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"Performance Enhancing Drugs in Schools: How Big is the Threat to Kids? By Jeff Roberts on August 9, 2013 2 Comments Lance Armstrong. Ryan Braun. A-Rod. Marion Jones. Tim Montgomery. Tyson Gay. Bill Romanowski. Rafael Palmeiro. And so on … and so on. We've all heard the names. We're all familiar with the historic heights each of them achieved in their respective sports. And we have all witnessed their tragic, self-induced falls from grace.  Their respective careers are ruined. Their legacies disgraced. And, perhaps most tragically, all of the youngsters they once inspired are left confused and heartbroken. The worst part? The high-profile names mentioned here are a tiny fraction of the incredibly long list of professional and amateur athletes who have tested positive for performance-enhancing drugs (PEDs). Over the past decade, the U.S. Anti-Doping Agency has sanctioned cyclists and soccer players, water poloists and weightlifters, rowers, wrestlers, boxers and archers. And that's just a small sample of the offenders.   But when officials in Texas revealed last July that nine high school athletes tested positive for steroid use - and that just recently, scandal-ridden Biogenesis of America provided PEDs to high school athletes in Miami - the conversation became slightly more sickening. We were immediately filled with questions: What is the prevalence of PEDs in high schools? What types of PEDs are being used among high school athletes? What can be done to combat this trend? Let's answer these questions one by one. The prevalence of PEDs in high schools Roughly 3.2 percent of American high school kids - boys and girls - took steroid pills or shots without a doctor's permission at least once in their lives, according to the U.S. Department of Health's Youth Risk Behavior Survey published in June 2012. Bear in mind that the data collected reflects the 2011 school year and four U.S. states did not share data. Still, powerful co

"It was Monday again. It was Monday and the day was damp and cold. Rain splattered the cover of Algebra I as Laura heaved her books higher on her arm and sighed. School was such a bore. School. It loomed before her now, massive and dark against the sky. In a few minutes, she would have to face them again---Diane Goddard with her sleek blond hair and Terri Pierce in her candy-pink sweater. And Carol and Steve and Bill and Nancy... There were so many of them, so exclusive as they stood in their tight little groups laughing and joking. Why were they so cold and unkind? Was it because her long stringy hair hung in her eyes instead of dipping in graceful curls? Was it because she wrote poetry in algebra class and got A's in Latin without really trying? Shivering, Laura remembered how they would sit at the back of English class, passing notes and whispering. She thought of their identical brown loafers, their plastic purses, their hostile stares as they passed her in the corridors. She didn't care. They were clods, the whole lot of them. She shoved her way through the door and there they were. They thronged the hall,streamed in and out of doors, clustered under red and yellow posters advertising the latest dance. Mohair sweaters, madras shirts, pea-green raincoats. They were all alike, all the same. And in the center of the group, as usual, Diane Goddard was saying, "It'll be a riot! I just can't wait to see her face when she finds out." Laura flushed painfully. Were they talking about her? "What a scream! Can't wait to hear what she says!" Silently she hurried past and submerged herself in the stream of students heading for the lockers. It was then that she saw Rachel Horton---alone as always, her too-long skirt billowing over the white, heavy columns of her legs, her freckled face ringed withover the white, heavy columns of her legs, her freckled face ringed with shapeless black curls. She called herself Horton, but everyone knew her father was Jacob Hortensky, the

"Make Kids' Writing Shine: Using Beginnings and Endings to Teach Craft"

Before students can begin to study film, they must be provided with a focus. There are many ways to look at a film. Posted below is a suggestion for teachers. Throughout this teacher guide for To Kill A Mockingbird, you will find numerous resources which touch on many of the characteristics listed below.

"52 Ways to Write Interesting Leads or Introductions"

"I think it's about to happen again. Education is famous for wide swings of the pendulum. From code emphasis to meaning emphasis, from whole class to small group… and then back again. The "experts" find "the true answer" or begin to express doubt about or criticism of a widely accepted practice. Before you know it, everyone has jumped on the bandwagon. It's the lead article in all of the professional journals. It's the keynote address at conferences. Publishers rush to get out new materials. School districts scramble to write new curricula. Educational consultants offer new workshops. Teachers struggle to change their instructional practices. "

Even Nancie Atwell has experienced sticky note overkill!

Once Upon a Fairy Tale: Teaching Revision as a Concept Overview Students sometimes have trouble understanding the difference between the global issues of revision and the local ones of editing. After reading several fractured fairy tales, students make a list of the ways the original stories have been revised-changed or altered, not just "corrected"-to begin building a definition of global revision. After students have written a "revised" story of their own, they revise again, focusing more on audience but still paying attention to ideas, organization, and voice. During another session, students look at editing as a way to polish writing, establishing a definition of revision as a multi-level process.

Excellent tips, very practical steps a teacher can take to begin improving their classroom management skills

Mini-lessons and the books that help to guide your teaching point

Fantastic list of mini-lessons and books