As Foucault said of Bachelard a few years later, his characteristic approach was to avoid all defined hierarchies, any universal judgments: ‘He plays against his own culture with his own culture.’ He stood apart, separating himself from the mainstream, finding cracks, dissonances, minor phenomena that he could make his own. Poetry of every description was his raw material.
Datafication and ideological blindness - Cennydd Bowles - 0 views
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""Our bodies break / And the blood just spills and spills / And here we sit debating math." -Retribution Gospel Choir, Breaker Design got its seat at the table, which is good because we can shut up about it now. What used to be seen as the territory of bespectacled Scandinavians is now a matter of HBR covers, consumer clamour, and 12-figure market caps. People in suits now talk about design as a way to differentiate products and unlock new markets."
What if the car of the future isn't a car at all? - 0 views
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This week, Cruise, the autonomous driving startup acquired by General Motors, announced its Origin, a self-driving vehicle that purports to be what comes next after the car. The Origin looks a bit like a large metal box on wheels. It lacks pedals, a steering wheel, a trunk, or even an engine, and has doors that slide open to reveal an interior with two facing bench seats. It is intended to act as a shuttle service that drives itself. Call the Origin with an app, get to where you're going, and never own a car again. That's the idea, anyway.
How Gaston Bachelard gave the emotions of home a philosophy - Gillian Darley | Aeon Essays - 0 views
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Indoors, in The Poetics of Space, the journey into intimacy is neatly evoked by drawers, cupboards, wardrobes and above all locks, although he warns, somewhat testily, against their use as gratuitous metaphors (and he is strongly averse to the idea of habit).
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The wellbeing of the warm animal (or human) protected in its nest or cocoon or cottage from the bad weather raging outside is a primitive sense of refuge that we can all share, adult or child. The appeal of a safe haven translates into domestic architecture with such features as the accommodating Arts and Crafts inglenook, seats close by the fire, Frank Lloyd Wright’s enduring penchant for an immense fireplace buried at the core of a house, or even, a favourite 1960s touch, the conversation pit – with or without its trademark shagpile carpet.
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