To the public, these men are members of a familiar fraternity, presented tens of thousands of times on television and radio as "military analysts" whose long service has equipped them to give authoritative and unfettered judgments about the most pressing issues of the post-Sept. 11 world.
Hidden behind that appearance of objectivity, though, is a Pentagon information apparatus that has used those analysts in a campaign to generate favorable news coverage of the administration's wartime performance, an examination by The New York Times has found.
EDIT: The above link doesn't direct to the proper page. Try this one: http://www.nytimes.com/2010/09/03/technology/03youtube.html?_r=2
This article is from the New York Times, written by Claire Cain Miller and published on September 2nd, 2010. It discusses how copyrighted work is dealt with on YouTube, a video-viewing website currently owned by Google. A system called Contend ID is used to recognize videos/music that match up to material provided by copyright owners. Said owners can decide if the content should be taken down or left up. For example, someone uploaded a clip of Mad Men, a show owned by Lion's Gate. The clip was not taken down, because the revenue gotten from the advertisements surrounding the clip was enough to convince the copyright holders that leaving the video up was beneficial. This is because the money made off of YouTube ads is split between Google and the owner of the copyright, so both sides profit, legally.