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David Hilton

American Journeys: Eyewitness Accounts of Early American Exploration and Settlement - 2 views

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    "American Journeys contains more than 18,000 pages of eyewitness accounts of North American exploration, from the sagas of Vikings in Canada in AD1000 to the diaries of mountain men in the Rockies 800 years later."
Ed Webb

Modern art was CIA 'weapon' - World, News - The Independent - 6 views

  • The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
  • in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
  • The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
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  • Initially, more open attempts were made to support the new American art. In 1947 the State Department organised and paid for a touring international exhibition entitled "Advancing American Art", with the aim of rebutting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his Hottentot remark and one bitter congressman to declare: "I am just a dumb American who pays taxes for this kind of trash." The tour had to be cancelled.
  • This philistinism, combined with Joseph McCarthy's hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.
  • If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.
  • Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another
  • As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows. The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
  • "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
  • Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA. But look where this art ended up: in the marble halls of banks, in airports, in city halls, boardrooms and great galleries. For the Cold Warriors who promoted them, these paintings were a logo, a signature for their culture and system which they wanted to display everywhere that counted. They succeeded.
Rob Jacklin

American Centuries: History and Art from New England - 8 views

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    "Memorial Hall Museum Online American Centuries ...view from New England Explore American History with hands-on activities, exhibits, lessons, historic documents and artifacts."
Bob Maloy

First American Art - 3 views

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    An interactive exhibit on early American art from the National Museum of the American Indian.
Bette Lou Higgins

Eden Valley Enterprises -- Fifty Stars -- The B- Minus American Flag - 4 views

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    The creation of the 50 star American Flag by Robert Heft
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    Story of the creation of the 50 star American flag by a high school student, Robert Heft
Nate Merrill

Teaching American History - 2 views

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    Has a vast collection of documents and images on American history.
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    A leading online resource for American History teachers & students
Michael Sheehan

Learning Never Stops: Gilder Lehrman Institute for American History - An amazing resour... - 7 views

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    A tremendous resource for social studies teachers.
David Korfhage

The American Colonists Library - Revised and Updated Edition | The Best Schools - 6 views

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    A long and very comprehensive list of primary sources regarding colonial and revolutionary American history--which means it also includes some sources on early modern European history, esp. English history
Michael Sheehan

Learning Never Stops: Have Fun with History - educational videos on American history an... - 12 views

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    Large collection of videos about American history.
Heidi Pike

A Guide to the Spanish-American War (Virtual Programs & Services, Library of Congress) - 12 views

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    Library of Congress collection of materials on the Spanish American War
tcornett

MOOC | Eric Foner - The Civil War and Reconstruction, 1861-1865 | Sections 1 through 8 ... - 0 views

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    Youtube Playlist Learn about the political, social, and economic changes in the Union and the Confederacy and the Civil War's long-term economic and intellectual impact. A New Birth of Freedom: The Civil War, 1861-1865 narrates the history of the American Civil War. While the course examines individual engagements and the overall nature of the military conflict, the focus is less on the battlefield than on political, social, and economic change in the Union and the Confederacy. Central to the account are the road to emancipation, the role of black soldiers, the nature of Abraham Lincoln's wartime leadership, internal dissent in both the North and South, the changing position of women in both societies, and the war's long-term economic and intellectual impact. We end with a look at the beginnings of Reconstruction during the conflict. This course is part of the series, The Civil War and Reconstruction, which introduces students to the most pivotal era in American history. The Civil War transformed the nation by eliminating the threat of secession and destroying the institution of slavery. It raised questions that remain central to our understanding of ourselves as a people and a nation - the balance of power between local and national authority, the boundaries of citizenship, and the meanings of freedom and equality. The series will examine the causes of the war, the road to secession, the conduct of the Civil War, the coming of emancipation, and the struggle after the war to breathe meaning into the promise of freedom for four million emancipated slaves. One theme throughout the series is what might be called the politics of history - how the world in which a historian lives affects his or her view of the past, and how historical interpretations reinforce or challenge the social order of the present. See other courses in this series: The Civil War and Reconstruction - 1850-1861 The Civil War and Reconstruction - 1865-1890 "The Civil War and Recons
Nate Merrill

World War I - 4 views

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    The Gilder Lehrman Institute of American History
Nate Merrill

American History Textbook - 8 views

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    "American History: From Pre-Columbian to the New Millennium"
Nate Merrill

Postwar Politics and the Origins of the Cold War - 8 views

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    The Gilder Lehrman Institute of American History
Nate Merrill

The American Presidency Project - 3 views

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    "The American Presidency Project (americanpresidency.org), was established in 1999 as a collaboration between John T. Woolley and Gerhard Peters at the University of California, Santa Barbara. Our archives contain 104,815 documents related to the study of the Presidency."
Aaron Palm

Edited by Eric Foner and Manning Marable / Herbert Aptheker on Race and Democracy: A Re... - 0 views

  • This reader collects fourteen influential essays by Herbert Aptheker (1915–2003) on the African American experience. Written with passion and eloquence, they are full of ideas originally dismissed by a white, segregated academy that have now become part of the scholarly mainstream. Covering topics including slave resistance, black abolitionists, Reconstruction, and W. E. B. Du Bois, these essays demonstrate the critical connection between political commitment and the advancement of scholarship, while restoring Aptheker's central place as one of the founding scholars in the development of African American studies.
    • Aaron Palm
       
      Herbert Aptheker was a member of the American Communist Party and worked to write revisionist history that separated America from its founding
David Hilton

American Shores - Maps of the Middle Atlantic Region to 1850 - 0 views

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    "The Mid-Atlantic region of North America - stretching from New York south to Virginia - was a pivotal area in the early development of the American colonies and the United States. This website looks at this region and its history through maps created up to 1850." Cool.
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    The Mid-Atlantic region of North America - stretching from New York south to Virginia - was a pivotal area in the early development of the American colonies and the United States. This website looks at this region and its history through maps created up to 1850
David Hilton

American Memory from the Library of Congress - List All Collections - 0 views

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    This is an enormous, diverse collection of images and audio files based around US history. It's a very eclectic collection so tagging was difficult. If you're doing anything on American culture this would probably be helpful.
David Hilton

NYPL Digital Schomburg Images of African Americans from the 19th Century - 0 views

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    An excellent collection of images on African-American or indeed American social history in the C19th.
David Hilton

The Spanish-American War in Motion Pictures - 2 views

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    A presentation of 68 motion pictures recording images of that American adventure in old-style colonialism, the Spanish-American War. Filmed in the US, Cuba and the Philippines.
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