Indie Nation

Of course, internet access has already been spreading to the far corners of the planet without any "help" from the ITU. Over two billion people are already online, representing about a third of the planet. And, yes, spreading that access further is a good goal, but the ITU is not the player to do it. The reason that the internet has been so successful and has already spread as far as it has, as fast as it has, is that it hasn't been controlled by a bureaucratic government body in which only other governments could vote. Instead, it was built as an open interoperable system that anyone could help build out. It was built in a bottom up manner, mainly by engineers, not bureaucrats. Changing that now makes very little sense.

And that's the thing. The internet works just fine. The only reason to "fix" it, is to "break" it in exactly the way the ITU wants, which is to favor a few players who have done nothing innovative to actually deserve it.

If there’s one thing that needs constant reminding, it’s the explicit purpose of the copyright monopoly. Its purpose is to promote the progress of human knowledge. Nothing less. Nothing more.

[Congress has the power] to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.

has the power, and not the obligation

A ruling handed down yesterday by Germany's highest court represents a blow to rightsholders in their quest to clamp down on illicit file-sharing. The court ruled that the parents of a teenager who had made available more than 1,100 songs on file-sharing networks can not be held responsible for their son's infringements, nor be required to monitor or hinder his online activities.

The Court ruled that the parents had met their parental obligations when they informed their child of "basic do's and don'ts" including that file-sharing copyrighted content online is illegal. Furthermore, the Court ruled that the parents were not required to monitor their child's online activities nor install special software to restrict his online behavior. This would only be required should the parents have "reasonable grounds" to presume that their child would engage in infringing activities online.

More unusually, the attacks also employed a rapidly changing array of methods to maximize the effects of this torrent of data. The uncommon ability of the attackers to simultaneously saturate routers, bank servers, and the applications they run—and to then recalibrate their attack traffic depending on the results achieved—had the effect of temporarily overwhelming the targets."This very well could be a kid sitting in his mom's basement in Ohio launching these attacks." "It used to be DDoS attackers would try one method and they were kind of one-trick ponies," Matthew Prince, CEO and founder of CloudFlare, told Ars. "What these attacks appear to have shown is there are some attackers that have a full suite of DDoS methods, and they're trying all kinds of different things and continually shifting until they find something that works. It's still cavemen using clubs, but they have a whole toolbox full of different clubs they can use depending on what the situation calls for."

Industry organizations have abandoned litigation efforts, and many copyright owners now compete directly with infringing products by offering licit content at a price of $0.

This sea change has ushered in an era of “copyright freeconomics.” Drawing on an emerging body of behavioral economics and consumer psychology literature, this Article demonstrates that, when faced with the “magic” of zero prices, the neoclassical economic model underpinning modern U.S. copyright law collapses. As a result, the shift to a freeconomic model raises fundamental questions that lie at the very heart of copyright law and theory. What should we now make of the established distinction between “use” and “ownership”? To what degree does the dichotomy separating “utilitarian” from “moral” rights remain intact? And — perhaps most importantly — has copyright’s ever-widening law/norm divide finally been stretched to its breaking point? Or can copyright law itself undergo a sufficiently radical transformation and avoid the risk of extinction through irrelevance?

The other interesting bit of the report is Newman's suggestion that an interesting proposal for changing copyright laws that might actually make traditional "maximalists" and "minimalists" both happy is to increase more moral rights for copyright -- and allow copyright holders to effectively choose if they want to enforce the "economic" rights to exclude by going after statutory damages, or, alternatively, enforce the "moral" rights to protect their reputation. His argument is that this might fit better with the nature of content creation today: