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Nele Noppe

From mourning to 'magic' | The Japan Times Online - 0 views

  • lishing firm which never had a best seller, but he was a great editor and the books he published were of a high quality [mainly on historical subjects]. He really dedicated his life to that quality, which I tried to inherit in terms of content as well as design. I think I achieved his dream of publishing good books which sell well. He couldn't achieve the second objective, but I did. My husband,
Nele Noppe

How doujinshi will take over the world (or not) - 0 views

  • First, doujinshi are not commercial products, and this is one of the most important distinctions that allows its very existence. 
  • Many doujinshi conventions (Comiket included) require doujin circles to provide print run information, and enforces a cap.  Quite simply, there aren’t enough books to export en mass. 
  • This is also why doujinshi has continued to grow while other media like manga, anime, and music have suffered with the advent of peer to peer trading on the internet…the doujinshi market is a collector’s market, where the physical book itself is highly valued
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  • that’s not to say that doujinshi isn’t profitable…a few artists never “go pro” because they make quite a healthy living on their doujinshi,
  • The much better road for the American manga industry and fans to take is not to import doujinshi, but to import the doujinshi ideal and ethics, and foster a domestic doujinshi community of our own.  This road is beset by its own share of hurdles, though, and they have very deep roots.
  • While fanzines and fanfiction have been around in the U.S., we have nothing even close to the doujinshi scene in Japan, because of American corporate mentality which values “perpetual properties” instead of new creations, and these properties are guarded visciously.
  • in America properties are created and owned by the corporation.
  • They simply have no reason to support budding artists in such a way, when their raison detre are still characters created decades ago.  Fan comics are not seen as extending the life of a property, but as competition. 
  • The truth is a significant portion of Japanese doujinshi are erotic works, many based on children’s shows.  It isn’t hard to imagine the kind of moral outrage most doujinshi would illicit. 
  • American manga companies need to take a hard look at doujinshi in Japan and understand its benefits, and readers and artists should take a stand because this is an opportunity for the status of the creator to take precedence over the corporation.
Nele Noppe

Critical Perspectives on Harry Potter - 0 views

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    Looks very interesting. Buy instead of hurt eyes staring at screen.
Nele Noppe

thingswithwings: a few words on warnings - 0 views

  • So his intention was to play this scene of assault, with no warning, in the public space of a classroom. Now, this is a class that also teaches Irreversible and Demonlover and other films that involve pretty graphic scenes of rape and assault, but I think there's a difference between being told to watch Irreversible on your own at home, and coming into class, sitting around with a bunch of half-strangers, and being surprised by an out-of-context rape scene.
  • One thing that I really like about fandom is that we're different from the publishing world, from the academic world, from the world of boyfans even, in that we try really hard to take into consideration the needs and squicks and concerns of the reader.
  • Professional publishing is about getting people to buy books, and professional publishing is about the rights of the author - so, in the first place, we're often lied to about what a novel will contain, and even when we're not, we're not warned, because the rights of the author to surprise the reader - the rights of his inviolable artistic vision - are more important than the rights of the reader to tailor her reading to her own desires.
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  • The author knows more about how we ought to read, what we want to read, than we do, and will control the reading process. Our only option if we don't like it is to throw the book down halfway through - which, as we've learned recently, apparently deprives us of the right to say we didn't like it.
Nele Noppe

Office sluts and rebel flowers: the pleasures of Japanese pornographic comics for women - 0 views

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    from Porn Studies
Nele Noppe

Pornography or therapy? Japanese girls creating the yaoi phenomenon - 0 views

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    from Millennium Girls
Nele Noppe

Think Global, Fear Local: Sex, Violence, and Anxiety in Contemporary Japan - 0 views

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    by David Leheny, on views of/communication about sexuality in Japan
Nele Noppe

Der Manga und seine Szene in ... - Google Buchsuche - 0 views

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    See bibliography - mentions semiotics manga
Nele Noppe

hypothetically speaking - slash/gen: I would like to ship it - 0 views

  • a story about queer dudes or ladies can never be defined by its plot or by a single-character story. Slash stories can never be gen.
  • This is why I am told that the gay children's book I gave my nephew "contains sexuality," but the dozens of children's books that he already has where mommy and daddy love each other do not contain sexuality.
  • I am so serious about this: het/gen, the slashing of het and gen, het and gen making out with each other, is a system that reinscribes heterosexuality as the norm and as normal, a system that excludes queer sexualities from representation, from general interest.
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    "a story about queer dudes or ladies can never be defined by its plot or by a single-character story. Slash stories can never be gen. "
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