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Home/ IT200_02 Monmouth University/ Contents contributed and discussions participated by Joanna Zietara

Contents contributed and discussions participated by Joanna Zietara

Joanna Zietara

Intel® Atom™ Processor: Intel's Smallest Chip - 0 views

shared by Joanna Zietara on 14 Dec 09 - Cached
  • 45nm Intel® Atom™ processors
Joanna Zietara

Plastic Breaks Down in Ocean, After All -- And Fast - 0 views

  • Moore estimates plastic debris—most of it smaller than a fifth of an inch (five millimeters)—is "dispersed over millions of square miles of ocean and miles' deep in the water column.
  • Pollutants also become more concentrated as animals eat other contaminated animals—which could be bad news for us, the animals at the top of the food chain.
  • Plastic hits marine creatures with a double whammy, Moore said. Along with the toxic chemicals released from the breakdown of plastic, animals also take in other chemicals that the plastic has accumulated from outside sources in the water.
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  • About 44 percent of all seabirds eat plastic, apparently by mistake, sometimes with fatal effects.
  • The team's new study is the first to show that degrading plastics are leaching potentially toxic chemicals such as bisphenol A into the seas, possibly threatening ocean animals, and us.
  • The researchers behind a new study, however, found that plastic breaks down at cooler temperatures than expected, and within a year of the trash hitting the water.
  • Bisphenol A (BPA) has been shown to interfere with the reproductive systems of animals, while styrene monomer is a suspected carcinogen.
Joanna Zietara

Nanotechnology: Grey Goo is a Small Issue - 0 views

  • A grey goo robot would face a much harder task than merely replicating itself. It would also have to survive in the environment, move around, and convert what it finds into raw materials and power. This would require sophisticated chemistry. None of these functions would be part of a molecular manufacturing system. A grey goo robot would also require a relatively large computer to store and process the full blueprint of such a complex device. A nanobot or nanomachine missing any part of this functionality could not function as grey goo.
  • Grey goo eventually may become a concern requiring special policy. However, goo would be extremely difficult to design and build, and its replication would be inefficient. Worse and more imminent dangers may come from non-replicating nano-weaponry. Since there are numerous greater risks from molecular manufacturing that may happen almost immediately after the technology is developed, grey goo should not be a primary concern. Focusing on grey goo allows more urgent technology and security issues to remain unexplored
Joanna Zietara

Grey goo - Wikipedia, the free encyclopedia - 0 views

  • Grey goo (alternatively spelled gray goo) is a hypothetical end-of-the-world scenario involving molecular nanotechnology in which out-of-control self-replicating robots consume all matter on Earth while building more of themselves—a scenario known as ecophagy ("eating the environment").
Joanna Zietara

Move Over Microsoft, Google Chrome OS Is Here - Google has revealed its hotly anticipat... - 4 views

  • consists of persistent application tabs, which will always be available to the user and are fully customizable. Apps can also be run in a "panel" that is a persistent light-weight window, which sits on top of the browser designed for apps like instant messengers.
Joanna Zietara

Takahashi method - Wikipedia, the free encyclopedia - 0 views

  • The Takahashi method is a technique of producing slides for presentations. It is similar to the Lessig method of presentations (credited to professor Lawrence Lessig of Stanford). It is named for its inventor, Masayoshi Takahashi. Unlike a typical presentation, no picture and no charts are used. Only a few words are printed on each slide-- often only one or two short words, using very large characters. To make up for this, a presenter will use of many more slides than in a traditional presentation, each slide being shown for a much shorter duration.
Joanna Zietara

Idea Lab - Becoming Screen Literate - NYTimes.com - 0 views

  • The overthrow of the book would have happened long ago but for the great user asymmetry inherent in all media. It is easier to read a book than to write one; easier to listen to a song than to compose one; easier to attend a play than to produce one. But movies in particular suffer from this user asymmetry. The intensely collaborative work needed to coddle chemically treated film and paste together its strips into movies meant that it was vastly easier to watch a movie than to make one. A Hollywood blockbuster can take a million person-hours to produce and only two hours to consume. But now, cheap and universal tools of creation (megapixel phone cameras, Photoshop, iMovie) are quickly reducing the effort needed to create moving images. To the utter bafflement of the experts who confidently claimed that viewers would never rise from their reclining passivity, tens of millions of people have in recent years spent uncountable hours making movies of their own design. Having a ready and reachable audience of potential millions helps, as does the choice of multiple modes in which to create. Because of new consumer gadgets, community training, peer encouragement and fiendishly clever software, the ease of making video now approaches the ease of writing.
    • Joanna Zietara
       
      User assymetry- for example, it takes hundreds of hours to produce a CD or a movie, but it only takes 3 minutes to listen to a song or 2 hours to watch a movie. Industries have come up with ways to reduce the time needed to produce something, by creating cheap and unviersal tools such as iMovie, Photoshop or phone cameras.
  • The best editors can remix video as fast as you might type.
  • In classic cinematography, a film is planned out in scenes; the scenes are filmed (usually more than once); and from a surfeit of these captured scenes, a movie is assembled. Sometimes a director must go back for “pickup” shots if the final story cannot be told with the available film. With the new screen fluency enabled by digital technology, however, a movie scene is something more flexible: it is like a writer’s paragraph, constantly being revised. Scenes are not captured (as in a photo) but built up incrementally. Layers of visual and audio refinement are added over a crude outline of the motion, the mix constantly in flux, always changeable.
    • Joanna Zietara
       
      The classic way of making films would take a very long time. The film production would include a planning out of each scene and going back and forth from scene to scene. With the new screen fluency caused by the digital technology, a movie scene is considered "moer flexible". Scenes are not captured, but built up incrementally. The scenes can constantly be revised.
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  • In the great hive-mind of image creation, something similar is already happening with still photographs. Every minute, thousands of photographers are uploading their latest photos on the Web site Flickr. The more than three billion photos posted to the site so far cover any subject you can imagine; I have not yet been able to stump the site with a request. Flickr offers more than 200,000 images of the Golden Gate Bridge alone. Every conceivable angle, lighting condition and point of view of the Golden Gate Bridge has been photographed and posted. If you want to use an image of the bridge in your video or movie, there is really no reason to take a new picture of this bridge. It’s been done. All you need is a really easy way to find it. Similar advances have taken place with 3D models. On Google SketchUp’s 3D Warehouse, you can find insanely detailed three-dimensional virtual models of most major building structures of the world. Need a street in San Francisco? Here’s a filmable virtual set. With powerful search and specification tools, high-resolution clips of any bridge in the world can be circulated into the common visual dictionary for reuse. Out of these ready-made “words,” a film can be assembled, mashed up from readily available parts. The rich databases of component images form a new grammar for moving images.
    • Joanna Zietara
       
      Similar advances are also occuring with 3D models and photography. Photographers can now upload thousands of their images to sites such as Flickr, and share it with others. There are 3 billion photos uploaded of Flickr as of now.
  • hyperlinks, which connect one piece of text to another
  • tags, which categorize a selected word or phrase for later sorting.
  • All these inventions (and more) permit any literate person to cut and paste ideas, annotate them with her own thoughts, link them to related ideas, search through vast libraries of work, browse subjects quickly, resequence texts, refind material, quote experts and sample bits of beloved artists. These tools, more than just reading, are the foundations of literacy.
  • Expert software can be used to identify the key frames in a film in order to maximize the effectiveness of the summary.
  • Researchers have started training computers to recognize a human face. Specialized software can rapidly inspect a photograph’s pixels searching for the signature of a face: circular eyeballs within a larger oval, shadows that verify it is spherical. Once an algorithm has identified a face, the computer could do many things with this knowledge: search for the same face elsewhere, find similar-looking faces or substitute a happier version
    • Joanna Zietara
       
      In the near future, computers will be able to recognize a human face. With this ability, a computer can then search for the same face or a substitute showing a desired emotion.
  • With our fingers we will drag objects out of films and cast them in our own movies. A click of our phone camera will capture a landscape, then display its history, which we can use to annotate the image. Text, sound, motion will continue to merge into a single intermedia as they flow through the always-on network. With the assistance of screen fluency tools we might even be able to summon up realistic fantasies spontaneously. Standing before a screen, we could create the visual image of a turquoise rose, glistening with dew, poised in a trim ruby vase, as fast as we could write these words. If we were truly screen literate, maybe even faster. And that is just the opening scene.
Joanna Zietara

The Technium: Better Than Free - 0 views

  • Our digital communication network has been engineered so that copies flow with as little friction as possible. Indeed, copies flow so freely we could think of the internet as a super-distribution system, where once a copy is introduced it will continue to flow through the network forever, much like electricity in a superconductive wire. We see evidence of this in real life. Once anything that can be copied is brought into contact with internet, it will be copied, and those copies never leave. Even a dog knows you can't erase something once it's flowed on the internet.
    • Joanna Zietara
       
      The internet is a super distribution system; once a copy is made, it will flow freely through the internet. The copies are not erasable and they never leave. Once something is on the internet, it is impossible to get rid of it.
  • When copies are super abundant, stuff which can't be copied becomes scarce and valuable.
  • why would we ever pay for anything that we could get for free?
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  • Eight Generatives Better Than Free
    • Joanna Zietara
       
      Valuable copies that can be sold.
  • Immediacy --
    • Joanna Zietara
       
      A valuable copy has immediacy. Time is very crucial, therefore a copy rises in value depending on its release date. A copy that is delivered to your inbox at the time of a completed production is much more valuable than a copy that is a week old and can be easily attained on the internet for free. The example used here is people and movie theaters. People will pay to see a movie the day it comes out even though they can see it on tv for free a year later.
  • Personalization -
    • Joanna Zietara
       
      Any copy that is "personalized" or "tweaked" is a lot more valuable than a generic version. Companies can "tweak" their product in order to appeal to a person based on their interests or previous products. That makes the copy much more valuable because it is original. The example used here is Aspirin. Aspirin is free but Aspirin tailored to your DNA is expensive.
  • Interpretation
    • Joanna Zietara
       
      A copy of something can be free, but the interpretation or meaning of the copy can be expensive.
  • Authenticity --
    • Joanna Zietara
       
      A buyer may be charged for a documents authenticity. The buyer is then sure that they are getting the authentic version of the document and that it is bug free.
  • Accessibility -
    • Joanna Zietara
       
      Backing up documents and copies is becoming more and more popular as people on the go do not have the time to keep their things tidy.
  • Embodiment --
    • Joanna Zietara
       
      The actual physical document may be expensive while the copy online may be free.
  • Patronage
    • Joanna Zietara
       
      Paying for a copy that is free simply because one is a fan or because they appreciate the work.
  • Findability --
    • Joanna Zietara
       
      An easily accessible document is more valuable taking the amount of documents in consideration.
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