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Lari Tanner

Paris Review - The Art of Fiction No. 12, William Faulkner - 0 views

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    " Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. INTERVIEWER Does a writer compromise in writing for the movies? FAULKNER Always, because a moving picture is by its nature a collaboration, and any collaboration is compromise because that is what the word means-to give and to take. INTERVIEWER Which actors do you like to work with most? FAULKNER Humphrey Bogart is the one I've worked with best. He and I worked together in To Have and Have Not and The Big Sleep. INTERVIEWER Would you like to make another movie? FAULKNER Yes, I would like to make one of George Orwell's 1984. I have an idea for an ending which would prove the thesis I'm always hammering at: that man is indestructible because of his simple will to freedom. INTERVIEWER How do you get the best results in working for the movies? FAULKNER The moving-picture work of my own which seemed best to me was done by the actors and the writer throwing the script away and inventing the scene in actual rehearsal just before the camera turned on. If I didn't take, or feel I was capable of taking, motion-picture work seriously, out of simple honesty to motion pictures and myself too, I would not have tried. But I know now that I will never be a good motion-picture writer; so that work will never have the urgency for me which my own medium has. INTERVIEWER Would you comment on that legendary Hollywood experience you were involved in? FAULKNER I had just completed a contract at MGM and was about to return home. The director I had worked with said, "If you would like another job here, just let me know and I will speak to the studio about a new contract." I thanked him and came home. About six months later I wired my director friend that I would like another job. Shortly after that I received a letter
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    Sorry this interview is rather long, but I posted it because Faulkner talks about his books/stories being made into movies and how he feels about it. This is another example that makes me think it would be good for both classes, EMAC6300 and DigitalText.
Lari Tanner

Straight White Male: The Lowest Difficulty Setting There Is | Whatever - 0 views

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    Here's Scalzi's other blog post about the "Straight White Male" it is also mentioned in the article I mentioned in my earlier post. They are both very compelling.
purplekimchi

If Google Was a Guy (Part 2) - YouTube - 0 views

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    What would happen if people submitted their google requests in person. (Can't let this go w/o noting that Google is a middle aged white guy). NSFW: language
norma martin

Wireless system could offer a private fast lane - 2 views

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    This is the white paper attached to a NYTimes story about pCell technology that hopes to provide mobile users for far faster cell network speeds, for such things as streaming video
purplekimchi

What Should "Racism" Mean? | The Weekly Sift - 1 views

  • It depends on what you think racist means. Conservatives will not only answer the question “No”, they’ll be insulted that you even raised it (and will probably launch into their canned everybody-who-disagrees-with-Obama-is-a-racist-to-you-people riff). That’s because conservatives have adopted a very restricted definition of racism: Racism is conscious hatred towards people of another rac
  • But they can’t look at a black president the same way they looked at the 43 white presidents. Things just look different when Obama does them. What do you call that?
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