DeLanda discusses his increasing interest in theoretical rather
than artistic questions, the future role of the artist, the relation of artist
to Internet, the artist's relation to strata, low-dimensional deterministic
chaos, the current bifurcation in the historical process that is globalization,
Napoleon as a catalyst for a new war machine, and the three different non-anthropocentric
perspectives he adopts in
A Thousand Years of Nonlinear History, 1997.
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