"I had tried everything from the traditional book report style assessment to more creative movie trailers, but I didn't feel like they accomplished what I wanted from a silent sustained reading assessment. It wasn't until I went to a book club meeting with some friends that inspiration struck. At our book club meetings we ate food, drank wine, and talked about literature for hours. Why couldn't our SSR assessment be more like that? (Sans the wine, of course.) I thought about what inspired me to read my book club books and the answer was that I really enjoyed that evening of food, conversation, and friends. So, I decided to design a book club style chat assessment for our silent sustained reading. The goal was to get my students having conversations about their various books. Ultimately, I hoped they would turn each other on to titles they had read and enjoyed. Below is a brief overview of the assignment. I've also included a link to a Google document with a detailed explanation of the assignment for any teacher interested in using it!"

"In addition to making it clear to students what learning goals will be covered and required of them through the rubric or performance framework, students need constructive feedback in order to improve. But feedback isn't always appropriate; there are times when it's very effective and other times when it can be a waste of precious energy. "Assessment is really time consuming and exhausting," Staff said. "So when I do it, and give a lot of meaningful feedback, I want to do it at a time that it will help them to improve." Students don't want to know how they could have done better after they've already turned in the project. Peer assessment is another way for students to gain valuable input on how they can iterate on an idea or project, helping to push towards another, better version."

"Ingersoll studies teacher turnover and retention at the University of Pennsylvania. One of the reasons teachers quit, he says, is that they feel they have no say in decisions that ultimately affect their teaching. In fact, this lack of classroom autonomy is now the biggest source of frustration for math teachers nationally. I spoke with Ingersoll to ask him about his research and what schools can do to fix the problem."

"When mistakes become learning opportunities, everything changes. Students take more risks, think in new ways, cheat less, and solve mysteries that had previously eluded them. Here are some things that we can do in the classroom to change this defeating way of thinking, including both formal and informal evaluation processes:"

"Voice is perhaps one of writer's most important traits and also one of the hardest to discover. Because you already have a unique voice, you just have to nail it down on the page. Record yourself telling a story. There are details you use, the way you move your body (or don't), your facial expressions, the way you move your hands (or don't), all of that is specific to you. It's part of your voice and getting that down on the page is so very important to you as a writer. The only way to uncover your voice is to write and read a lot, then write and read some more. Record yourself telling your stories and transcribe them. Consider the stories that matter to you and why and how that shapes how you tell them. Consider what's more powerful, the way you tell a story to your friends or when you write it down? Why? Who told you that there was only one way to write and real writers, established writers, writers who mean anything, write this way?"

"If PBL is to become a powerful, accepted model of instruction in the future, a vocabulary change may be in order - preferably to the term project based inquiry. It's time to not only address the flaws in PBL, but to reinvent it in a way that leads to deeper learning, creative inquiry, and a better fit with a collaborative world in which doing and knowing are one thing. Here are thoughts about five areas in which PBL needs to move forward."

"The real question we should be asking is, "What do we believe should happen after the end of the school day to help ensure that students retain what they have learned and are primed to learn more?" Any answer with the word, "work" in its name, as in "homework," is not typically going to be met with eagerness or enthusiasm by students. Ideally, we want children to understand that they are always learners. In school, we refer to them as "students" but outside of school, as children, they are still learners. So it makes no sense to even advertise a "no homework" policy in a school. It sends the wrong message. The policy should be, "No time-wasting, rote, repetitive tasks will be assigned that lack clear instructional or learning purposes.""

"The Gallup Student Poll is an online poll made up of 20 well-researched questions designed to assess the hope, engagement, and wellbeing of students in the U.S. The poll takes eight to ten minutes to complete, and is entirely free to any public or private school in the United States. After your students complete the poll, you will receive a detailed report on the engagement level at your school. This report can be monumental in discovering elements of your school community that can be improved upon to increase student engagement. The act of administering the Gallup Student Poll, or any poll designed to research student engagement, is also an excellent opportunity to connect with your students. Explain to them why you're asking them to complete the poll and let them know that their school cares about their wellbeing. Reassure your students that you are listening to their feedback and that the results will be studied carefully and acted upon. Once you have a good idea of how engaged your students are, you can start to create activities and programs to increase their engagement."

"Kaizena voice feedback. To be clear, this isn't a Google project, but rather an app that integrate with Google Drive to work its magic. But what (simple) magic it allows: cloud-based, tablet-friendly voice feedback and commenting for documents, allowing you to provide thorough feedback and guidance for writers without making endless notes in tiny margins on papers that can get misinterpreted or lost."

"What do students learn from the experience? "They enjoy it so much that they don't realize they're learning at the highest level," says Alexa Schlechter, a 10th-grade English teacher at Norwalk High School in Connecticut, who had never used a podcast in class before trying "Serial." Listening to and engaging with "Serial" helps many students address one of the main challenges in developing their analytical skills: getting beyond simple explanations of what happened, and figuring out how and why an event occurred, she says. Poring over text of the transcripts in class to uncover answers, students also develop their critical reading skills, she says. (See how students answered questions about discrepancies between the cell phone records and Jay's testimony at Schlechter's blog.) Students publicly debated Syed's guilt or innocence in Godsey's classes, addressing a Common Core standard to improve speaking skills, and worked together with other students to create their own podcasts or present mock closing arguments."

"The Scholastic Kids & Family Reading ReportTM: Fifth Edition is out and offers a snapshot of where young people are when it comes to reading independently. Here are some of the findings of a nationally representative survey conducted last fall by Scholastic in conjunction with YouGov. Some of the results are surprising, including the fact that kids prefer to read books in print. Following the findings is an analysis of what they mean for parents and teachers:"

"The Life of Poetry is a sublime read in its entirety. Complement it with James Dickey on how to enjoy poetry, Edward Hirsch on how to read a poem, and Mary Oliver on the secret of great poetry."

"These rules were originally tweeted by Emma Coats, Pixar's Story Artist. "

" I'd been teaching writing all wrong! I'd dangled the carrots of prizes and threatened with the sticks of docked points for misplaced modifiers. But sometimes, I also got it right. Before, I'd let students choose prompts and readings as much as possible, providing autonomy. After reading Pink, I learned to unbend myself, make deadlines more flexible, and shape the writing process more to fit the student. Now, my students feel more control over their process. Before, I'd encouraged my students to write for real audiences as summative assessments. Now, I encourage students to write to real people for real purposes throughout the school year -- their own blogs, each other, me, their principal, their Congressional representatives, and the world. Before, I'd embedded grammar instruction in writing process and had students keep their work to casually notice their progress once a year. Now, I conference four times a year with students about portfolios of their work -- an ongoing conversation about writing goals of their choosing. I explicitly teach metacognition, or how to talk and write about their writing."

"As a long-time Member of Congress and first-time novelist, I've wondered how Harper Lee's character would do in a world where bedrock principles turn to muck-shaped and glazed by pollsters and media consultants. How would soft-spoken Atticus Finch come across on cable news spew? Could he survive some SuperPAC's million-dollar TV ad assault? Would a six-figure opposition research report make him consider the benefits of, say, corporate litigation instead of defending the poor and oppressed? "

"Closely reading any text, whether written or visual, requires that students proceed more slowly and methodically, noticing details, making connections and asking questions. This takes practice. But it certainly helps when students want to read the text. We've selected 10 photos from The Times that we've used previously in our weekly "What's Going On in This Picture?" and that have already successfully caught students' and teachers' attention. These are some of our most popular images - ones that may make viewers say "huh?" on first glance, but that spark enough curiosity to make them want to dig deeper. Below, we offer ideas from students and teachers who have engaged with these images for ways to use them, or images like them, to teach close reading and visual thinking skills."

" In this wonderful animated essay, they extol the value of books in expanding our circle of empathy, validating and ennobling our inner life, and fortifying us against the paralyzing fear of failure."

"What is one thing you feel supremely qualified to teach other people? This should be in stated in only a few words. Critical thinking. How to communicate. The elegance of architecture. Living through music. How to read. You don't have to be an expert here, you just have to love it deeply. And answer honestly. Now, who should you do this kind of work for? Who needs to understand this, almost as a matter of life and death? Whose life won't be the same without it? Who do you feel most natural and engaged around? There's your audience. Next, what exactly do these people want or need? How will you need to "package" and deliver this gift you feel supremely qualified to teach? If you're qualified to "give" it, this part has to reflect that. How are they going to change as a result? Now, put it all together in one sentence. There's your purpose"

Interesting advice on literary analysis essay writing: "There should be more or less of a jumble in your head or on your note paper after the first time and even after the second. Much that you will think of in connection will come to nothing and be wasted. But some of it ought to go together under one idea. That idea is the thing to write on and write into the title at the head of your paper… One idea and a few subordinate ideas - [the trick is] to have those happen to you as you read and catch them - not let them escape you… The sidelong glance is what you depend on. You look at your author but you keep the tail of your eye on what is happening over and above your author in your own mind and nature."