it turns out that the way the wealthy decide how to distribute cash is often even less fair than the way the state decides how to spend it.
Newfields Director Charles Venable on His Data-Driven (and Maybe Crazy) Quest to Save t... - 2 views
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In an era of greater entertainment opportunities with on-demand availability, people had begun chiefly seeking out cultural experiences that are defined by "fun." Museums, as traditionally construed, had become boring. Venable embraced this as gospel, and rethought the IMA from ground up.
Leaving the Museum Field | Alliance Labs - 1 views
Center for the Future of Museums: Community Curating: A Macro to Micro View - 0 views
051717-AAMDNextPracticesPartners.pdf - 0 views
Open Heritage - Google Arts & Culture - 0 views
The great tax escape that is America's nonprofit sector | FT Alphaville - 2 views
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Philip Hackney, @EOTaxProf, notes "same orgs were exempt back in 1862 when first income tax was enacted"
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More than half of the highly conspicuous donations of the ultra-rich were injected directly into the endowments of their already rich alma maters. Much of the rest was given to hushed museums in the form of very expensive donated art, or to other places that rich old people tend to congregate, like cultural arts centers and high-end hospitals. In other words, the funds the rich were giving went largely to institutions that tended to the needs and prerogatives of the rich and privileged.
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Learning about leadership from a visit to the art museum | ArtsEdSearch - 2 views
'Art Rx'-museum tours linked to easing chronic pain | The Art Newspaper - 2 views
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