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Bill Fulkerson

The flaw of averages | 1843 - 0 views

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    "America is in the very early stages of a big pedagogical experiment based on old ideas given new life by digital technology and the techies' money. There isn't enough evidence yet to conclude that this blend of technology and personalised learning serves pupils better than the status quo, but the revolution is gathering pace. It could, Rose acknowledges, "go horribly, horribly wrong". If it does, a lot of children's lives will have been damaged; but then it is hardly as though the existing system is releasing the full potential of America's young people. For Rose, giving children more control over what they learn and how they learn it is central to achieving that. Ultimately, he says, "you should have a right to know who you are.""
Bill Fulkerson

Discoveries have awkward first dates : Nature News & Comment - 0 views

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    "Such is the nature of discovery - incremental at times, fast-paced at others, occasionally derailing into pettiness. But it does nearly always move in the right direction. In these times of political uncertainty and global unrest, that is an accomplishment worth noting"
Steve Bosserman

Why Trump's speech on terrorism was such a missed opportunity - The Washington Post - 0 views

  • The vast majority of young people in places like the Middle East and North Africa face a bleak socioeconomic future. Youth unemployment in the region hovers around 30 percent, which is expected to skyrocket as economies struggle to create enough jobs to keep pace with a massive demographic youth bulge. In 2000, the World Bank estimated that the region would need to create about 100 million new jobs to keep pace, and it’s nowhere near to closing the gap.
  • The effect of this socioeconomic crisis is about more than just employment and livelihoods for young people; it represents a fundamental breakdown of the social contract in the region. For decades, governments in the Middle East and North Africa promised socioeconomic support — free education, subsidies and public-sector employment — in exchange for limits on political participation and civic activity.
Steve Bosserman

How Instagram Saved Poetry - 0 views

  • In 2010, the editor of n+1 magazine, Chad Harbach, famously wrote that there were two distinct and rival literary cultures in America: the institutional, university-driven M.F.A. track and the New York–centered publishing world. But now there is a third option: the fast-paced, democratizing, hyper-connected culture of the internet. The poets of this third category often have little formal training, and their publishers are strewn across the country. Andrews McMeel, for instance, is an indie publisher in Missouri. Social media seem to have cracked the walls around a field that has long been seen as highbrow, exclusive, esoteric, and ruled by tradition, opening it up for young poets with broad appeal, many of whom are women and people of color.
  • Social-media poets, using Instagram as a marketing tool, are not just artists—they’re entrepreneurs. They still primarily earn money through publication and live events, but sharing their work on Instagram is now what opens up the possibility for both. Kaur, the ultimate poet-entrepreneur, said she approaches poetry like “running a business.” A day in the life can consist of all-day writing, touring, or, perhaps unprecedented for a poet, time in the office with her team to oversee operations and manage projects.
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