cached
  • Sunny Jackson on 18 Dec 13
     
    Speculative fiction is an umbrella term encompassing the more highly imaginative fiction genres, specifically science fiction, fantasy, horror, supernatural fiction, superhero fiction, utopian and dystopian fiction, apocalyptic and post-apocalyptic fiction, and alternate history
Sunny Jackson

Hugo Award for Best Semiprozine - Wikipedia, the free encyclopedia - 0 views

en.wikipedia.org/...ugo_Award_for_Best_Semiprozine

Information Learning

shared by Sunny Jackson on 18 Dec 13 - No Cached
  • The Hugo Awards are given every year by the World Science Fiction Society for the best science fiction or fantasy works and achievements of the previous year.
  • once officially known as the Science Fiction Achievement Award
  • The award has been described as "a fine showcase for speculative fiction" and "the best known literary award for science fiction writing".
Sunny Jackson

Clarkesworld Magazine - Science Fiction and Fantasy : Another Word: Reading and Writing... - 0 views

clarkesworldmagazine.com/another_word_02_13

Fiction Stories Clarkesworld Magazine

shared by Sunny Jackson on 09 Jan 14 - No Cached
  • We learn about some of the most important things in our lives vicariously through fiction.
  • I’ve known a lot of people for whom books have been profoundly important
  • Fiction isn’t powerless. And if the author just ignores the politics of their work, that doesn’t mean the book becomes apolitical. It just means they wrote their own defaults.
  • ...12 more annotations...
  • Think Black people are lazy and violent, but your work isn’t about that? I’ll bet you dollars to donuts it’s in there.
  • Reading is the same way.
  • He’s trying to be a better man and to create (in a small way) a better world by the way he chooses what he reads.
  • And it was a moral statement, even if it was mostly a private one.
  • How we read and how we write will always have moral and political implications. The only choice we’ve got is whether they’re unconscious or considered.
  • beautiful and damning distinction
  • best self
  • authentic self
  • Wanting to live in a better world is great. Working for a better world is great. It only becomes a vice when it keeps us from loving the world we’re in—warts and all. My experience is that life is full of strong women and weak ones. Venal ones. Active ones. Passive ones. Complicated ones. Unhealthy ones. Men are just as varied and complicated and screwed-up. Their lives aren’t our societal best self, but they’re who we are
  • Treating moral issues as if they were craft is asking for a literature of beautiful sermons.
  • reading projects that pull you out into different kinds of authors and stories are wonderful so long as the moral aspects of your reading list don’t become more important than the joy you take in reading
  • I would never argue that the power of story—and it’s a real power—comes without responsibility. But I would say that responsibility is both to the better world to which we aspire and also the broken, compromised one we live in now.
Sunny Jackson

Kurt Vonnegut - Wikipedia, the free encyclopedia - 0 views

en.wikipedia.org/...Kurt_Vonnegut

Beliefs Information Learning

shared by Sunny Jackson on 18 Dec 13 - Cached
  • 20th century American writer
  • blend satire, gallows humor and science fiction
  • critical liberal intellectual
  • ...12 more annotations...
  • lifelong supporter of the American Civil Liberties Union
  • known for his humanist beliefs
  • honorary president of the American Humanist Association
  • eight rules for writing a short story:
  • Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
  • Give the reader at least one character he or she can root for.
  • Every character should want something, even if it is only a glass of water.
  • Every sentence must do one of two things—reveal character or advance the action.
  • Start as close to the end as possible.
  • No matter how sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
  • Write to please just one person.
  • Give your readers as much information as possible as soon as possible. To hell with suspense.
Sunny Jackson

Clarke's three laws - Wikipedia, the free encyclopedia - 0 views

en.wikipedia.org/...Clarke's_three_laws

Authors Information Fiction Learning

shared by Sunny Jackson on 18 Dec 13 - Cached
  • Clarke's Three Laws are three "laws" of prediction formulated by the British writer and scientist Arthur C. Clarke. They are: When a distinguished but elderly scientist states that something is possible, he is almost certainly right; when he states that something is impossible, he is probably wrong. The only way of discovering the limits of the possible is to venture a little way past them into the impossible. Any sufficiently advanced technology is indistinguishable from magic.
Sunny Jackson

Mythopoeic Awards - Wikipedia, the free encyclopedia - 0 views

en.wikipedia.org/...Mythopoeic_Awards

Information Learning

shared by Sunny Jackson on 18 Dec 13 - No Cached
  • outstanding works in the fields of myth, fantasy, and the scholarly study of these areas
  • Unfinished Tales by J. R. R. Tolkien
  • Stardust by Neil Gaiman and Charles Vess
  • ...28 more annotations...
  • Jonathan Strange & Mr. Norrell by Susanna Clarke
  • Anansi Boys by Neil Gaiman
  • The Crown of Dalemark by Diana Wynne Jones
  • Dark Lord of Derkholm by Diana Wynne Jones
  • A Hat Full of Sky by Terry Pratchett
  • The Bartimaeus Trilogy by Jonathan Stroud
  • Harry Potter series by J.K. Rowling
  • The Road to Middle-earth by T. A. Shippey
  • Reason and Imagination in C. S. Lewis by Peter J. Schakel
  • The Return of the Shadow by J. R. R. Tolkien, edited by Christopher Tolkien
  • The Annotated Hobbit by J. R. R. Tolkien, edited by Douglas A. Anderson
  • Word and Story in C. S. Lewis, edited by Peter J. Schakel and Charles A. Huttar
  • A Question of Time: J. R. R. Tolkien's Road to Faërie by Verlyn Flieger
  • Roverandom by J. R. R. Tolkien, edited by Christina Scull and Wayne G. Hammond
  • J. R. R. Tolkien: Author of the Century by Tom Shippey
  • Tolkien's Legendarium: Essays on the History of Middle-earth, edited by Verlyn Flieger and Carl F. Hostetter
  • Tolkien and the Great War: The Threshold of Middle-earth by John Garth
  • War and the Works of J.R.R. Tolkien by Janet Brennan Croft
  • The Lord of the Rings: A Reader's Companion by Wayne G. Hammond and Christina Scull
  • The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman
  • The History of the Hobbit by John D. Rateliff, Part One: Mr. Baggins; Part Two: Return to Bag-end
  • Tolkien, Race, and Cultural History: From Fairies to Hobbits by Dimitra Fimi
  • Strategies of Fantasy by Brian Attebery
  • Twentieth-Century Fantasists, edited by Kath Filmer
  • The Encyclopedia of Fantasy, edited by John Clute and John Grant
  • The Myth of the American Superhero by John Shelton Lawrence and Robert Jewett
  • Four British Fantasists: Place and Culture in the Children's Fantasies of Penelope Lively, Alan Garner, Diana Wynne Jones, and Susan Cooper by Charles Butler
  • One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine L’Engle and Orson Scott Card by Marek Oziewicz
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