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Digiberichte.de aims to advance research on late medieval and early modern European travel accounts. This project provides digitized editions and research literature on approx. 375 different travels and pilgrimages through Europe in historical times. The bibliographical database allows quick reference for the travel accounts. Due to copy right restrictions only literature from the 19th century and earlier is provided in full text. The majority of the material provided here is based on the so called "analytical bibliographies" of medieval travel accounts that have been edited under the direction of Prof. Werner Paravicini and published by Peter Lang. Initially only bibliographies on German, French and Dutch travel-accounts have been published, but there was always the idea of collecting material for the other European countries (especially Italy, England, Spain, Portugal, Scandinavia and East-Europe) als well. Digiberichte.de therefore collects information also for travellers from these countries that left accounts of their journey.

"Francesco Petrarca was born on July 20, 1304. Commemorations of the 700th anniversary of his birth are taking place this year (2004), primarily in Italy but also around the world and in the United States. At Yale University, the celebration includes an international conference on Petrarch, September 23 - 25, and an exhibition at the Beinecke Library, as well as this web exhibition. The Beinecke Library is the leading institution in the United States in collecting Petrarch manuscripts (codices or fragments that contain works by or about Francesco Petrarca), from popular copies of the Canzoniere and Trionfi to the lesser-known De remediis utruisque fortune and Nota de Laura, as well as the memoirs and drawings of the English clergyman and literary editor John Mitford (1781-1859). "

"The Mourners: Medieval Tomb Sculptures from the Court of Burgundy. March 2, 2010-May 23, 2010. Medieval Sculpture Hall. The renovation of the Musée des Beaux-Arts in Dijon provides an opportunity for the unprecedented loan of the alabaster mourner figures from the tomb of John the Fearless, Duke of Burgundy, and his wife, Margaret of Bavaria. Each of the statuettes is approximately sixteen inches high. They were carved by Jean de La Huerta and Antoine Le Moiturier between 1443-1456 for the ducal tomb originally in the church of Champmol, and they follow the precedent of the mourner figures carved by Claus Sluter and colleagues for the tomb of Duke Philip the Bold (1342-1404). The tombs are celebrated as among the most sumptuous and innovative of the late Middle Ages. The primary innovation was the space given to the figures of the grieving mourners on the base of the tomb, who seem to pass through the real arcades of a cloister."