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Nele Noppe

terri_testing: The Keeper of the Keys: Harry Potter meta - 0 views

terri-testing.livejournal.com/14464.html

dumbledore narrative characters hagrid snape harry_potter fanficforensics phd

shared by Nele Noppe on 15 Feb 09 - No Cached
  • Nele Noppe on 15 Feb 09
     
    Very interesting analysis of Dumbledore's motives, starting from why he sent Hagrid to introduce Harry to the Wizarding World instead of a more dependable and level-headed faculty member. Unlikely that this is how JKR envisioned it, but the analysis makes so much sense and is so well-supported by canon evidence that it sounds far more likely than JKR's own interpretation of Dumbledore. Gives a whole different meaning to 'creating a monster': the author's idea of the character seems far less reasonable than the readers' here, and it's not pretty.
Nele Noppe

Guestpost: Kristina Busse on academics, fans, and the fuzzy line between « Fa... - 0 views

fandomresearch.org/?p=62

fans academia fandom fanficforensics phd

shared by Nele Noppe on 22 Jul 09 - No Cached
  • In other words, being a good academic may be important to other academics but not necessarily to other fans.
  • We thus face a dilemma: how can we respect and encourage the academic aspects of fan writing while still maintain fan meta as a distinct and separate discourse.
Nele Noppe

Abstracts - 0 views

www.mos.umu.se/...symposiumabstracts.htm

fans fan_fiction literature research fanficforensics phd

shared by Nele Noppe on 10 Jan 10 - Cached
  • Different periods of literary and philosophical thought place emphasis more strongly on either continuity or originality, and thinkers of modernity often privileged originality and artistic genius as they laid the groundwork for a value system that still affects the landscape of contemporary popular culture.
  • Countering this ascribed modernist valuation of originality, postmodern theorists and artists have emphasized pastiche, appropriation, and intertextuality.
  • copyright laws and marketplace expectations have helped establish aesthetic discourses within fan communities that often mirror modernist emphases on originality and authenticity.
  • ...33 more annotations...
  • despite a cultural value placed on repetition, fandom still remains at least tenuously invested in more traditional notions of originality and uniqueness.
  • In contrast to Eliot's model of artistic genius, emphasizing originality and ownership of individual creativity, I’d like to foreground the fan community as a collective creative culture that values sharing, allusion, and repetition as aesthetic (and affective) choices.
  • Rhetoric is basically a pedagogical discipline comprising a number of pedagogical principles, where one is the principle of imitatio. According to the imitatio principle you have to, very actively, collect an arsenal of different strategies in the process of learning how to write and present a material.
  • With focus on imitatio and from perspectives such as genre, intertextuality, narratology, semiotics, we discuss the creation process of fan fiction in general and slash in particular.  
  • Further, and crucially, fic is a form of discourse that does not just analyse canon – it has the power to add to and change it as fanon and canon mix, encouraging ongoing reinterpretation and reframing of canon within the fanon/canon ‘verse as a whole.
  • Reading and writing fic remains a more popular online activity than taking part in meta discussion, but are the two activities so very different?
  • Harry Potter
  • from a close reading of a set of French potterfictions, my presentation will try to identify and compare the typical “scripts” used by the authors:
  • However, the various academic accounts written about yaoi have a tendency to pathologize yaoi as well as its female fans in terms of gender displacement, female sexual oppression, or sexual starvation.
  • how Queer Theory can assist the academic discussion of yaoi and slash, and counter the tendency to pathologize.
  • The British television show Torchwood has generated a vast amount of fan fiction. Among these stories are some which involve human-animal transformations.
  •   In this paper I intend to study how the human-animal transformations are described in a selected number of fanfic texts.
  • Can these stories be read as a comment on the relation between human and animal, or should the animal in this context rather be read as merely a symbol or a plot device?
  • Ludology, the academic study of games, has maintained a critical distinction that, fundamentally, a game cannot contain a narrative, as its focus is more oriented toward necessarily non-narrative interaction between the game and its players.  Fan fiction seems capable of exploding, or at least complicating, this claim, as the process of a writer’s active and creative engagement with a previously existing storyworld, expressed through fan fiction, appears clearly to meet the requirements both for a game,
  • close readings
  • In existing studies on fan fiction, it has been established that the majority of previous studies have been ethnographical or social in nature. Only very recently have studies on the literary aspects of fan fiction begun to emerge.
  • Harry Potter
  • helps us shorten the gap between literary practices of 'high' and 'low'.
  • Fan Fiction – ‘The Logical Extension’
  • The Love Song of T.S.Eliot and fandom  
  • Fan Fiction – as Dickens (Might) Have Written It
  • Redefining the EveryFan? Implicated reading and janeites on-line
  • Flexible Dancers: How Doctor Who fan fiction subverts and confirms the elements inherent in the romance novel genre
  • A Revamped Lover? The Limitations of the Romance Format in Black Dagger Brotherhood Slas
  • ”This Man Is My Friend – Nobody [Else] Touches Him”: Paris/Kim Fan Fiction from Star Trek: Voyager
  • Sex, power and kittens – human-animal transformations in Torchwood fan fiction
  • “It takes a real man to have a baby”: heterophobia or heteroflexibility in Supernatural mpreg
  • t fan fiction is a form of derivative or appropriative fiction
  • I suggest that we need to look toward tropes, the use of familiar plots, scenarios, and characterization as central organizing and generating principles for fan fiction communities.
  • yaoi and its Western fans are more receptive to a queer interpretation than slash and its fans are. Other key points raised by the research included fans’ rejection of ‘mainstream’ characterization of females, a strong awareness of legal and ethical issues and a desire to challenge contemporary accounts of ‘their’ fandom.  
  • Polish fans unlike their American or European colleagues are quite puritan.
  • Should the fan fiction writer be seen first and foremost as a reader, which is undoubtedly an essential role in fan fictions?
  • where a general rule is to stay true to the canon’s descriptions of characters,
Nele Noppe

ceitean: demographics in animanga fandom - no, really, they're important - 0 views

ceitean.dreamwidth.org/1277.html

boys_love manga anime fans sexuality women fanficforensics phd

shared by Nele Noppe on 10 Jan 10 - Cached
  • The age issue is something I don't usually see addressed in discussions about animanga fandom, at least in a way that isn't derisive. Obviously there are plenty of fans who aren't in the range of the general anime marketing demographic (which is another topic about the way US companies frame animanga), but after the huge boom in popularity/marketing push in the early 00s, the majority of animanga fans have been pre- to late-teenagers. And there is no group in the world that is as uneducated, inexperienced, and defensive about sexuality/gender/cultural issues than pre- to late-teenagers. Better yet, most of those fans in this particular corner of the internet are girls, who are not only inexperienced, but are also the demographic most likely to be scared of their own sexuality. There's meta floating around of the 'why do we slash?' variety, and one of the proposed ideas was that some fans use slashing as a way to explore sexuality without making it personal. It's the best description of a Yaoi FanGurl I've ever heard.
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