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whoelscher

The Future Role of Agents | WritersDigest.com - 0 views

  • There’s a final dilemma. Publishers are now paying lower advances, releasing fewer titles and selling digital content at lower prices than print content (which in turn affects royalty payments to both agent and author). Assuming this is the new reality, there will be less money to go around for the number of agents now in business. Plus, will it be worth an agent’s time and energy to sell a project that doesn’t pay more than $1,500 upfront? Probably not. One agency has quietly come out with a new model that requires authors to pay a minimum commission—i.e., the agent must earn a minimum amount on a sale no matter what advance the publisher pays, which means authors would “share” a larger part of the advance upfront (or even pay out of pocket in the case of very low advances). Undoubtedly, there’s no shortage of aspiring writers who would be ecstatic to pay more to an agent if it meant securing a publishing deal. But such a model is sure to raise ethical concerns. Agents may take projects knowing they will ultimately be paid by authors rather than by publishers. Is the industry (that includes the author!) ready to accept such a shift in how agents profit?
whoelscher

The Most Common Grammar Gaffes Writers Make (and How To Avoid Them) - 0 views

  • The passive voice is weak, vague, and wordy. "New York publishers are being attacked by self-publishers" is not as powerful as "Self-publishers are attacking New York publishers." I search for every instance of "be" and "being" to eliminate as many instances of the passive voice as I can.
  • hyphenate two or more words used as an adjective—"social-media sites"
  • bulleted lists should maintain a parallel structure
  • ...1 more annotation...
  • Excessive adjectives and adverbs
whoelscher

The Digital Dilemma for Picture Book Publishers | Publishing Perspectives - 0 views

  • Although children sometimes read picture books by themselves, most of the dearest picture book experiences arise from an activity shared between parent and child. The parent is an actor, performing for the child; the two are teammates as they jointly explore illustrations.
  • moving a work that relies heavily on visual and spatial elements from one medium to another is extremely hard to do well.
  • Publishers must commission some digital-only picture books to explore what the creative possibilities are when print is not the starting point.
  • ...1 more annotation...
  • A straight e-book facsimile of a picture book pales in comparison to the print original and using one of these to compete with the various gorgeous iPad apps for children is like taking ink and paper to a video editing fight.
whoelscher

Somebody please tell me the path to survival for the illustrated book business - The Sh... - 0 views

  • When they’re illustrated to better explain, such as showing you how to knit a stitch or make a candle or a piece of jewelry, wouldn’t a video be a better option most of the time?
  • Books are illustrated for two reasons: beauty or explanatory purpose, more the latter than the former.
  • But the illustrated books are in the single-digit percentages most of the time, with some of the more successful categories in the very low double-digits.
  • ...5 more annotations...
  • This is in the US — two years or more after the launch of the iPad and Nook Color and nearly a year after the launch of the Kindle Fire. Poor sales of illustrated ebooks can no longer be attributed to a lack of devices that can deliver them effectively.
  • If the book you’re reading on an iPad or Kindle Fire or Nexus 7 gets boring or you get tired of it, you can switch to a movie, The New York Times, your favorite song, or Angry Birds with the same device. Or the chime on your iPhone will ring taking you out of your book to answer an email.
  • For the publisher of illustrated books, the book also must compete with media accomplishing the same purpose (how many new instructional videos of knitting stitches or jewelry-making techniques are posted to YouTube every day?) But they can’t do it for the same price, because that price is free.
  • So the illustrated book publisher not only has to learn how to make videos (a skill they were never previously required to possess), they also have to come up with a business model that enables their videos to be part of a priced commercial product, competing with legions of them that are free. And they have to finance a substantial creative component that isn’t contributing value to the print version at all.
  • Relevant piece of anecdata: I remember being told by somebody at Wiley a couple of years ago that a large portfolio of photographs added measurable revenue on their travel sites. For very little cost, they could make a selection of photographs available for browsing. People clicked through them pulling up a new ad each time they did. That’s the “illustrated book publishing” of the future, but it starts with having the audience.
Page Turn Pro

Iphone Magazine App: Digital Publishing Technology - 0 views

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    This article talks about iPhone magazine app. Further, it talks about the digital publishing technology. For a long time, businesses have dependent on paper printed media to promote and advertise their products and services to achieve their sales target.
Page Turn Pro

Flip Book Software: An Asset For Digital Publishing! - 0 views

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    A quality flip book software can do the work of a publisher or an entrepreneur easy and uncomplicated. In this article we will discuss more about this marvelous software benefits. With the help of flip book software you can make a powerful and unique online presence which actually helps to give you an edge on your competitors.
whoelscher

Why We Blog, and Tips To Keep Us Inspired | Book Publishing Coach - 0 views

  • Content is King
  • If non-fiction, create stand-alone pieces  anywhere from 300-700 words per post. If fiction, craft a stand-alone episode with a provocative title.
  • Set up some Google Alerts to see who else is writing in your niche.
whoelscher

5 Most Dangerous Career Pitfalls For New Writers - 0 views

  • Many editors of literary journals don’t want work that has been published anywhere—even online. Even on a blog. Even on Facebook.
  • lit mag editors will likely refuse to consider the individual works for publication, citing the fact that they were previously published.
whoelscher

Long Odds for Authors Newly Published - NYTimes.com - 0 views

  • “Robert was doing rather better than we expected him to,” she wrote. Ms. Dewey said it had sold an additional 5,000 copies in the United States, for a total of 13,500, which is “a great achievement for any unknown author.”
  • “It would have stayed on the path it was on, which is towards oblivion.”
  • “It’s the power of the author brand,” Mr. Entrekin said.
  • ...2 more annotations...
  • “Most books come out and do nothing,” Ms. Coady said. “There are still too many books being published. We can only get behind so many books, and then hope they take off on their own. It worries me that so many slip through the cracks.”
  • “There’s no formula,” he said. “A publisher can only do so much. A book’s fate is ultimately in the hands of the book gods.”
whoelscher

Publishing Perils in the Digital Age - NYTimes.com - 0 views

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    The walls are crumbling...are the no-compete and the option clause in author contracts doomed?
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