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"To read a text closely one must only rely on the words in the text and their relationships to each other. They don't turn to other sources. Close readers learn to notice metaphors or symbols, interesting juxtapositions of information, ambiguities, and the like (clues authors might have left behind to reveal the text meaning to those who read closely).             The Common Core State Standards require that we teach students to be close readers-to not only grasp the literal and inferential meanings of a text, but to understand how an author's word choices and structures convey higher-level meanings; how to figure out the subtler aspects of a text.             As such, close reading only makes sense is if texts have deeper meanings. If there aren't deeper meanings requiring such text analysis, then close reading would have no value. That means close reading requires certain kinds of text complexity."

"Most teachers make an effort to get to know their students, and many regularly distribute surveys at the start of each school year to speed up that process. The problem is, most teachers read these surveys once, then file them away. Sure, they might have every intention of returning to the surveys and reviewing them later, but far too often, that time never comes. We rely on our day-to-day interactions for relationship building, and although we get to know some students quite well this way, others just fade into the background. A 360 Spreadsheet is a place for teachers to store and access the "other" data we collect on our students, giving us a more complete, 360-degree view of each student. It's a single chart that organizes it all and lets us see, at a glance, things we might otherwise forget. Many teachers already keep track of students' birthdays. Think of this as a birthday chart on steroids. Figure 10-1 is just one possible version of a 360 Spreadsheet:"

"What is your favorite food? How would you describe it? Using the sample descriptions in the article as mentor texts, compose a two or three-sentence description of your favorite food, using figurative language and unusual comparisons."

"Two years ago, Griffith was one of 10 students at the Lawton C. Johnson Summit Middle School, in New Jersey, to be selected for the school's first TEDx program. Modelled on the popular TED talks, TEDx allows community organizations, towns and schools to put on their own version of a TED talk, featuring local experts, authorities or even teenagers, rather than nationally recognized figures. More than 10,000 TEDx events have been held around the world since the program was launched in 2009, including those put on by schools like the one in Summit. To be recognized as an official TEDx event, organizers need to apply online for licensing and agree to TED's detailed set of by-laws. What's critical to the success of a youth-run TEDx program is the active participation of a teacher, says Salome Heusel, Deputy Director of TEDx."

Arthur Levine has spent much of his career writing about how tough it is for poor minority kids to get into college. But rarely has this widely respected educator and former president of Teachers College at Columbia University written more urgently than in his latest book, Unequal Fortunes.It was a journey that took him back to his childhood in the South Bronx to figure out why he made it and why most kids living there now don't. "My hope is that this book shows this community is isolated not by choice but by circumstance, and I hope that it shows that the community is a dangerous one to live in. It's hard to blame them for conditions like that," Levine says.Unlike so many of Levine's books, Unequal Fortunes is not just about failed institutions and policies. It's more of a plea for readers to peer into poor children's harrowing lives and become advocates for what Levine calls a Schindler's List kind of change - maybe not to save all children but to rescue as many as possible.

"As a long-time Member of Congress and first-time novelist, I've wondered how Harper Lee's character would do in a world where bedrock principles turn to muck-shaped and glazed by pollsters and media consultants. How would soft-spoken Atticus Finch come across on cable news spew? Could he survive some SuperPAC's million-dollar TV ad assault? Would a six-figure opposition research report make him consider the benefits of, say, corporate litigation instead of defending the poor and oppressed? "

"A while ago, I wrote a post called Doing It Differently: Tips for Teaching Vocabulary which spells out (get it?) the process and rationale for selecting certain vocabulary words and also describes six steps for teaching new words. Here, I'm going to add to that earlier musing on this topic by offering up some must dos that took me a few years down the teaching road to figure out."

"What do students learn from the experience? "They enjoy it so much that they don't realize they're learning at the highest level," says Alexa Schlechter, a 10th-grade English teacher at Norwalk High School in Connecticut, who had never used a podcast in class before trying "Serial." Listening to and engaging with "Serial" helps many students address one of the main challenges in developing their analytical skills: getting beyond simple explanations of what happened, and figuring out how and why an event occurred, she says. Poring over text of the transcripts in class to uncover answers, students also develop their critical reading skills, she says. (See how students answered questions about discrepancies between the cell phone records and Jay's testimony at Schlechter's blog.) Students publicly debated Syed's guilt or innocence in Godsey's classes, addressing a Common Core standard to improve speaking skills, and worked together with other students to create their own podcasts or present mock closing arguments."

Seven minute video on storytelling: "For the award-winning writer George Saunders, the process of crafting a good story means not condescending to your reader. It means creating sentences that clue them into something unnoticed about the character, and allowing them to figure it out. "A bad story is one where you know what the story is and you're sure of it," he says in this short film, George Saunders: On Story."

"While individual efforts are valuable, students can learn the skills of collaborating on civic issues by working together as a whole class. Here are the five broad steps they should follow: Identify issues important in their lives and community, and decide on one to address. Research the chosen issue and decide how to change or improve the situation. Plan an action, including determining a goal for change; identifying who or what body in the community has power to make the change; and deciding how to approach that person or those people. Carry out the action through letters, talks, meetings with officials, policy proposals, and activities, depending on the specific goals of the project. Reflect on the effort when it is over in order to understand their successes, challenges, and ways to continue learning in the future. Two features are especially crucial to making the experience authentic and empowering. First, students must own the key choices and decisions and figure out solutions to problems themselves, so they discover that they can do this. The teacher facilitates the work, of course, but leaves as much of the decision-making as possible to the students. Second, the work should culminate in some action focused on change in the school or community. It's not enough to just talk about change, practice mock legislatures, or serve in a soup kitchen (as valuable as these activities may be). Only when students see adults listening to them with respect, do they realize they have a voice and can make a difference in their world. Their efforts may not always succeed, but in being heard they come to value the studying, reading, writing and planning that they have done."

"Pace yourself. You don't have to cover everything. If they don't read that play by Shakespeare, they will still live to be fine old people. Don't put too much pressure on yourself. Don't put too much pressure on your students. It's not just a matter of taking what I do offline online. I've shortened my units because of the coronavirus. I have a lot of working parents; now they have kids at home. I can't ask them to do a 25-page paper on pronouns in Shakespeare. Figure out what's really essential for learning, and what can be let go in the next three months. For my composition students, for example, my primary focus is always helping them express ideas clearly and coherently. I'm less concerned about the genre of writing or how long it is. I can do that a paragraph at a time. For my more advanced students, they need to learn research skills: how to locate, evaluate, and use information. Online learning offers great opportunities for that, including with what's going on in the news right now. For my literature students, my emphasis is helping them understand stories that come from cultures other than theirs. Are they able to see the humanity and connections across the stories? That's essential. Whether they remember all of the characters and the authors-that's not essential. This is a great time to individualize instruction and have students work at different paces. You don't want 100-120 papers coming at you all at one time. Spread it out, and it will keep you from getting short-tempered with your students. I've got some students who won't turn on a camera in their house. They don't want you to see inside their house for various reasons. Be aware of it; be very sensitive and careful with human beings. Be prepared to let your students teach you. Students can be great help to us. Be each other's tech support."

In a connected world, information comes at us constantly, whether we choose it or not, and we must each figure out a way to navigate it. Not for a school assignment, but for our real lives. So we've proposed an experiment. We're running a challenge that invites students to think deeply about their own relationships with news, and devise personal "news diets" that work for them. It runs from Nov. 2 to Dec. 22, 2017, and any teenager anywhere in the world can participate. The challenge has three steps: 1. Do a personal "news audit" to observe the role of news in their lives right now. 2. Experiment with their "news diets" in some way to find new sources that address any lacks they found. 3. Write a short essay or produce a short video that reflects on the process and what they learned. What did they discover about their news habits before and after they did the challenge - and what can they say about the role of news in their lives in general?

"Varya Kluev, a NJ high school student and winner of our 2019 Personal Narrative Contest, tells us why metaphor is her "go-to tool" whenever she wants to add flair to her writing."