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Lari Tanner

Paris Review - The Art of Fiction No. 12, William Faulkner - 0 views

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    " Nothing can injure a man's writing if he's a first-rate writer. If a man is not a first-rate writer, there's not anything can help it much. The problem does not apply if he is not first rate because he has already sold his soul for a swimming pool. INTERVIEWER Does a writer compromise in writing for the movies? FAULKNER Always, because a moving picture is by its nature a collaboration, and any collaboration is compromise because that is what the word means-to give and to take. INTERVIEWER Which actors do you like to work with most? FAULKNER Humphrey Bogart is the one I've worked with best. He and I worked together in To Have and Have Not and The Big Sleep. INTERVIEWER Would you like to make another movie? FAULKNER Yes, I would like to make one of George Orwell's 1984. I have an idea for an ending which would prove the thesis I'm always hammering at: that man is indestructible because of his simple will to freedom. INTERVIEWER How do you get the best results in working for the movies? FAULKNER The moving-picture work of my own which seemed best to me was done by the actors and the writer throwing the script away and inventing the scene in actual rehearsal just before the camera turned on. If I didn't take, or feel I was capable of taking, motion-picture work seriously, out of simple honesty to motion pictures and myself too, I would not have tried. But I know now that I will never be a good motion-picture writer; so that work will never have the urgency for me which my own medium has. INTERVIEWER Would you comment on that legendary Hollywood experience you were involved in? FAULKNER I had just completed a contract at MGM and was about to return home. The director I had worked with said, "If you would like another job here, just let me know and I will speak to the studio about a new contract." I thanked him and came home. About six months later I wired my director friend that I would like another job. Shortly after that I received a letter
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    Sorry this interview is rather long, but I posted it because Faulkner talks about his books/stories being made into movies and how he feels about it. This is another example that makes me think it would be good for both classes, EMAC6300 and DigitalText.
remi469

Ad pictures vs Reality. Is it realistic to expect served food to match its photo? - 0 views

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    While I believe it is important to ensure these companies adhere to health regulations as regards, products, processing, preparations, specifications and all that, i think it's unrealistic to expect photo-perfect food orders.
remi469

http://kimknight.com/readings/bush-aswemaythink.pdf - 0 views

    • remi469
       
      I see this line of text from 'As We May think' (Vannevar Bush, pg 3) and I think, Google Glass! Well, a primitive version but quite Visionary. #emac6300
    • remi469
       
      "On a pair of ordinary glasses is a square of fine lines near the top of one lens, where it is out of the way of ordinary vision. When an object appears in that square, it is lined up for its picture."
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    Remi, I completely agree with you. Then as soon as I read your comment I came across this article. The way they describe Facebook for Google Glass sounds much like that line from the reading. http://blog.hootsuite.com/wearable-tech-series/
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    Katie, thanks. That was an insightful post. I never thought much about the Google Glass medium being essentially visual. Text heavy media sites may have to adjust accordingly. This line from the article addressed it. "Google Glass is primarily a visual medium. It is a device reliant on visuals, gestures, and voice. For this reason, text-focused social media does not complement Glass. Do not expect to read long drawn out blog posts, or a constant barrage of tweets. Even so, text has its place-mainly to augment the visuals."
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