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A meme (pronounced /ˈmiːm/, rhyming with "cream"[1]) is a postulated unit of cultural ideas, symbols or practices, which can be transmitted from one mind to another through speech, gestures, rituals or other imitable phenomena.

Supporters of the concept regard memes as cultural analogues to genes, in that they self-replicate and respond to selective pressures.[3]

Meme-theorists[which?] contend that memes evolve by natural selection

there are different ways in which the idea of the commons has worked its way into being one of the most significant memes of the last few years - Pete Linebaugh is not Silvia Federici is not Toni Negri is not Lessig, and so on. Federici, for her part, signals a timely warning in Caliban and the Witch against assuming that ‘the commons’ was without divisions of labour, particularly a gendered division of labour.

Yet, as the idea of ‘the commons’ became resolutely attached to discussions over IP and various other forms of knowledge production it - much like the precarity meme - was often put to service as a way of reimposing a certain claim to ownership and division of labour, namely: the implicit assertion that knowledge-production only involved those who are marked (or mark themselves) as knowledge producers in a certain division of labour.

the concept of the undercommons is disruptive of claims that the commons was an idyll, without difference and without divisions of labour.