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Contracting, like other gig economy jobs, increase insecurity and lower growth. I hate to belabor the obvious, but people who don’t have a steady paycheck are less likely to make major financial commitments, like getting married and setting up a new household, having kids, or even buying consumer durables. However, one industry likely makes out handsomely: Big Pharma, which no doubt winds up selling more brain-chemistry-altering products for the resulting situationally-induced anxiety and/or depression. The short-sightedness of this development on a societal level is breath-taking, yet overwhelmingly pundits celebrate it and political leaders stay mum.

I think we already have enough of the quantifiable (although it is poorly distributed, a separate though deeply related issue). What we need more of are the things that are hard to quantify. The rising tide of suicide and depression in the developed world is not caused by shrinking residential floor space or lack of access to 4G cell service. It probably has something to do with the disintegration of community, the withering of connection, loss of purpose and meaning, chronic pain and unresolved trauma, unprocessed grief, ambient anxiety, and the other accoutrements of Separation. This point seems obvious here at my brother’s farm where I write this, because my life is rich here; rich in relationship to the natural world through my hands, my senses, my labor, and yes, my bare feet, and rich in relationship to the human world as well through shared labor, common purpose, and mutual reliance. And the point seems equally unobvious when I’m separated from all these things. In the busy world of cars and clocks and screens, faster and more of them seems like progress.

The broadcast has become an origin story of fake news and technological anxiety in the United States, and its tentacled aliens watch when we talk of fake news today. Then, as now, the worry over whether the news can be believed was a proxy for something else entirely – fear of the new technologies that brought it. Scholars have convincingly questioned the scale of the 1938 panic. Everybody loves a good story – especially the newspapers threatened by radio news, the social scientists seeking a claim to relevance, and Welles, great ham that he was. Firsthand accounts attest that some listeners did panic, but many more did not. Why, then, did millions more find the panic so easy to believe these past 80 years?

In that decade, radio became more trusted than newspapers. The reasons had to do partially with the unique characteristics of the medium – its intimacy and ability to put you on the spot to hear as an event unfolded without a reporting gap in which craven newspapermen could insert their own slant. It also had to do with the trueness of the sounds that radio reproduced.

In November, three days after the War of the Worlds broadcast, Dorothy Thompson, a syndicated columnist and radio reporter, published an oft-cited piece in response, entitled ‘Mr Welles and Mass Delusion’, in which she argued that the broadcast suggested American susceptibility to foreign propaganda:All unwittingly Mr Orson Welles and the Mercury Theatre of the Air have made one of the most fascinating and important demonstrations of all time. They have proved that a few effective voices, accompanied by sound effects, can so convince masses of people of a totally unreasonable, completely fantastic proposition as to create nationwide panic … If people can be frightened out of their wits by mythical men from Mars, they can be frightened into fanaticism by the fears of Reds, or convinced that America is in the hands of 60 families, or aroused to revenge against any minority, or terrorised into subservience to leadership because of any imaginable menace.