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Ed Webb

Xinjiang Denialists Are Only Aiding Imperialism | The Nation - 0 views

  • pundits claim that efforts to expose human rights abuses in Xinjiang are really aimed at generating consensus for a “new Cold War” against China. It is only the latest manifestation of American denialism, and instead of challenging US empire, it only helps to cover up US government complicity in the oppression of Uyghurs in Xinjiang
  • anti-imperialists on the left who, in order to critique American empire, dismiss obvious truths and question whether well-documented massacres ever happened. Most notorious among anti-imperialist deniers are Edward S. Herman and David Peterson. In their book The Politics of Genocide, they argue that most accusations of genocide are justifications of US imperialism in the name of “humanitarian intervention.”
  • For many anti-imperialists, the need to denounce US empire is reason enough to support any of its opponents. And if those opponents commit atrocities, their abuses can be denied. Xinjiang is just the latest iteration in this pattern. The specific identities of the Xinjiang denialists don’t really matter, and I have no intention of inflating their cause by naming them or linking to their work. What brings them together is a tireless effort to debunk every aspect of the “mainstream” narrative about Xinjiang
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  • Like the United States itself, China is an imperial state. Its contemporary borders are the result of conquest, and its current population is a collection of peoples violently confined by the forces of the state. Whether you think China is socialist or capitalist doesn’t change this
  • The territory now known as Xinjiang (literally, “new frontier”) was invaded in the mid-18th century amid a global spree of imperial expansions. It was retained by the People’s Republic of China because of a loophole in the decolonization process that enabled states to hold on to colonial possessions that were part of the same landmass. Because China didn’t cross an ocean to colonize Xinjiang, the territory and its people were ineligible for decolonization within the UN’s framework
  • in presenting these facts as evidence of benign governance in Xinjiang, rather than the shallow tokenism of colonial rule, they exemplify a hallmark of what Richard Hofstadter once called the paranoid style in American politics. These denialists do not lack “verifiable facts,” just “sensible judgment.”
  • If these people want to criticize America, they can highlight US complicity in ongoing colonialism in Xinjiang. One doesn’t need to invent conspiracies. For example, China’s designation of all forms of Uyghur resistance as terrorism has been directly inspired and enabled by the US-led Global War on Terror.
  • The US War on Terror made it easier for the Chinese Communist Party to redefine Uyghur resistance as terrorist extremism, rather than national liberation or anti-colonialism.
  • he founder of US mercenary corporation Blackwater, Erik Prince (also brother of former US secretary of education Betsy DeVos) transferred his expertise from Iraq to China via the security service provider Frontier Services Group, which trained anti-terrorism personnel in Beijing and planned to open a “training center” in Xinjiang. And despite Blackwater’s claim that it is pulling out of the region, a 2020 financial report sets aside nearly $2.7 million for “setting up business” in Xinjiang. We also know that US tech companies have helped create a surveillance state in Xinjiang. Companies like Thermo Fisher Scientific and Promega have sold equipment to help police in Xinjiang build a system of racial profiling, based on DNA samples obtained, in part, from a prominent US geneticist. And finally, we know that the supply chains of dozens of US companies run through Xinjiang. Companies like Nike and Apple even lobbied against legislation that would affect their capacity to do business in Xinjiang.
  • Whether you think these complicities support genocide, “mere” atrocities, or “only” colonialism doesn’t change the fact that the US security state has inspired, aided, and profited from the domination over Muslim minorities in Xinjiang.
  • it’s perfectly possible to oppose US empire without engaging in denialism, praising colonialism, and debasing the dignity of victims and survivors
Ed Webb

Illustrating China Is More Than Dragons and Pandas - 0 views

  • Aesthetic choices have long shaped how American audiences see the world. Historically speaking, the West’s visual vocabulary tends to champion a fascination “with abjection and violence” in foreign subjects, whether that be the sinister depictions of Japanese people in World War II propaganda, Native American mascots in sports, or distressed communities in Africa and the Middle East.
  • Using repetitive, stereotyped tropes to signify that China is exotic, authorientalism visually links these tropes to abuses of government power, thereby promoting the view that authoritarianism is part of the essential character of Chinese-ness. It conflates the culture and the government, and reinforces the state’s own frequent claims that authoritarianism is innate to Chinese history or society.
  • Turning authoritarian behavior into an exclusively alien phenomenon also implies that it does not apply to Western political culture, making it harder to recognize totalitarian behavior in more familiar contexts.
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  • the Yellow Peril illustrations of the 19th century that shaped racist measures like the Chinese Exclusion Act of 1882. Across these movements, illustrators formalized Chinese influence as fictitious characters—ghosts, apes, Godzilla communists, Uncle Sam-eaters—neglecting the reality of what actually met the eye: exploited workers, opportunity-seeking immigrants, new markets for Western enterprise interests, etc.
  • Such visual shorthands are useful but also dangerous. They mirror the way America is depicted from the other side. China Daily’s political cartoons fanatically use Uncle Sam or the Statue of Liberty in any opportunity to portray American hypocrisy, in the same fashion as Soviet media did during the Cold War.
  • Every photo montage or threatening Maoist rendering of Xi promotes a simplified narrative of China and authoritarian horror.
  • The Chinese government has implemented an extremely comprehensive surveillance regime, especially in colonized areas such as Tibet and Xinjiang. Increased reporting on this topic has given way to a sub-branch of visuals characterizing China as a mass-surveillance state. Imagery of security cameras, facial recognition frames, and dramatically posed or saluting soldiers are among the usual suspects that are superimposed on a red background with the five gold stars of the Chinese flag.
  • Authorientalism visually links surveillance with Chinese nationalism, thus de-emphasizing how technological surveillance also pervades the world outside of China.
  • These images also emphasize the technological aspect of surveillance over the human. Global tech runs on human power, from Facebook’s Philippines-based monitoring centers to the estimated 2 million workers who maintain China’s own firewall. It takes people to scrutinize and interpret behavior even if it has been filtered by artificial intelligence, to identify keywords for monitoring online, to decide whether an action crosses a line, and to choose what the punishment will be for crossing it
  • when the toll of COVID-19 on American lives became too real to ignore, U.S. coverage expanded to show its impacts in hospitals, schools, the workplace, and the home. As a result, we witnessed innovations in how we could tell these stories visually. The attitude went from “look at them” to “this is us.” Editors, photographers, and illustrators were obligated to consider how subjects would be depicted with respect, honesty, and care.
  • Authoritarianism can be treated as a threat to Chinese life, rather than a Chinese threat to the United States. To take China seriously means taking seriously the pain and deaths of the people in Wuhan alongside anxieties about how Xi’s leadership or surveillance affects the West. The focus must shift to processing life under the circumstances created by authoritarian rule, rather than reproducing the illusions spun by headline culture. It should center the people affected themselves. How might they reflect on China’s issues? How might we portray those views?
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