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The first program on the list, "Teachers and writers together: A look at student-staffed writing centers" is a great resource for peer tutoring from the National Writing Project. Offers suggestions and strategies for bringing students onto the staff at our writing center. Also shares benefits for peer tutors.

Good reminders on skills first, technology second and the ongoing PD peer support needed

"At the beginning of the writing process, I have had students write silently. For it to be successful, in my experience, students need plenty of topics handy (self-generated, or a list of topics, questions, and prompts provided). Silent writing is a wonderful, focused activity for the brainstorming and drafting stage of the writing process. I also think it's important that the teacher write during this time, as well (model, model, model). However, when it comes to revising, and later, editing, I think peer interaction is necessary. Students need to, for example, "rehearse" words, phrases, introductions, and thesis statements with each other during the revision stage."

"In the first large-scale analysis of new systems that evaluate teachers based partly on student test scores, two researchers found little or no correlation between quality teaching and the appraisals teachers received. The study, published Tuesday in Educational Evaluation and Policy Analysis, a peer-reviewed journal of the American Educational Research Association, is the latest in a growing body of research that has cast doubt on whether it is possible for states to use empirical data in identifying good and bad teachers."

How an AP teacher uses Google Drive successfully.

"A novelist scrawling away in a notebook in seclusion may not seem to have much in common with an NBA player doing a reverse layup on a basketball court before a screaming crowd. But if you could peer inside their heads, you might see some striking similarities in how their brains were churning. That's one of the implications of new research on the neuroscience of creative writing. For the first time, neuroscientists have used fMRI scanners to track the brain activity of both experienced and novice writers as they sat down - or, in this case, lay down - to turn out a piece of fiction."

Arthur Levine has spent much of his career writing about how tough it is for poor minority kids to get into college. But rarely has this widely respected educator and former president of Teachers College at Columbia University written more urgently than in his latest book, Unequal Fortunes.It was a journey that took him back to his childhood in the South Bronx to figure out why he made it and why most kids living there now don't. "My hope is that this book shows this community is isolated not by choice but by circumstance, and I hope that it shows that the community is a dangerous one to live in. It's hard to blame them for conditions like that," Levine says.Unlike so many of Levine's books, Unequal Fortunes is not just about failed institutions and policies. It's more of a plea for readers to peer into poor children's harrowing lives and become advocates for what Levine calls a Schindler's List kind of change - maybe not to save all children but to rescue as many as possible.

This is the site for a student-staffed writing center at Clarkstown High School in NY. It began as a teacher-staffed center, but it became too burdensome for teachers alone to help the high volume of kids, so they brought in peer tutors. Now it is almost entirely student run. Now there is at least one teacher in the center at lunch and after school, but he or she works as a mentor to the student tutors. 

"In addition to making it clear to students what learning goals will be covered and required of them through the rubric or performance framework, students need constructive feedback in order to improve. But feedback isn't always appropriate; there are times when it's very effective and other times when it can be a waste of precious energy. "Assessment is really time consuming and exhausting," Staff said. "So when I do it, and give a lot of meaningful feedback, I want to do it at a time that it will help them to improve." Students don't want to know how they could have done better after they've already turned in the project. Peer assessment is another way for students to gain valuable input on how they can iterate on an idea or project, helping to push towards another, better version."

"The Harkness method of teaching and learning is a discussion-based education method involving small groups of students (usually 8-12) seated around an oval table to share thoughts and ideas and to learn good reasoning and discussion skills. These discussions involve minimal interjection from instructors in order to encourage student engagement. The challenges for each participant in a Harkness discussion will vary. For example, students who are naturally outgoing and comfortable speaking in front of their peers are challenged to listen more and encourage introverted students to share their thoughts. This educational method requires students to share their unique insights while listening to the insights of others and treating each other with respect."

"Op-ed writing gives us the chance to delve into an issue we're passionate about and illuminate its importance for our readers. It's a powerful genre-with new research revealing the op-ed really does change people's minds. This month, we were honored to have writer, advocate and activist Dr. Anita Heiss with us. As our Guest Judge, Dr. Heiss offered invaluable advice on how to write an op-ed capable of catalyzing change. And today, after considering your compelling arguments, Dr. Heiss is eager to share her picks for Best Entry, Runner Up and Best Peer Review! Read on for her commentary on these original works. We want to send a special thanks to the Journalism Education Association for collaborating with us on this competition and for their commitment to helping young writers find their voice through journalism. "

"Dialogue is at the heart of the programme. With Generation Global, teachers can transport their classes across the world in a single afternoon. Online and through videoconferences, students interact directly with their peers around the world, engaging in dialogue around issues of culture, identity, beliefs, values, and attitudes."

"Forty-four years later, I wonder how he would have responded to my paper, and I am still singing the five-paragraph-theme blues, having fought the template's rigid lessons ever since.  I also know, from what scores of college students have reported to me (and from students Jennifer Gray interviewed), that it also gets in the way of other writers. Conversely, students tell me that what interests them in writing is teachers engaging them in real composing problems: Giving choice in topic; experimenting with different kinds of writing for a variety of audiences and purposes; and providing opportunities for thoughtful, in-process feedback from multiple sources-teachers, parents, peers, and others. (See post by  Ken Lindblom for more suggestions.) And the more students are interested in writing, the more motivated they are to improve, just as my neighbor who spends hours, weeks, and months on his skateboard wants to get better at his skateboarding skills-falling off, sometimes dramatically, but always getting back up and trying again.  He's interested in skateboarding, is willing to concentrate on that, and has gotten pretty good.  In the same way, if we get our students interested in their writing, they too will develop their writing skills.  From amazing teachers like Donald Graves and Donald Murray, Nancie Atwell, Kelly Gallagher, and Penny Kittle, we have a wealth of ideas about how schools can nurture joy and purpose in novice writers and how we can bring authentic writing experiences into our classrooms."

"Building a classroom culture of feedback requires scaffolding and a safe, nurturing environment, but it's worth the effort, teachers say."

Cool idea - my son Connor has a reading and writing buddy who is in 7th grade.