I apologize for all of the posts about WikiLeaks, but I'm fascinated by Assange's views of his work. One minute I feel like he's a hero and that these leaks really can open the masses' eyes to political corruption and scandal, but the next minutes I feel like he's playing with fire and am fearful of the consequences of uncovering these documents.

This article (which mentions the Manning situation that is the focus of the video I posted earlier today) outlines the pros and cons of prosecuting Julian Assange, the editor-in-chief and founder of WikiLeaks, for publishing and disseminating thousands of classified State Department cables on his site. The First Amendment is at the crux of this debate: "How do you draft a law that targets WikiLeaks but leaves intact our system of press freedoms?"

This is an interesting video about the young army private, Bradley Manning, who willingly passed restricted military information about the Afghan and Iraq Wars as well as over 250,000 U.S. State Department cables to WikiLeaks. Manning had access to all of this information because of his position as a low-level intelligence analyst with the military in Iraq.

This article explains how social networking is changing our "interpersonal psychology" and what we can do so that it doesn't get the best of us.

an amusing infographic comparing the benefits of search media versus social media

I really liked the idea from this week's reading that we should look to gaming for the future of interactive interfaces for social media. This article explains the ways that computing could be transforming in the future with motion sensing input devices like the Xbox Kinect. It's crazy to think that some of these things are possible!

This article explains how location-based mobile applications can collaborate with marketing teams to provide location-specific advertisements for users.

The popular app Foursquare will notify users of nearby places/things to do/people that the user may want to explore on its update in iOS 5. With this update, the user can receive notifications of places to eat and things to do nearby even when the app is closed.

This article is extremely interesting as we think about online "spaces" because the author describes how he pictures the literal "space" of each social networking site he uses.

Our reading this week touched upon the idea of "sock puppets," or fake users "often created for the purpose of talking up or praising a product" (Crumlish and Malone 305). This article explains how a company that creates and sells a program for learning and mastering guitar was fined a quarter of a million dollars for fabricating online reviews.

According to the Terms & Conditions of Pinterest, all users must have complete ownership of everything they "pin," a condition that completely goes against the purpose of the site, or legal action can be taken against the user. Not only should this article be a wake-up call for Pinterest users (including me), but it is also an interesting addition to the conversations of copyright and ownership/distribution of digital information.

Apparently employers will soon be using a Facebook rating scale to determine what kind of employees we'll be.

This article goes along with Lovink's idea in "MyBrain.net" that we "constantly login, create profiles in order to present our 'selves' on the global market place of employment, friendship and love. . . Trust is the oil of global capitalism and the security state, required by both sides in any transaction or exchange" (4-5). It looks like identity fraud is what happens when we trust too easily on social media sites.

"Kony2012," an activist movement aimed at arresting Ugandan warlord Joseph Kony, has recently harnessed the power of social media (especially Facebook and Twitter) to spread its message. This is just one of the articles I've found that examines the role of social media in modern-day activism.

This article touches upon the benefits of incorporating social media into business practices and explains how anyone, even those who aren't familiar with social media, can learn to harness their power.

We talked about "digital badges" in class a few weeks ago. This article explains how a competition, "Badges for Lifelong Learning," could allow digital badges to become legitimate evidence of non-traditional, "DIY" learners' skills and knowledge. Digital badges come into the picture because these individuals won't have a degree to show for their work.

This is the hypertextual poem by Stephanie Strickland called "The Ballad of Sand and Harry Soot," to which Hayles refers in her article "Electronic Literature: What Is It?" Hayles's idea that we must recognize "the specificity of new media without abandoning the rich resources of traditional modes of understanding language, signification, and embodied interactions with texts" is absolutely at work in this poem.

Since Mikenna bookmarked a New York Times article about Pinterest, I've been thinking about what makes that site different (and, in my opinion, more successful) than other social media sites like Facebook and Twitter. According to this Huffington Post article, "What sets Pinterest apart and makes it so appealing is its focus on who we want to be -- not on what we're doing, where we've gone, how important we are or how beloved. While much of the content shared on existing social networking sites like Facebook, Twitter and Foursquare screams, 'Look at me,' Pinterest posts urge, 'Look at this.'" While I agree with that idea to some extent, I wonder if we can ever engage in social media/social networking without an air of "look at me." This made me think of Goldsmith's idea of Internet identity: "On the Internet, these tendencies move in different directions, with identity running the gamut from authenticity to total fabrication" (84). So, maybe Pinterest allows its users to create a more authentic identity for themselves while Facebook and Twitter promote more fabricated identities.

Remember that artist we talked about a few weeks ago, Hasan Elahi, who "actively discloses countless mundane details of Elahi's daily activities" as an experiment in sousveillance? This article from Hydra Magazine argues that Elahi's project, which stems from the artist's ideas that "the best way to protect your privacy is to give it away," does not at all interfere with the government's surveillance programs--"it only adds variety to the realm of possible facts that may be invoked when it's your turn to play suspect."

Here's an interesting interview with N. Katherine Hayles (author of this week's readings) for a program called The Artist's Craft. Hayles talks about some of the concepts found in this week's readings and also touches upon some new ideas. I find the material to be extremely accessible in this Q&A format.