Group items tagged

A critical view of how film adaptations change the discourse, reflexivity and meta-theatrical aspects of Shakespeare's plays. Sarah Hatchuel discusses the use of cutting and framing in Branagh's film versions and how his choices may lead the audience; but that this process, though often problematic, can still be true to the play's discourse.

"306 toy theatre prints portraying plays and actors in character, from the early- to mid-19th century; these prints comprise the visual materials in the William Appleton collection of theatrical correspondence and ephemera, 1697-1930."

A discussion of the variability of how Hamlet can be played, focusing on several recent (ie 2002) productions in New York City. I figure this article could be used if one were wanting to compare and contrast ultra-modern stagings of Hamlet with others from the past.