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It's a precious thing, this masculinity. It seems to be in danger at any moment of disappearing, so concerned adults seem to insist in little boys performing a certain kind of masculinity, restricting them from the ethereal world of the fairy, which, incidentally, was originally an imaginary world where these creatures were gender-neutral. We know deep at the heart of Mina's grandmother's and paediatrician's concerns about the twins is that they may grow up to be, God forbid, gay.

Although Western society is increasingly less homophobic than it used to be, when it comes to Disney cartoons, you can be sure that the male villain is coded queer. He seems a little too concerned with his appearance, doesn't live with a woman, wears buckles on his shoes and has stockinged calves and speaks like Sir John Gielgud.

And then I realized something that made me sad about this cool, geeky subculture that I’m so eager to participate in: The steampunk movement romanticizes a time period where imperialist and racist attitudes prevailed and many people were oppressed as a result of them. When Queen Victorian sat upon her throne, a lot of other Western powers were doing not nice things to people in Asia, in the Middle East, in Africa and the Western US, and now, a over hundred years later, people want to live in that time period again, or at least use it as creative inspiration.

Sure, here I go ranting about how much of steampunk portrays Asian culture inaccurately and possibly offensively, but what about how steampunk portrays the entire Victorian era in general? It isn’t all accurate; sometimes, it isn’t even meant to be accurate. Essentially, steampunk is artistic expression, rooted in fantasy-escapism and based on a cross between Victorian pulp fiction and a wave of New Romanticism. It’s freaking running around in top hats and waistcoats firing souped-up Nerf guns at each other. If taken as simply a fashion concept and entertainment trend, why should people be concerned? Why should it matter? Should white fans suddenly have to worry about Bigger Implications, and thus, spoiling the fun they’ve having? But a realization: Oh YES it matters, and YES other white steampunkers should take note (and Steampunkers of color should consider, if they haven’t already). Because every time someone says it doesn’t matter, they’re further promoting that outdated attitude that a diverse and complex portrayal of Asia does not matter. That it can be packaged into chopsticks, jade dragons, and kimonos for general consumption, to conform to any fashion trend, to mold to any entertainment purpose.

A lot of people play off the steampunk movement as a lot of “steam” and not enough “punk”—that is, all dress-up and fetishization of Victorian culture and not enough deconstruction and challenging the establishment. But I want to change that perception, at least in my own way here. But, at the same time, be an outrageous, ironical character to boot – became damn, I want to have fun too. And not have to be British or Chinese.