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Ed Webb

Why Muslim-majority countries need secular citizenship and law-making | openDemocracy - 0 views

  • once a political system is based on a religion, it is almost impossible to define the citizens who do not follow that religion as “first class.” In Iran and Iraq, rising legal and political influence of Shiism has led the discrimination against Sunni citizens, and in Pakistan and Egypt the opposite has happened, to a certain extent. Moreover, several Christian and non-Muslim minorities have faced discrimination by various means, including apostasy and blasphemy laws, in Sudan and Malaysia, among other cases.
  • Truly maintaining equal citizenship to all regardless of their religious identities is crucial for Muslim-majority countries to achieve democratization, consolidate the rule of law, and end sectarian and religious tensions.
  • equal citizenship in Muslim-majority countries will empower those who defend rights of Muslim minorities facing persecution and even ethnic cleansing in such cases as China, India, and Myanmar, and experiencing Islamophobia in western countries. By maintaining the rights of their own minorities, Muslim-majority countries may gain stronger moral and legal grounds to defend rights of Muslim minorities at the global level.
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  • Islamic jurisprudence inherently contradicts democratic politics
  • In the twentieth century, secularist rulers adopted secular legal systems in Turkey, Iraq, Tunisia, and several other Muslim-majority cases. These assertive secularist regimes were mostly authoritarian. Therefore, they did not allow the law-making processes to be truly participatory. Secularism appears to be necessary but not sufficient for participatory legislation, too.
  • As my new book Islam, Authoritarianism, and Underdevelopment: A Global and Historical Comparison explains, there existed a certain level of separation between religious and political authorities in the first four centuries of Islamic history.That is why the first systematic book about “Islamic” politics was written as late as the mid-eleventh century. It was Mawardi’s The Ordinances of Government. The book argues that an Islamic government is based on a caliph (an Arab man from the Quraish tribe) to rule all Muslims. The caliph holds the entire political and legal authority and stays in power for life. The caliph delegates his legitimate authority to sultans, governors, and judges.The second book, which systematically defines an Islamic political system, was written in the early fourteenth century. It is Ibn Taymiyya’s Sharia-based Governance in Reforming Both the Ruler and His Flock. Instead of the one-man rule of a caliph, this book emphasizes the alliance between the ulema and the state authorities. Ibn Taymiyya interprets the only phrase in the Quran about authority, “uli’l-amr” (4:59), as referring to the ulema and the rulers (though other scholars have interpreted it differently).
  • To implement Mawardi’s idea of caliphate today would imply to establish an extreme autocracy. Ibn Taymiyya’s ideas are not helpful to solve modern political problems either. In fact, the ulema-state alliance is the source of various problems in many Muslim-majority countries.
  • To maintain a certain level of separation between Islam and legal systems may limit the exploitation of Islam for political purposes.
  • recent Islamization (at the political, legal and ideological levels) has weakened secular fundamentals of citizenship and law-making in many Muslim-majority countries.
Ed Webb

Blasphemy and the Law - NYTimes.com - 0 views

  • while the pain caused to believers by the defilement of cherished religious symbols and teachings is real and traumatic, laws that criminalize “defamation” of religion or inciting religious hatred are doctrinally unsound and legally dangerous.
  • Increasingly, Muslim leaders are arguing that blasphemy laws as currently applied are un-Islamic as well. In a foreword to a recently released book, “Silenced: How Apostasy and Blasphemy Codes are Choking Freedom Worldwide,” Abdurrahman Wahid, the late president of Indonesia and a strong advocate for interfaith dialogue, wrote, “Nothing could possibly threaten God who is Omnipotent and existing as absolute and eternal truth. ... Those who claim to defend God, Islam, or the Prophet are thus either deluding themselves or manipulating religion for their own mundane and political purposes.”
  • A 2012 report by Human Rights First — “Blasphemy Laws Exposed: The Consequences of Criminalizing ‘Defamation of Religions”’ [pdf] — outlines several types of problems with the application of blasphemy laws worldwide. In addition to stifling dissent and discussion in the public sphere, such laws can actually spark assaults, murders and mob outbreaks.
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  • Far from protecting religious sensibilities, blasphemy laws are a major source of prejudice and violence against religious minorities, as well as of violations of their religious freedoms.
  • The antidote to blasphemy is not blunt and counterproductive law but efforts by civil society — specifically political and religious leaders cooperating across religious and ideological lines — to condemn any curtailing of religious rights or speech that incites violence. We saw this working in New York City when Jewish, Christian, Muslim and other religious leaders stood with the mayor in August 2010 in support of Muslim leaders who wanted to build an Islamic center near the World Trade Center site. We are seeing it now as the All Pakistan Ulema Council, an umbrella group of Muslim clerics and scholars, joins with the Pakistan Interfaith League, which includes Christians, Sikhs and members of other religions, to support Rimsha Masih and to call for an end to the “climate of fear” created by “spurious allegations.”
Ed Webb

How the Muslim World Lost the Freedom to Choose - Foreign Policy - 0 views

  • Beyond skirts and beaches, the 1960s and 1970s were also a time of vigorous intellectual debate about the role of religion in society. Debates between leftists, secularists, capitalists, Marxists, and Islamists raged across the region, from Egypt to Pakistan. Militant Islamists will dismiss those decades of more progressive, diverse thought and culture as decadent Western imports — the lingering after-effects of colonial influence. But if some of it was certainly emulation, much of it was also indigenous.
  • “Purifying the Land of the Pure.” The book, published last year, charts the slow death of minority rights and pluralism in Pakistan, and what it means for the future of democracy. The result is a sweeping but concise chronicle of how things unraveled. A minority herself, as a Shiite, Ispahani was careful to avoid polemic and opinion by delivering a thorough, methodically researched work. She and her husband, former Pakistani Ambassador to the United States Husain Haqqani, have both faced death threats for their work and live in self-imposed exile in Washington. In her book, Ispahani tracks the unraveling to within a few years of the independence of Pakistan. The country’s founder, Muhammad Ali Jinnah — a secular Shiite — envisioned a country where “you are free, you are free to go to your temples, you are free to go to your mosques or to any other place of worship.” But Ispahani writes that “his hopeful declaration of religious pluralism” remains unfulfilled.
  • The trend toward making Islam a central tenet of life in Pakistan started soon after independence in 1947, a result of Muslim feelings of being victimized by both Hindus and British colonialism in India. By 1973, Islam was declared as the state religion of Pakistan. In 1974, under the ostensibly progressive Prime Minister Zulfiqar Bhutto, parliament declared Ahmadis as non-Muslims. A Muslim movement that started in the late 19th century, Ahmadis follow the teachings of the Quran and consider their founder to be a prophet, upsetting orthodox Muslims who believe Muhammad is the final prophet.
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  • Shiites and their mosques are still regular targets of deadly attacks: Since 2003, an estimated 2,558 Shiites have been killed in sectarian violence.
  • While there was no sudden, overnight transformation, Ispahani nevertheless identifies Zia’s rule as the point of no return. The military ruler Islamized the laws of the country, introducing sharia courts and new Islamic laws known as hudood ordinances, which apply strict Sharia punishments for specific offenses. It was during his time that the blasphemy laws were strengthened, adding life sentences and the death penalty as punishment.
  • Zia’s legacy remains, entrenched in the system and people’s daily lives. Pakistanis under the age of 40 have never experienced any other lifestyle, while the older generations reminisce about a more diverse past — even as they also gloss over some of that past’s shortcomings. But however it came about, Pakistan’s growing intolerance has taken its toll on diversity: Between 1947 and today, minorities went from 25 percent of the population to 3 percent.
  • Ispahani’s book serves as a reminder that something far more profound than miniskirts has been lost in these countries. Washington’s counterterrorism policies, which help curb groups like the Taliban, are a good start, but they often fail to go any further toward restoring basic norms like respect for diversity. That will ultimately depend on the efforts of the local population themselves. Those efforts may be able to draw on the power of nostalgia. When people in Pakistan, Egypt, or Afghanistan rifle through the photo albums of their parents and grandparents and wonder what happened to their country, they see skirts or cleavage — but they desire diversity and freedom of choice
Ed Webb

The White Christian West Isn't What It Thinks It Is - 0 views

  • Throughout what is commonly known as the West, there has been a slew of books, articles, and public interventions calling attention to the notion of a cultural crisis within. Such a phenomenon ought to be followed by self-reflection, self-interrogation, and retrospection. By and large, however, the past decade has seen far more of the opposite: The alarm surrounding crisis has been more of a call for “us” to attack and problematize “them,” which invariably leads to propositions such as “conditions for Muslims in Europe must be made harder across the board,” as Douglas Murray, a hardcore right-wing pundit, once argued—not to mention conspiracy theories that blame all the ills of the modern world on those who look different than “us,” meaning white Europeans, or, worse, pray differently than “we” do.
  • Ryan identifies the West as an intellectual space, rather than solely a geographical one. His model of what the West entails has three pillars: “the belief in a moral endpoint; the trio of republican values (liberty, equality, solidarity); and universalism.” Ryan correctly points out that all of these pillars are in crisis—and yet, the situation is, he argues, “not entirely hopeless.”
  • When it comes to conceptualizing themselves as a Western “us,” European Christendom has historically done so by positioning itself against the Muslims of the Mediterranean, be they Ottomans or Arabs
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  • a project that institutions such as the British Council have tried to bring to fruition, through enterprises like “Our Shared Europe” and “Our Shared Future,” which sought to uncover the huge amount of historical evidence that showed that Muslims and Islam played much wider historical roles internally in the West than was hitherto understood.
  • a form of Christianity that focuses on solidarity with the oppressed, rather than promoting tribalistic hate against the “other,” is precisely what Europe needs more of
  • If the West is to look for a better future, intellectuals ought to be transcending untenable readings of their history and looking for better ideas.
  • one could write an encyclopedia that focused only on the history of Muslim European communities and figures, be they in premodern Spain and Portugal or the Emirate of Sicily or indeed the many Northern and Western Europeans who became Muslims. Framing Islam as a newcomer immediately restricts the scope of discussion that is needed. And such framing leads to a focus on salvaging broken models rather than seeking a new model for the West.
  • Righting that wrong means not simply reimagining a new national myth to gather around, but Westerners forging a new narrative that dispenses with the historical marginalization of “them” in favor of creating what has always been a mythical “us.” What is needed is a new notion of “us” that emerges strongly and true, based on values and principles that the peoples of the West will be able to rally around in a cohesive manner for generations to come.
Ed Webb

So Why Did I Defend Paul Bowles? | by Hisham Aidi | The New York Review of Books - 0 views

  • Long a sanctuary for Spanish and French writers, American writers began visiting Tangier in the late nineteenth century: Mark Twain on his way to Jerusalem in 1867, the painters Louis Comfort Tiffany in 1870 and Henry Ossawa Tanner in 1912, and Edith Wharton in 1917. In 1931, when Bowles first visited, the American artists living in Tangier were primarily black: Claude McKay, Anita Reynolds, Juice Wilson, Josephine Baker. These African-Americans came to Morocco from Paris, where they had formed a community after World War I, and as the Harlem Rennaissance spread to France. Upon arrival, Bowles began to socialize with both McKay and Anita Reynolds. Like the other Americans, he had also discovered North Africa through France. In high school, he had read Marcel Proust, Comte de Lautréamont, and André Gide—the latter’s accounts, in particular, of his travels and sexual trysts in Algeria and Tunisia had conjured North Africa in Bowles’s teenage imagination.
  • in December 1923, France, Spain, and the United Kingdom signed the Tangier Protocol in Paris, setting up a new administration and placing the city at the center of a 150-square mile International Zone overseen by a committee of nine Western powers. The city was henceforth governed by a court that included French, Spanish, and British judges, along with the mendoub, the Moroccan sultan’s representative. It is this international period, from 1923 to 1956, especially postwar, that has shaped the image of Tangier as a free port, a tax haven, and a place of international intrigue and excess.
  • His first novel, The Sheltering Sky, told the story of an American who flees the numbing modernity of New York and meanders through the Algerian desert, only to disintegrate psychologically. Published in the fall of 1949, it became a bestseller and made Bowles a household name. Three more novels and a handful of short stories set in Tangier followed.
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  • Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.
  • In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.
  • Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”
  • I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.
  • I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.
  • Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain
  • The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply
  • The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.
  • I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.
  • It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”
  • Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.
  • In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)
  • Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating
  • Bowles prompted me to think beyond the binary of “Western” versus “Arab.”
  • The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.
  • Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.
  • in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic
  • Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”
  • Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.
  • I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.
  • “Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”
  • He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”
  • In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.
  • I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.
  • as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism
  • Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.
  • The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.
  • In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.
  • Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.
  • Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco
  • both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.
  • both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.
  • The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”
  • The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West
  • his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union
  • for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.
  • That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.
  • As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco
  • today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.
Ed Webb

A Compass That Can Clash With Modern Life - New York Times - 0 views

  • 'We were very angered when we heard about the Danish cartoons concerning our prophet; however, these two fatwas are harming our Islamic religion and our prophet more than the cartoons,''
  • The complaint has been the subject of recent conferences as government-appointed arbiters of Islamic standards say the fatwa free-for-all has led to the promotion of extremism and intolerance. The conflict in Egypt served as a difficult reminder of a central challenge facing Islamic communities as they debate the true nature of the faith and how to accommodate modernity. The fatwa is the front line in the theological battle between often opposing worldviews. It is where interpretation meets daily life.
  • In a faith with no central doctrinal authority, there has been an explosion of places offering fatwas, from Web sites that respond to written queries, to satellite television shows that take phone calls, to radical and terrorist organizations that set up their own fatwa committees.
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  • Governments have tried to guide and control the process, but as they struggled with their own legitimacy, they have often undermined the perceived legitimacy of those they appoint as religious leaders.
  • combines the role of social worker, therapist, lawyer and religious adviser.
  • 'We are the conscience of the nation,'' said Abdel Moety Bayoumi, a member of Al Azhar Research Committee, a state-sanctioned body that issues religious opinions and is often behind decisions over which books should be stripped from store shelves and banned. In Egypt, and other Muslim countries, where laws must abide by the Koran, fatwas by government-appointed officials can have the weight of law. ''We have to be clear what is at stake here,'' said Egypt's grand mufti, Sheik Ali Gomaa, in a recent speech in London. ''When each and every person's unqualified opinion is considered a fatwa, we have lost a tool that is of the utmost importance to rein in extremism and preserve the flexibility and balance of Islamic law.''
Ed Webb

Debating the War on Women - An FP Roundtable | Foreign Policy - 0 views

  • There is misogyny in the Arab world. But if we want progress for Arab women, we must hack at the roots of evil, not at its branches.
  • what we need are sustained, nationwide campaigns to raise awareness and dissociate religion from repression of women
  • Economic security for women is as essential as political and cultural change
  • ...12 more annotations...
  • The fact of the matter is that Arab women, throughout the region, are exercising their moral and political agency, but not necessarily in the ways we might expect.
  • The reality is that democracy and liberalism do not necessarily go hand-in-hand, at least not in the Arab world. If anything, the opposite is true. Democracy means that governments need to be responsive to the will of the people. But the will of Arab men, and even Arab women, does not seem to be particularly supportive of the Western conception of gender equality.
  • What if Arabs decide they want to be illiberal?
  • "One of the most problematic assumptions behind quotas is that having more women in parliament somehow represents a de facto gain for women's causes."
  • To grasp our strength, we must accept that freedom involves freedom of expression, which is not about right or wrong but rather the right of choice, including the right to choose and use our sexuality.
  • Here is where American Muslims become so important. As it has in other countries, Islam as practiced in the United States is taking on many of the cultural norms of American society. American Muslim women drive cars. No one advocates genital mutilation here. Muslim women enjoy the rights and privileges of all American women. These new practices are transforming Islam here and, as with so many other immigrant groups, American Muslims are positively influencing events back in their native countries.
  • they also fear us, as much as our dictators feared us
  • Quotas, like any top-down solution, fail to address the root of the problem -- that the prevailing culture in the Arab world, for now at least, does not view women the same way that Western cultures do. In other words, getting to gender equality is probably going to take a very long time. The other possibility, and the more likely one, is that Arab societies will decide to go their own way -- a different way -- on women's rights. And they may do so both democratically and with the support and active encouragement of Arab women themselves.
  • The image of Nekkid Burqa Woman is lazy and insulting. Let's talk lazy first. And by lazy I mean editorially. Illustrations for print stories are meant to illuminate the text, to present a further dimension to the written word. They are not incidental to the item. The image of a naked woman with a painted-on burqa does nothing to illuminate the essay it accompanies. It's trite and boring -- been there, done that. Nekkid Burqa Woman is, in fact, so common that she doesn't even shock or provoke anymore. Her image simply elicits, in the language of the Internet, a "Really, Foreign Policy? Really?" The covered-yet-naked-yet-covered Unknown Brown Woman is all over the place. You can find her on book covers and in movie trailers. You'll see her used in making the case for war and you'll see her used in making the case for jihad.
  • Muslim women are typically presented in two ways in the West: traditional/veiled/subservient or modern/unveiled/autonomous. In the Muslim world, it's the reverse. The best, most free woman is the most covered. Uncovering is for a woman without morals, one who is oppressed by her own desires. In both views, Muslim women are defined by how they (un)dress.
  • The further insult stems from the fact the woman in the picture is inactive. She is simply presented for consumption.
  • And it's not just about Muslim women. The illustration is insulting to women in general. It takes the profound problem of gender-based violence and reduces it to sexual imagery: "Hey, we might be talking about the endemic hatred of one gender for the other but here's a naked painted lady to keep you company!"
Ed Webb

Azza al Garf: Is she Egypt's answer to Michele Bachmann? - Slate Magazine - 0 views

  • The rise of the strong female politician with regressive ideas about women’s rights seems to be a global phenomenon. In Egypt, the sisters of the Muslim Brotherhood share similarities with the extreme right wing of the Republican Party including relying on the supernatural advice of a “higher power” for their political involvement and an unabashed commitment to policies that limit or reverse women’s rights. Though these women have benefitted from the notion that women are equal, they work hard to differentiate themselves from feminists and attack them whenever possible
  • Funded by infusions of hundreds of millions of dollars over the years from conservative donors in the Gulf countries, al Garf and thousands of women like her have a powerful political ground game the Tea Partiers can only look upon with awe.
  • She understands that the majority of Egypt’s poor women already work outside the home and must at least travel alongside men, often supporting deadbeat husbands and children
  • ...8 more annotations...
  • there is no correlation between the Muslim Brotherhood's rise to power and sexual harassment. Sexual harassment has existed long before they came along
  • This article reeks of prejudice and confirmation bias with the author conveying her pre-conceived notions of what she expects an islamic party or muslims to behave and act like regardless of what she saw in actuality. 
  • The fact is that women in Egypt and other countries in the region are already legally second class citizens, and one would hope that their revolution, to which the women gave so much, would begin to change that, rather than have a regressive effect.
  • Although I am no fan of the Brotherhood (or the Tea Party), I am dismayed by crude generalizations and stereotypes employed by this author. I would hope that Slate could choose something a little more insightful to present to Western readers wanting to understand the Islamist movement (and what this means for the shape of politics in the Middle East) instead of perpetuating crude stereotypes.  
  • Nina, you are not fit to write about the "fate" of women after any Arab revolution. As an Arab, Muslim FEMINIST who "swaddles" herself in a headscarf, I can tell you that you just don't know enough. Plain and simple. I know Egyptian womyn who "swaddle" themselves in headscarves and identify as anarchists. I know Egyptian womyn who "swaddle" themselves in headscarves and go tagging in downtown Cairo. I know Egyptian womyn who "swaddle" themselves in headscarves and are members of the Revolutionary Socialist movement. I wonder if these womyn will be featured in your book. Probably not because it seems to me you have a very specific portrait you'd like to portray about the Arab, Muslim womyn donning the headscarf.
  • the orientalising nature of this piece
  • are you sure those are 'conservative' foreign donors? are they even the majority of donors? Are you implying the most popular political party in egypt for the last century cannot afford to pay its own bills? Actually 'conservative' donors would donate to the salafis, not to the Muslim Brotherhood. 
  • There are massive social and economic problems in Egypt and in the Arab world at large. And yeah, women are largely treated as second-class citizen and face cultural and legal hurdles. But this is not something that outsiders can fix. Every society and every culture changes on their own terms. The fact that Azza al-Garf is even in that position is progress. Whether or not one likes it, religious women are seen to have more "legitimacy" when it comes to challenging and changing the cultural mores in many Islamic societies than outsiders or people deemed to be too "Western."  And really, swaddled? I'm an American Muslim woman who has worn all sorts of garb. Sorry, but her abaya is likely far more comfortable than whatever business suit the author was wearing.
  •  
    Heh. Not great journalism, some good comments.
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