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Jenny Gilbert

Teachers' TV Australia - 1 views

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    aussie Teachers TV and Video channel -
Vicki Davis

#AcWriMo, #DigiWriMo, #NaNoGenMo and November Writing Sprints - ProfHacker - Blogs - Th... - 4 views

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    Great explanation of all of the writing events in November - #AcWriMo, #DigiWriMo, #NaNoGenMo
Vicki Davis

7 Tech Tips for Your Next Read-Aloud | Edutopia - 7 views

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    You can use technology in your next read aloud. Here are some great ideas,
Vicki Davis

Listening to James Baldwin | My Year of Teaching Dangerously - 3 views

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    Writing Teacher Shannon Carey is teaching writing this year with an edge. Using the idea of "writing as resistance" she's helping kids find their voice on hard, tough topics and daring them to write great things. Read this blog post for ideas and to see some cool things you can do to challenge great writing.
Fabian Aguilar

Educational Leadership:Literacy 2.0:Orchestrating the Media Collage - 1 views

  • Public narrative embraces a number of specialty literacies, including math literacy, research literacy, and even citizenship literacy, to name a few. Understanding the evolving nature of literacy is important because it enables us to understand the emerging nature of illiteracy as well. After all, regardless of the literacy under consideration, the illiterate get left out.
  • Modern literacy has always meant being able to both read and write narrative in the media forms of the day, whatever they may be. Just being able to read is not sufficient.
  • The act of creating original media forces students to lift the hood, so to speak, and see media's intricate workings that conspire to do one thing above all others: make the final media product appear smooth, effortless, and natural. "Writing media" compels reflection about reading media, which is crucial in an era in which professional media makers view young people largely in terms of market share.
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  • As part of their own intellectual retooling in the era of the media collage, teachers can begin by experimenting with a wide range of new media to determine how they best serve their own and their students' educational interests. A simple video can demonstrate a science process; a blog can generate an organic, integrated discussion about a piece of literature; new media in the form of games, documentaries, and digital stories can inform the study of complex social issues; and so on. Thus, a corollary to this guideline is simply, "Experiment fearlessly." Although experts may claim to understand the pedagogical implications of media, the reality is that media are evolving so quickly that teachers should trust their instincts as they explore what works. We are all learning together.
  • Both essay writing and blog writing are important, and for that reason, they should support rather than conflict with each other. Essays, such as the one you are reading right now, are suited for detailed argument development, whereas blog writing helps with prioritization, brevity, and clarity. The underlying shift here is one of audience: Only a small portion of readers read essays, whereas a large portion of the public reads Web material. Thus, the pressure is on for students to think and write clearly and precisely if they are to be effective contributors to the collective narrative of the Web.
  • The demands of digital literacy make clear that both research reports and stories represent important approaches to thinking and communicating; students need to be able to understand and use both forms. One of the more exciting pedagogical frontiers that awaits us is learning how to combine the two, blending the critical thinking of the former with the engagement of the latter. The report–story continuum is rich with opportunity to blend research and storytelling in interesting, effective ways within the domain of new media.
  • The new media collage depends on a combination of individual and collective thinking and creative endeavor. It requires all of us to express ourselves clearly as individuals, while merging our expression into the domain of public narrative. This can include everything from expecting students to craft a collaborative media collage project in language arts classes to requiring them to contribute to international wikis and collective research projects about global warming with colleagues they have never seen. What is key here is that these are now "normal" kinds of expression that carry over into the world of work and creative personal expression beyond school.
  • Students need to be media literate to understand how media technique influences perception and thinking. They also need to understand larger social issues that are inextricably linked to digital citizenship, such as security, environmental degradation, digital equity, and living in a multicultural, networked world. We want our students to use technology not only effectively and creatively, but also wisely, to be concerned with not just how to use digital tools, but also when to use them and why.
  • Fluency is the ability to practice literacy at the advanced levels required for sophisticated communication within social and workplace environments. Digital fluency facilitates the language of leadership and innovation that enables us to translate our ideas into compelling professional practice. The fluent will lead, the literate will follow, and the rest will get left behind.
  • Digital fluency is much more of a perspective than a technical skill set. Teachers who are truly digitally fluent will blend creativity and innovation into lesson plans, assignments, and projects and understand the role that digital tools can play in creating academic expectations that are authentically connected, both locally and globally, to their students' lives.
  • Focus on expression first and technology second—and everything will fall into place.
Maxime Lagacé

Best Quotes - 12 views

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    Quotations website categorized by authors, topics, nationalities, professions and keywords. Quotes ranked by number of votes.
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    A good place to find the best quotes on the web
Vicki Davis

Impact of Educational Technology on Teacher Stress and Anxiety: A Literature Review - PMC - 2 views

  • However, for teachers this is not usually the case. Incorporating technology into their teaching practices without being aware of the didactic possibilities that technology offers, a lack of training in educational technology, or resistance to its use produces fatigue in the professional and working environments
  • “burnout syndrome”, which is related to exhaustion and burnout due to increasing demands
  • In the pedagogical context, burnout syndrome in teachers can affect their level of commitment at work.
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    "The main findings show that teachers present high levels of anxiety or stress due to their use of educational technology in the classroom. Among the conclusions, the need for research on different strategies to prevent the emergence of these anxiety and stress symptoms in teachers stands out."
Dave Truss

» Some Questions on Composition Bud the Teacher - 4 views

  • And what counts as “writing,” or “composition?” Is a tweet a text, or a piece of a larger text?3  Is a rambling audio podcast, recorded from the driver’s seat of my car, a composition on par with a Master’s thesis, or an essay? So long as a test or assessment or evaluation of a text occurs within a limited finition of what counts as writing, are these other forms valid? How do we who is a “good” writer?  What is “good” writing?
  • That we now have more tools for making marks, and that we have new kinds of marks – photographs, videos, complex visualizations – doesn’t make the essential task of making meaning any easier. In some ways, as our options for composition increase, it gets harder to decide, to choose which way of making marks will get the point that we wish to make across.  Harder, too, is what we must do in classrooms to convey the power of language and to help make our students critical participants in the literacies and literatures of our/their/our futures/our pasts.
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    And what counts as "writing," or "composition?" Is a tweet a text, or a piece of a larger text?3 Is a rambling audio podcast, recorded from the driver's seat of my car, a composition on par with a Master's thesis, or an essay? So long as a test or assessment or evaluation of a text occurs within a limited finition of what counts as writing, are these other forms valid? How do we who is a "good" writer? What is "good" writing?
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