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ksa45 Kyle Anderson

Audacity: Free Audio Editor and Recorder - 0 views

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    If you want more detailed audio editing than is provided in Final Cut, check out Audacity. It's free, and provides a lot of essential audio editing tools.
Kurt Lancaster

Flick's Mobile Home Park Sunnyvale California San Jose Mercury News - 0 views

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    Follow the saga of Sunnyvale Mobiel Home dwellers as they fight for their homes, then relocate after developers take over the property. Shot and edited by one of the top documentary journalists in the field, Dai Sugano of San Jose Mercury News.
Kurt Lancaster

Film Editing Articles - 0 views

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    Heather Hollister contribution.
Kurt Lancaster

The Anatomy of a Gunshot from Son of A Wanted Man - An Audio Dramatization of the novel... - 0 views

  • The Anatomy of a Gunshot The process of layering effects, allows us to bridge the gap between what something actually sounds like when recorded and what we, as listeners, think it should sound like. Gunshots are particularly difficult to reproduce effectively. They have all the negative aspects you could ever think of from a recording perspective. They are extremely loud, very fast and filled with lots of little details. Creating each gunshot requires several layers not all of which have anything to do with a gun. HINT: Click the to hear MP3 sounds (requires an MP3 player like Quicktime - see apple.com if you need a free version.) The shot that kills Klatt as he holds Mike hostage is a perfect example of the complex layering and sweetening involved in creating gunshots. Some of the layers have little or nothing to do with the original gunshot and some are modified in order to sound more like what I think the audience expects to hear.   I usually choose a gunshot that is from the same or similar weapon used by the character in the scene. (Sharpes Shot) Using this as a foundation I begin to add layers. A deeper boom.  Some echo The bullet sizzle was slowed down from its original   to a more dramatic The bullet hit is comprised of an actual impact recording A hand slap, and last but not least, the sound of a hammer striking an anvil.  All of these pieces are carefully placed, cropped, eq’d and filtered to create the final effect.
    • Kurt Lancaster
       
      Go to the website to play the audio links. It's worth checking out to see what it took to make a gunshot sound more "real" in this audio production.
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    The Anatomy of a Gunshot The process of layering effects, allows us to bridge the gap between what something actually sounds like when recorded and what we, as listeners, think it should sound like. Gunshots are particularly difficult to reproduce effectively. They have all the negative aspects you could ever think of from a recording perspective. They are extremely loud, very fast and filled with lots of little details. Creating each gunshot requires several layers not all of which have anything to do with a gun. HINT: Click the to hear MP3 sounds (requires an MP3 player like Quicktime - see apple.com if you need a free version.) The shot that kills Klatt as he holds Mike hostage is a perfect example of the complex layering and sweetening involved in creating gunshots. Some of the layers have little or nothing to do with the original gunshot and some are modified in order to sound more like what I think the audience expects to hear. I usually choose a gunshot that is from the same or similar weapon used by the character in the scene. (Sharpes Shot) Using this as a foundation I begin to add layers. A deeper boom. Some echo The bullet sizzle was slowed down from its original to a more dramatic The bullet hit is comprised of an actual impact recording A hand slap, and last but not least, the sound of a hammer striking an anvil. All of these pieces are carefully placed, cropped, eq'd and filtered to create the final effect.
Kurt Lancaster

The lost art of film editing - The Boston Globe - 0 views

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    From Ngoc Ho.
Kurt Lancaster

FILM EDITING: 'VALKYRIE' | Articles | Post Magazine - 0 views

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    Article found by Ngoc Ho. Good stuff.
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