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Ve Poljanski, Branko. "Dialogue Marinetti - Poljanski." New Sound: International Magazine for Music 34 (2009): 3-5. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. In English traslation of a conversation between Marinetti, the founder of futurism, and Poljanski, i leaded in Zenitistm in France. The two men respect each other but the converstion does get tense at one moment and then they talk things out. Things end well.

Mikić, Vesna. "Musics Futurista - The Art of Noises. Music and Words from the Italian Futurists Movement 1909-1935, Including Original Recordings by Marinetti/Russolo/Pratella (Salon LTMCD 2401, 2006)." New Sound: International Magazine for Music 34 (2009): 111-113. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. A review of a C.D. of futurist music which was done in line with the futurist manifesto that was written by Marinetti. Some of the tracks also include pieces of Marinetti's actual speaches which, according to the article, give the C.D. an unarguably Futuristic tone.

Mitchell, David. "Marinetti, Futurist and Fascist." History Today 25.10 (1975): 704. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. Contains many connections between Facism and Futurism as the title indicates. These include how they targeted the young as there median for revolution, their goal of destroying old customs, and there focusing on the future rather tha the past.

Glazer, Diane L. "AMONG FRIENDS: ITALIAN FUTURISM COMES TO AMERICA." New Sound: International Magazine for Music 34 (2009): 62-75. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. This article is the description of the first Futurist artist in America and how Futurism changed when it came over from Italy. It is mostly an analysis of "the first American futurist", Joseph Stella, and a "futurist composer", Edgar Varese. The author also compares these American futurists with the founding Italian futurist, Filippo Marinetti.

Glazer, Diane L. "Among Friends: Italian Futurism Comes to America." New Sound: International Magazine for Music 34 (2009): 62-75. Web. 28 Oct. 2010. This article is about the arrival and spread of Italian Futurist ideas throughout the New York City culture in the early 20th century. It goes into detail the lives of the first American Futurist painter, Joseph Stella and a composer by the name of Edgard Varèse. In the article, the lives of these two artists are analyzed from the perspective of the work that they created. Through their works a friendship was made. Through this friendship and contribution to the art community Futurism grew through New York.

Adamson, Walter L. "Contexts and Debates Fascinating futurism: The historiographical politics of an historical avant-garde." Modern Italy 13.1 (2008): 69-85. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. Contains descriptions of a couple distiguishable groups of futursts and elaborates on there differences. The article also gives adaquate background information on people like Marinetti as well as for the futurist and fascist movements themselves. The author indicates that there may be some confusion in separation the fascist and futurist movements but the author attemps to correct this issue.

Benton, Tim. "Dreams of Machines: Futurism and l'Esprit Nouveau." Journal of Design History 3.1 (1990):19-34. JSTOR. Web.17 Nov. 2010. This article contains the views of Reyner Banham on Futurism and its affect on the theory and design of machines. It analyses the thoughts of Filippo Marinetti, who wrote the Maniifesto. Specifically it engages in the development of the automobile. Futurism had a part in the development in many things especially in car advancement.

Merjian, Ara H. "FUTURISM? AT 100." Modern Painters 21.1 (2009):40-43. EBSCO. Web. 17 Nov. 2010. This article is a tribute to the 100 years that Futurism has been around. To celebrate the centenary of futurism, Modern Painters pays tribute to the movement's forward-thinking ideals. It shows how the inspiation of Filippo Tommaso Marinetti sparked groth in technology and industry.

Mckever, Rosalind. " Back to the Futurism" Art Book 17.1 (2010): 66-67. EBSCO. Web.16 Nov. 2010. The article focuses on Futurism today and its affect on the future. Filippo Tommaso Marinetti's life and his contributions to Futurism in 1909 are discussed. Marinetti influenced many other artists to follow in his footsteps. Today art is now today has taken shape in the form of technology and not as much painting and art. I like the title because it describes the article well.

Bird, David W. "Differentiating Catalan and Italian Futurisms." Romance Quarterly 55.1 (2008): 13-27. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. This article is the author's attempt to separate Italian Futurism and Catalan Futurism. Although these two movements share the term "futurism", according to the author they are quite different. The first part of the article is a detailed description of what Italian and Catalan futurisms are exactly. The second part focuses more on Catalan Futurism and why it is a more independent movement than previous authors has given it credit for.

Robbins, Daniel J. "Sources of Cubism and Futurism." Art Journal 41.4 (1981): 324. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. This article discusses the similar origins of both futurism and cubism. These two movement have many similar techniques in their art so it only makes sense that they would sprout from a common seed. The seed that is discussed it that of symbolism and how it started these two movments.

Norden, Martin F. "The Avant-Garde Cinema of the 1920s: Connections to Futurism, Precisionism, and Suprematism." Leonardo 17.2 (1984): 108-12. JSTOR. Web. 16 Nov. 2010.