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Just as the Industrial Revolution spurred the creation of powerful and destructive machines like airplanes and tanks that diminished the role of individual soldiers, artificial intelligence technology is enabling the Pentagon to reorder the places of man and machine on the battlefield the same way it is transforming ordinary life with computers that can see, hear and speak and cars that can drive themselves.

In 2010, the editor of n+1 magazine, Chad Harbach, famously wrote that there were two distinct and rival literary cultures in America: the institutional, university-driven M.F.A. track and the New York–centered publishing world. But now there is a third option: the fast-paced, democratizing, hyper-connected culture of the internet. The poets of this third category often have little formal training, and their publishers are strewn across the country. Andrews McMeel, for instance, is an indie publisher in Missouri. Social media seem to have cracked the walls around a field that has long been seen as highbrow, exclusive, esoteric, and ruled by tradition, opening it up for young poets with broad appeal, many of whom are women and people of color.

Social-media poets, using Instagram as a marketing tool, are not just artists—they’re entrepreneurs. They still primarily earn money through publication and live events, but sharing their work on Instagram is now what opens up the possibility for both. Kaur, the ultimate poet-entrepreneur, said she approaches poetry like “running a business.” A day in the life can consist of all-day writing, touring, or, perhaps unprecedented for a poet, time in the office with her team to oversee operations and manage projects.

In its most nascent form, the idea was known as the hypothesis of the primeval atom, and it originated from an engineer turned soldier turned mathematician turned Catholic priest turned physicist by the name of Georges Lemaître. When Lemaître published his idea in the eminent journal Nature in 1931, a response to observational data suggesting that space was expanding, he ruffled a lot of feathers. As UC-San Diego professor of physics Brian Keating wrote in his recent book Losing the Nobel Prize, "Lemaître's model... upset the millennia-old orthodoxy of an eternal, unchanging cosmos. It clearly implied that everything had been smaller and denser in the past, and that the universe must itself have had a birth at a finite time in the past."