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Derik Dupont

Amazon.com, Macmillan Settle Price Dispute on E-Books - WSJ.com - 0 views

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    Amazon and Macmillan reached an agreement on e-book pricing, a pact that may serve as a model with other publishing companies. Amazon resumed selling Macmillan titles." />
Derik Dupont

Macmillan?s DynamicBooks Lets Professors Rewrite E-Textbooks - NYTimes.com - 0 views

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    Macmillan is introducing software that will allow college instructors to edit digital editions of textbooks without consulting the original authors or publisher.
Derik Dupont

Amazon Accepts Macmillan?s Demand for Higher E-Book Prices - NYTimes.com - 0 views

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    In a strongly worded message, Amazon said that while it disagreed with Macmillan's stance, it would accept the publisher's plan on e-book prices.
arnie Grossblatt

thedigitalist.net » DRM Is Not Evil - 3 views

  • The whole DRM debate is hardly a new one but it’s time someone in publishing said something positive for DRM. Yes, it often sucks, but it’s not evil.
  • My argument here is simple: if we want Harry Potter- the books, films, computer games, the whole phenomenon - then DRM has a role.
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    From the Pan Macmillan blog earlier this year. Please see the reader comments and the follow up post.
arnie Grossblatt

thedigitalist.net » Skills in the Digital Era part two - 0 views

  • in my view there is no need for a digital editor as such in a trade publishing house, rather an editor who understands the digital world:
  • it’s marketing that will have to continue to change the most to find new readers and new ways of reaching readers.
  • Writing that uses new media by incorporating visuals, sound, movies and so on in different delivery platforms such as the new Sony Reader, Alternate Reality Games mixing narrative and interaction by readers and contributors, self-published material, collaborative wikinovels and other kinds of informal, or extra-formal creativity, are exactly the kind of material that a traditional trade publishing house such as Pan Macmillan, however innovative, finds it very difficult to use, or even acknowledge, in a publishing process, and it’s unlikely to be seriously practical in the short term, which means until someone can think of a way to make money out of it, not least because digital projects are typically seen by customers and authors as free or very low-cost, when in fact they’re often more expensive than traditional ones because of the high set-up and development costs
  • ...3 more annotations...
  • two key issues: accuracy of conversion, which we set at 99.999999%, instead of some competitors’ 99.95%, and attending to the reader experience by providing accurate and appropriate metadata, which is one of the points I want to illustrate later on to show why I believe editors need new knowledge not new skills
  • What it needs to do instead is create a new post-publishing process, a sort of après-lit, which makes clever and effective use of reader involvement through websites and with social-networking tools, but that is familiar Web 2.0 material and outside the scope of this answer.
  • How much is digital going to change the way I work?’
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    One editor's take what endures and what changes for publishers and editors in the digital world.
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