Group items tagged

Bird, David W. "Differentiating Catalan and Italian Futurisms." Romance Quarterly 55.1 (2008): 13-27. Academic Search Complete. EBSCO. Web. 31 Oct. 2010. This article is the author's attempt to separate Italian Futurism and Catalan Futurism. Although these two movements share the term "futurism", according to the author they are quite different. The first part of the article is a detailed description of what Italian and Catalan futurisms are exactly. The second part focuses more on Catalan Futurism and why it is a more independent movement than previous authors has given it credit for.

Glazer, Diane L. "AMONG FRIENDS: ITALIAN FUTURISM COMES TO AMERICA." New Sound: International Magazine for Music 34 (2009): 62-75. Academic Search Complete. EBSCO. Web. 1 Nov. 2010. This article is the description of the first Futurist artist in America and how Futurism changed when it came over from Italy. It is mostly an analysis of "the first American futurist", Joseph Stella, and a "futurist composer", Edgar Varese. The author also compares these American futurists with the founding Italian futurist, Filippo Marinetti.

Glazer, Diane L. "Among Friends: Italian Futurism Comes to America." New Sound: International Magazine for Music 34 (2009): 62-75. Web. 28 Oct. 2010. This article is about the arrival and spread of Italian Futurist ideas throughout the New York City culture in the early 20th century. It goes into detail the lives of the first American Futurist painter, Joseph Stella and a composer by the name of Edgard Varèse. In the article, the lives of these two artists are analyzed from the perspective of the work that they created. Through their works a friendship was made. Through this friendship and contribution to the art community Futurism grew through New York.

Glazer, Diane L. "Among Friends: Italian Futurism Comes to America." New Sound: International Magazine for Music 34 (2009): 62-75. Web. 28 Oct. 2010. This article is about the arrival and spread of Italian Futurist ideas throughout the New York City culture in the early 20th century. It goes into detail the lives of the first American Futurist painter, Joseph Stella and a composer by the name of Edgard Varèse. In the article, the lives of these two artists are analyzed from the perspective of the work that they created. Through their works a friendship was made. Through this friendship and contribution to the art community Futurism grew through New York.

Loss, Archie. "Vile Bodies, Vorticism and Italian futurism." Journal of Modern Literature 18.1 (1992): 155. Academic Search Complete. EBSCO. Web. 16 Nov. 2010.\n\n

Henderson, Linda D. "Italian Futurism and The Forth Dimension." Art Journal 41.4 (1981): 317-323. . JSTOR. Web.17 Nov. 2010.

Mitchell, David. "Marinetti, Futurist and Fascist." History Today 25.10 (1975): 704. Academic Search Complete. EBSCO. Web. 15 Nov. 2010. Contains many connections between Facism and Futurism as the title indicates. These include how they targeted the young as there median for revolution, their goal of destroying old customs, and there focusing on the future rather tha the past.

Adamson, Walter L. "Contexts and Debates Fascinating futurism: The historiographical politics of an historical avant-garde." Modern Italy 13.1 (2008): 69-85. Academic Search Complete. EBSCO. Web. 16 Nov. 2010. Contains descriptions of a couple distiguishable groups of futursts and elaborates on there differences. The article also gives adaquate background information on people like Marinetti as well as for the futurist and fascist movements themselves. The author indicates that there may be some confusion in separation the fascist and futurist movements but the author attemps to correct this issue.