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Guillermo Santamaria

Digital Domain - Will Piracy Become a Problem for E-Books? - NYTimes.com - 11 views

  • But e-books won’t stay on the periphery of book publishing much longer. E-book hardware is on the verge of going mainstream. More dedicated e-readers are coming, with ever larger screens. So, too, are computer tablets that can serve as giant e-readers, and hardware that will not be very hard at all: a thin display flexible enough to roll up into a tube.
  • With the new devices in hand, will book buyers avert their eyes from the free copies only a few clicks away that have been uploaded without the copyright holder’s permission? Mindful of what happened to the music industry at a similar transitional juncture, book publishers are about to discover whether their industry is different enough to be spared a similarly dismal fate.
    • Guillermo Santamaria
       
      This is what has been predicted for a time now by visionaries like Kevin Kelly and others. The publishers will have to come up with a new business model. Of course authors and publishers have to make money! But they can no longer do it by keeping knowledge and thoughts away from the public. The internet is democratizing all knowledge. The model of charging someone for information will have to change.
  • Total e-book sales, though up considerably this year, remained small, at $81.5 million, or 1.6 percent of total book sales through July.
    • Guillermo Santamaria
       
      This is partly because of the resistance of some publishers to see Amazon as their friend. Despite their high-tech approach they are still following an outdated business model. They are a transitional force.
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  • We do know that people have been helping themselves to digital music without paying. When the music industry was “Napsterized” by free file-sharing, it suffered a blow from which it hasn’t recovered.
    • Guillermo Santamaria
       
      This is a curious statement to make since record companies for decades have been "helping themselves" to the work of artists, stealing from them and in some cases not even paying them royalties (James Brown).
  • Publishers and authors are about the only groups that go unmentioned. Ms. Scheid, of RapidShare, has advice for them if they are unhappy that her company’s users are distributing e-books without paying the copyright holders: Learn from the band Nine Inch Nails. It marketed itself “by giving away most of their content for free.”
    • Guillermo Santamaria
       
      Why are they not listed? Because publishers and authors of the magnitude they speak of are NOT "ordinary citizens."
  • After verifying that each file claiming to be the book actually was, Attributor reported that 166 copies of the e-book were available on 11 sites. RapidShare accounted for 102.
    • Guillermo Santamaria
       
      This attempt to stop one site will fail because hundreds of others will spring up until they give up trying to stop it.
  • My book reappeared on RapidShare a few days after it was taken down
    • Guillermo Santamaria
       
      Of course!!!!
  • A report earlier this year by the International Federation of the Phonographic Industry, based on multiple studies in 16 countries covering three years, estimated that 95 percent of music downloads “are unauthorized, with no payment to artists and producers.”
    • Guillermo Santamaria
       
      The new age is coming. New business models have to be formulated. Copyright laws have become the enemy of progress and human advancement.
    • Guillermo Santamaria
  • as soon as authors can pack arenas full and pirated e-books can serve as concert fliers.
    • Guillermo Santamaria
       
      This is just ONE business model that happens to apply to the music industry. There are OTHER models that will apply to the publishing industry.
Guillermo Santamaria

Jane Friedman Starts Open Road Integrated Media, an E-Book Company - NYTimes.com - 0 views

  • Electronic “is going to be the center of the universe,” said Ms. Friedman, a flamboyant and relentless booster of authors during her four-decade career in New York publishing. “We really think that what we’re going to do is to help transform the industry, which is built on models that we all know are broken.”
  • Although she provided few specifics, Ms. Friedman said Open Road would use a new proprietary online marketing platform to promote backlist titles on blogs, Twitter and social networking sites.
  • Because many authors signed print contracts before the growing world of e-books was contemplated, many older works are not currently available in official e-book form. Ms. Friedman has secured a contract to publish Joseph Heller’s “Catch-22” in an e-book edition and is negotiating with the estate of Michael Crichton for the e-book rights to several titles.
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  • And publishers including Penguin Group USA, Simon & Schuster and Scholastic have recently introduced books that intersperse video content into text.
Guillermo Santamaria

Amazon.com: Googled: The End of the World As We Know It (9781594202353): Ken Auletta: B... - 0 views

  • In the end, I was misled by the subtitle of the book, "The End of the World as We Know It," into hoping it offered a view of the future. Given the fact that I read the book in paper format, I should have known that this was a long shot. Our view of the future is constantly changing, and it is an unrealistic expectation to hope that a book author can make predictions that will a) stand up to the delay between idea formulation and publication and b) avoid being leaked and widely distributed on the web prior to publication.
    • Guillermo Santamaria
       
      This is exactly why paper book publishers will never make it in this new digital world.
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