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01-01-01 http://www.3dxtras.com Download High Quality 3D Models ...................................................................... 01-01-02 http://archive3d.net Free 10 000+ 3D models. Free Download. No registration ...................................................................... 01-01-03 http://www.The3dstudio.com free3D Models, Textures, Tutorials, Plugins, ... and more ...................................................................... 01-01-04 http://www.download.com Free Software Downloads and Software Reviews ...................................................................... 01-01-05 http://www.nwginc.com New World Graphics: Download Free 3D Models ,Textures ...................................................................... 01-01-06 http://www.freephotoshop.com Photoshop Web Templates and Interface PSD Source Files ...................................................................... 01-01-07 http://www.freepsdsite.com Free Graphics,Tutorials ...................................................................... 01-01-08 http://www.PHOTOSHOPCANDY.COM free PSDs and graphic elements ...................................................................... 01-01-09 http://www.templateworld.com free Website Template ...................................................................... 01-01-10 http://www.mr-cad.com Free Furniture 3D Models | 3D TExtures | 3D CAD | 3DS Max Tutorials | Vray render models | sketchUP | ...................................................................... 01-01-11 http://www.floorplanner.com The easiest way to create and share interactive floorplans ...................................................................... 01-01-12 http://www.smartdraw.com quality graphics in minutes with SmartDraw ...................................................................... 01-01-13 http://www.cadtoolsonline.com/free.htm Free downloads AutoCAD symbol libraries .................................................................

but in arab ? not all translated (the titles...) but prhaps to search inside those links... there are some about cad, design... redundant to diigo ???

What Experts Are Saying "KPF has been using GenerativeComponents for some time and it forms a key component in the armory of the KPF Computational Geometry Group. Several of our most advanced projects employ GenerativeComponents as a tool for exploring thousands of options as well as the complex geometry to be used in final construction, all ultimately benefiting our clients. The nature of GenerativeComponents as a MicroStation extension means that, as a matter of course, our advanced designs can be interchanged with an extraordinary variety of software." - Lars Hesselgren, Kohn Pederson Fox "At Arup, we believe firmly in the principle of integrated design and integrated approaches to design - it's the only way to design complex buildings well. That's why we use GenerativeComponents. And we are not alone. We are starting to see young people coming through the system doing things we could only have dreamed about a few years ago." - J Parrish, Arup Sport "Simplicity seeds complexity. But in the search for form we need to add reference to the representation to articulate the result. GenerativeComponents enables us to find, explore, and regulate forms more rapidly, and to transmit these forms to fabrication more economically." - Hugh Whitehead, Foster + Partners "Grimshaw's offices all share a common DNA. We are a design-driven office, and all projects are informed by the specific location, program, and environmental forces. We employ GenerativeComponents to take in and embed the multitude of inputs and structure them using this common DNA, thus enabling us to rapidly explore a variety of environmentally appropriate solutions for each design project." - Shane Burger, Grimshaw Architects "Using GenerativeComponents, we can accelerate our iteration through design options and, in parallel, assess all concepts and dismiss those that would be uneconomic to construct. As a result, we get to spend more time fine-tuning the best solution.�

about next way to design ...

Rather than plunder resources, however, the Romans set about using them wisely. One such resource was the hot springs to feed public baths and underfloor heating.  Back then, the result was a beautiful form of bathing on a chilly winter's day. Nowadays, the result is tourist drawcard in the English county of Somerset known all over the world as a place called Bath. Sitting in a lovely warm bath on a cold winter's day back then, few Roman citizens would have contemplated the idea that the same concept used to heat their baths - a concept now called geothermal energy - would be widely used around the world and would be considered a serious part of a solution to stop the whole world from getting too hot. Today, however, such is the reality. In 2005, according to a GeoHeat Quarterly Bulletin published by Origin Institute of Technology, a total of 73 countries around the world produced a total of 273 petajoules (PJ) of energy using geothermal techniques. With the renewed push to achieve carbon emissions reduction in Australia, some engineers believe geothermal technology should be used more widely here.

Sustainable architecture and classrooms of the future have finally come together in an Australian green building concept that is out of this world. The latest renderings of what is arguably one of world's most impressive sustainable educational facilities have been released and already they are causing a stir in both architectural and green building fields. Created by architectural firm LAVA, the aptly named 'classroom of the future' is a design concept that sees the creation of a prefabricated, relocatable learning environment, which incorporates innovative and clever design features.

One of London's more whimsical architecture competitions has been completed once and for all, and the much speculated 'a room for London' design concept now stands. The competition, run by Living Architecture, boasted a much lusted after brief that offered the winning design team the chance to build a room on top of the Queen Elizabeth Hall, to act as a temporary accommodation space throughout the 2012 Olympic Games. The incredible competition, which ran throughout 2011, picked the finalist collaboration team of architectural firm David Kohn architects and Fiona Banner with their quirky and imaginative design scheme which has seen the completion of a boat-shaped living space overlooking some of the most famous London sights. The design is a reflection of the city's strong literary roots, taking its riverboat form from Joseph Conrad's  'Heart of Darkness'.

Arguably one of Melbourne's most controversial construction projects has been given final approval, leaving a trail of both dismayed and jubilant responses. The major architectural redevelopment project at the focus of this almost five year long drama is the Windsor Hotel, and its semi-demolition by the Halim Group in early 2013.  The project has been marked as one of Victoria's most prominent in the latest state analysis, and comes with a sizeable price tag. The $250 million redevelopment will see the refurbishment of the interiors of the building, which was built in 1883. The interior restoration will maximise the amount of rooms available, increasing the capacity from 180 to 300 rooms. The ballroom and other rooms will also be upgraded and redeveloped, with Heritage Victoria approving everything.

It's easy to forget that urban design is not a new concept. Ancient examples of carefully-planned and designed cities exist in Asia, Africa, Europe and the Americas, and are particularly well-known within classical Chinese, Roman and Greek cultures. The pioneer of urban planning, Hippodamus of Miletus, planned ancient cities of Rhodes, Miletus and the harbour-town Piraeus at Athens as early as the fifth century BC.  In England, many ninth century towns were designed on a grid plan, and by the twelfth century, urbanisation was seen as a means of stimulating economic growth and generating revenue throughout Western Europe. One of the earliest international contributions made by Australia to urban planning theory and practice sprang from the international competition held between 1911 and 1912 to design Australia's new federal capital, Canberra.

China's twelfth 5-Year Plan (released in 2011) addresses the country's rapid urbanisation by including a target to deliver 36 million new social housing units by 2015. Shenzhen in southern China, located in the Pearl River Delta in the Guangdong Province, is one of the fastest growing cities in the world. It has a large stake in this project and is aiming to deliver 240,000 new units which will house approximately 800,000 people. At the vanguard of China's economic reform, Shenzhen has grown 400 times its original size in the last 40 years, following high levels of investment by the government and through mass migration of workers from all over China. The city has a huge transient working population comprising mostly young people, in particular single women. Most residents come to the city from various parts of the country, leaving family, friends and other support networks. Shenzhen is rapidly running out of space, with only limited land available to house future population growth.

Has AI in Architecture arrived? How is it impacting you? Our cover story focusses on the most eloquent topic of recent times - AI in Architecture. Whilst we tell you a lot about its tools and how it facilitates the practice of design, one cannot ignore the challenges that makes the adoption of AI a selectively approached resource. https://bit.ly/AI-in-Arch-IAnD We invite you to share with us your thoughts on the use of AI in your practice. The pros, cons, misgivings, positive experiences… et al. We are waiting to hear from you. Write in to us at editor@indiaartndesign.com along with an image that you have explored through AI. Please mention that AI tool used. Select responses will find their way to our social media pages taking the discussion forward. https://www.indiaartndesign.com/the-age-of-ai-a-catalyst-for-the-architectural-practice/

Architecture in China can so often be polarising. In fact, the entire industry seems to have that affect on the world. There are those who applaud the Chinese for their extensive and rapid construction work, which includes the world's fastest apartment construction, the creation of entire cities in just five years and of course the developments in Shenzhen, one of the world's fastest growing cities. And then there are others who critique the country for having a 'fake' and 'blood soaked' GDP due to high levels of what some have labeled 'dangerous and unnecessary' industry work. Well, the design debate has been sparked yet again with the unveiling of China's latest industry venture.

We look especially at BIM and its role in the development and management of smart cities of the future, being created today. We are keen to see technology enable the creation of highly functional communities and spaces for habitation and working that promote the idea of coexistence, while the structures are themselves responsible citizens, contributing to preserve the environment and the planet.

A line between art and architecture has truly never been formed. Throughout history the two different disciplines have interlinked, with the latter, for the most part, strongly reflecting, and often relying upon the former. However, functionality, building codes, economic shortages and a number of different factors can often get in the way of artistic freedom in the modern industry. In fact, many critics have argued about the displeasing aesthetics that the rise in green building is having on this industry. While that may be debatable, the relevance of art to architecture has not been forgotten. In fact, one new project has used the strategic inclusion of artistic modes throughout in order to reflect the zeitgeist of an era.

We in the construction and design industry are currently going through a greenwash, a saturation of sustainability. In fact, we may be creating it. This public sense of exhaustion and lack of understanding in response to environmentally conscious mentalities and building processes, anything labeled 'green' to be precise, is causing an increased apathy in the entire sector and is impacting the communication of projects and concepts. Yet we are only adding fuel to the fire. We in this industry, and even those who are not, are confusing two key terms; that of Green Building and Sustainability, in turn creating confusion through misrepresented and easily misunderstood jargon. The thing is, it's universal. And ever so easy to accidently do.

With the release of the federal government's newest Urban Policy Forum the green building community will feel a new found sense of confidence in the future plans for urban development in Australia. Planning for a sustainable urban community has come as a priority in the new policy, which has been influenced by a wide range of experts across different industry sectors including Chief Executive of the Green Building Council of Australia (GBCA) Romily Madew. Upon his latest announcement, Minister for Infrastructure and Transport Anthony Albanese has assured the future planning processes will come as a culminated effort between the green building sector, government and the community in what has been labeled as an 'ideas generator'.

The Green Building Council of Australia (GBCA) has been ardently backing a complete retrofit of all 'brown' or sustainably unfit operational buildings in this country. Which is only logical, as these buildings, particularly in the commercial sector, join together to become the largest carbon emitters in Australia. Their move to transform these unfit buildings has received a huge boost recently, with the support of Australand for their Green Star - Performance rating tool. The rating tool will become the backbone of the GBCA's work moving forward, as it will most precisely "help building owners, operators and occupants to measure and monitor the environmental impact of their buildings and take practical action to improve their buildings' performance".

In the architectural and building sectors, we have explored, promoted and dissected the fact that we are currently battling greenwash so much, that we may in fact be greenwashing the aforementioned greenwash. Indeed the term is so readily bandied about, that it no longer makes sense and is therefore responded to as a null and void sentiment. As confusing as that may seem, it holds the key to the reason that we are stuck in a vicious industry cycle that is unfortunately blocking the promotion of some incredible, and highly sustainable, built projects. Due to a confusion and misrepresentation of certain green and sustainable buildings and features, a number of these incredible designs, and their built forms, are being lost in the jungle of false green advertisement. One incredible design that, more often than not, does not receive the deserved appreciation is that of the humble Earthship.

One major green belt that has seen the devastating results of deforestation is the Amazon jungle. From 1991 until 2001 the total area cleared jumped from 415,000 km2 to 587,000 km2, proving that this massive, unsustainable deforestation effort has not been just a thing of the past. In fact, it was only last year that deforestation figures slowed to their lowest numbers yet. For many in the green building industry, that is how they would like it to continue. Offering to lead this conservation effort is London-based architectural firm Marks Barfield. Who have impressed architecture and environmental communities worldwide with their £6.4m proposal for a research centre in the Amazon, which will include a central, tree-shaped observation tower and 6 miles of tree top canopy walkways. Due to the nature and function of this tower, in addition to the limitations that the rural, fragile Brazilian environment holds, a sustainable building ideology forms the foundation of the proposal.

Architecture and fashion have a long standing relationship; but actually incorporating the textile weave in a building façade is another thing. SPARK's 'pleated' and 'woven' façade for the award-winning mixed-use development Jing Mian Xin Cheng in Beijing demonstrates that depth of experience need not be forgotten despite the speed of the central city's expansion. 'Pleats' of perforated aluminium sheeting and a 'weave' of rippling windows resolve a variety of practical issues, while referencing a textile market that formerly operated on the site. Check it out here…

Woongsik Jung of On Architects Inc. designs a café in South Korea stimulating the senses with the raw palette of exposed concrete, rice straw and a feeling of nothingness that paradoxically instigates one to look within whilst enjoying the company of people in a cultural setting.

here it is , the beginning of the global digitalisation of the real world ... of course...would you think it will be let on the border ? Now it is present, and by collaborative and far more rapid moedlising than ever. Participate with your own models...

here it is the very start of the global digitalisation of the real world ... as architects or modelers, let's play in !