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Sara WAA

Surrealism and Surrealist Artists - 1 views

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    "Surrealism and Surrealist Artists." All Buy Art. All Buy Art, 2006. Web. 10 Nov. 2010 This article is based on the history and background of modern/contemporary art and how surrealism began. Surrealism is one of the main modern art movements in the twentieth century. Expressionism, Futurism, Impressionism, minimalist, Op Art, Post impressionism, Fauvism, and other Abstract art movements have all been a part of shaping Surrealism. It is the combination of all art movements and theories that influences art today. Surrealism is known to clarify images of life as the artist sees it. It does not limit or restrict any immoral interpretations of life, but rather expresses it in an open-minded way. Surrealism expresses all irrational thoughts and makes the art lively and thrilling. It tends to raise disordered thoughts or questions, but it is meant to express fantasies, mysteries, and illusions as a temporary reality.
Sara WAA

An Amusing Lack of Logic: Surrealism and Popular Entertainment - 1 views

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    Eggener, Keith L. "'An Amusing Lack of Logic': Surrealism and Popular Entertainment." American Art. 7.4 (1993): 30-45. The University of Chicago Press on behalf of the Smithsonian American Art Museum. Web. 10 Nov. 2010. This article talks about how Surrealism impacted American Art starting in the 1930s. Socialites across America were introduced to this movement by going to Surrealist Costume Balls and flipping through fashion magazines that contained this new form of art. Salvador Dali's "Dream of Venus" captured the attention of many and soon people were craving a desire to dream like him. Many do not realize that this movement was first accessible to and received by Americans. Surrealism actually evolved from trendsetters in fashion and entertainment within America and Europe. "The earliest examples of genuine Surrealist art to be seen in America were probably those included in Katherine Dreier's Sociata Anonyme exhibition of modern European and American art." Most information that Americans had about Surrealism came from printed articles in newspapers or magazines. Many surrealist authors related their work to the illusionary branch of Salvador Dali's work. He was by far the most influential person in this movement. Surrealism was not meant to be a type of revolution, but new insight or beginning for art.
Sara WAA

Surrealism: An Alternative Approach: Veristic Attitudes in the Work and Writings of Con... - 1 views

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    Bell, Michael S. "Surrealism: An Alternative Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists." Leonardo 17. 4 (1984): 247-252. The MIT Press. Web. 8 Nov. 2010 This article talks about how automatism (a form of ideas/conceptions) has been the main focus of surrealism and all the people in history involved with it since the 1940s. Many artists have chosen to stick to the latest and most common trends and end up writing their own philosophical views for others to focus on while observing the artistic movement. The words of surrealist artists can prove their true appreciation of their own work, but can be misunderstood with writings and literature pertaining to the artists'' work. It has been understood that surrealist work has been divided into three divisions: automatists, families of artistic content, and the fact that little research has been done to provide new facts about Surrealism. A new form of surrealist art that is discussed in this article is called veristic. Veristic is a form of representational art pertaining to images "beyond illusion." Miran Ahn has studied the dream-conception of Surrealism. She relates the unrealistic images of surreal art to contemporary paintings. She believes that some think surrealism is not worthy as a movement in art because of its imaginary images. Ahn believes that traditional contemporary art can be damaging to surrealism because it is seen as a insensible cliché.
Colleen WAA

Dalí's Inauthenticity - 1 views

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    Rothman, Roger. "Dalí's Inauthenticity." Modernism/modernity 14.3 (2007), 489-497. This shows how Dali's artwork opened the eyes of its viewers and the profound effect on art movements. It explains modern techniques and traditional techniques and methods that Dali used. In addition, it provides a critique of Dali and his artwork and how it ultimately changed art as people knew it during this time period.
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    scholarly.
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    Check citation. I think the publisher is John Hopkins Press.
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