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" Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. INTERVIEWER Does a writer compromise in writing for the movies? FAULKNER Always, because a moving picture is by its nature a collaboration, and any collaboration is compromise because that is what the word means-to give and to take. INTERVIEWER Which actors do you like to work with most? FAULKNER Humphrey Bogart is the one I've worked with best. He and I worked together in To Have and Have Not and The Big Sleep. INTERVIEWER Would you like to make another movie? FAULKNER Yes, I would like to make one of George Orwell's 1984. I have an idea for an ending which would prove the thesis I'm always hammering at: that man is indestructible because of his simple will to freedom. INTERVIEWER How do you get the best results in working for the movies? FAULKNER The moving-picture work of my own which seemed best to me was done by the actors and the writer throwing the script away and inventing the scene in actual rehearsal just before the camera turned on. If I didn't take, or feel I was capable of taking, motion-picture work seriously, out of simple honesty to motion pictures and myself too, I would not have tried. But I know now that I will never be a good motion-picture writer; so that work will never have the urgency for me which my own medium has. INTERVIEWER Would you comment on that legendary Hollywood experience you were involved in? FAULKNER I had just completed a contract at MGM and was about to return home. The director I had worked with said, "If you would like another job here, just let me know and I will speak to the studio about a new contract." I thanked him and came home. About six months later I wired my director friend that I would like another job. Shortly after that I received a letter

Sorry this interview is rather long, but I posted it because Faulkner talks about his books/stories being made into movies and how he feels about it. This is another example that makes me think it would be good for both classes, EMAC6300 and DigitalText.

A new paper out of MIT's Center for Civic Media uses Media Cloud and other tools to map how the story of Trayvon Marton's death was told -- and evolved.

This is really interesting. I also like that the tool is available for anyone to use. I'm going to add it to the tools list in #digitaltext

This story reminds me of the emac6300 tech workshop. Useful tools. Groovy.

I will definitely need more than one of these before I finish grad school. LOL!

The digital programs look groovy. Some were even developed by graduate students. I plan to use a couple of them in my work.

I keep forgetting to add these articles I've been hoarding! is there such a thing as a cyberhoarder? That would be kind of cool if they made a reality show out of THAT! LOL I don't think I've shared this one yet, so happy reading!

This post is written for a specific audience, but the tips, suggestions and tools for infographics can be used for any subject area.

A more nuanced approach to the social media is anti-social argument

Here is another great video series that I recently saw. It's a little older now but super relevant for our class and program.

I love this. It makes me think about Cassini's class and how we talked about this there. Skeuomorphism is an interesting tool, and was a smart way to introduce the iPhone to the general public, it was easy to understand how to use it because of Skeuomorphism.

Who knew Disney was such a control freak? I do have to say it is scary to think that everything we do is being tallied and put on some sort of spreadsheet. Even scarier is the fact that we are willing to give our information away or rather give it away cheaply. Target stores recent problems don't have anything on the geotagging that goes on with push notifications, etc. on our smartphones.

It'll be interesting to see companies' approach to big data as more and more businesses invest their money, people and time into analytics. How they collect it, their product design and marketing strategies will all determine whether or not people find their invasion helpful or inappropriate. For example, IBM tells me that their data is eliminating crime from certain areas, so whatever data they've collected from me, they've collected it from criminals too. Facebook allows me to see only adds that reflect my interests and search history, so then I don't have to see ads that don't apply to me. And now Disney wants to give me a better experience and a band I can keep to always remember my time there. Win. Win. Win. The NSA has some stiff competition and maybe if they had a strong marketing department that could flip their message and give customers the rewards they are constantly seeking, I bet people would come around. Maybe it would look something like this Parks and Rec campaign (just kidding): http://www.youtube.com/watch?v=zNCaZT94mg8

There are a lot of interesting and moving parts here. I think this is a smart tool for Disney to use. It sounds like the perfect marriage between finance (getting sales figures in a more organized fashion) and marketing (what people are buying/swiping) that will feed into the best consumer insights information possible. As the article suggests, I do believe this is a more sophisticated (and invasive) form of consumer data gathering like the typical grocery store rewards card. One of the burning questions I have from this though, is will children really be able to swipe everything in sight for purchase? If so, that could mean smiles for Disney and frowns and frustration for parents. The design looks very similar to the Nike Fuelband, and is appealing to the eye. I can see the pros and cons for this one, but overall I wonder what the profit to spend margins would actually be for these MagicBands.

To Build Websites and apps, adults (and kids) are flocking to coding classes