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"He cites Socrates's parable of the Egyptian god Theuth and how he invented writing, offering it as a gift to the king of Egypt, Thamus, who met the present with defiant indignation: This discovery of yours will create forgetfulness in the learners' souls, because they will not use their memories; they will trust to the external written characters and not remember of themselves. The specific which you have discovered is an aid not to memory, but to reminiscence, and you give your disciples not truth, but only the semblance of truth; they will be hearers of many things and will have learned nothing; they will appear to be omniscient and will generally know nothing; they will be tiresome company, having the show of wisdom without the reality."

"When we sit down to try thinking up new ideas, it doesn't feel like we're connecting things. It feels like a strain-like you're trying to create something out of nothing. But the truth is, ideas really do come from connections." Intereresting article that can be applied to the way teachers plan AND the experiences that students have in the classroom.

"How did Gladwell misconstrue it? Aside from not having copied the numbers from the actual paper correctly for his book? He says that there is a perfect correspondence between practice and the level of expertise a person attains. And you can't tell that from the paper. The 10,000 hours is an average of differences. You could have two people in any endeavor and one person took 0 hours and another took 20,000 hours, which is something like what happened with two high jumpers I discuss in the book. One guy put in 20,000 and one put in 0, so there's your average of 10,000 hours, but that tells you nothing about an individual. Now, Gladwell doesn't say there's no such thing as genetic talent. I think other writers are stricter than him. [Matthew Syed's] Bounce is a book that minimizes talent. Gladwell does say elite performers are more talented. One of the things that Ericsson criticizes Gladwell about is to say that 10,000 hours is some kind of rule. The paper just says that these performers by the age of 20, these performers have accumulated 10,000 hours but there's no where that says it's a magical number where that's when they become elite or anything like that. These people, by the time they go into their professional careers, have way more than that. That's just where they were when they're 20 as an average, not even to mention their individual differences."