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some of those organizations used that money to harass people online, including me. A number of other anti-racist and feminist advocates were targeted. The worst was when they depicted a number of us together in an illustration that also showed the face of Salah Abdeslam, the convicted terrorist who was mastermind of the 2015 attacks on Paris. Even some of the government’s allies had to ask: Should tax dollars be used to harass and defame public figures who are seen as criticizing the government?

announced the ban of abayas and qamis — traditional garments — in public schools, interpreting them as “religious outfits.” This is in keeping with France’s principle of laïcité, or secularism, which enshrines the neutrality of the state toward religious observance and the freedom of belief. Since 2004, laïcité has become a political football, especially in schools.

There’s no question that all of this constitutes a legitimate national trauma, but this very real fear is used by the government to depict the way some Muslim teenagers dress not only as a “violation of secularism” but also as “an attack” and “an attempt to destabilize” the French republic.

This is warlike rhetoric, and it treats teenage female Muslims as a monolithic entity — and a threat.

recent years show that it is impossible for any Muslim woman who wears a religious sign to be visible in the public sphere. And I connect this to my own experience as a Black and Muslim woman. Being in the public eye and outspoken on Islamophobia, I have faced many attempts to silence me.

France has been tremendously ingenious and imaginative to make sure to enable its narrow conception of national identity. France pursues an ideal of assimilation and uses laïcité as an instrument to standardize the display of cultures

Guest - Kemalist Turk 2011-01-14 09:24:04   The AKP and the likes of the Green Crescent want to tell us what to drink and how to drink. To hell with them and to hell with their desire to turn our beloved Turkiye into an islamic republic. Who do they think they are? They want women to cover up; they want us to stop enjoying wine and raki; they want to ban art...when will it stop? Very soon, they will impose interest-free banking; they will force men to grow beards; they will choose only 'pious' muslims for top posts...very soon, they will impose their islam on us. Very soon, they will brand our country an 'islamic republic'. Why are we sitting down and allowing these fundamentalists to change our country and mould it into their own image? Why? No day passes by where we don't hear this ghastly government make pronouncements with islamic undertones. Everything, and I mean everything, is tainted with their islamic views. This is not my country. God help us all. TURKIYE IS SECULAR AND IT SHALL REMAIN SECULAR!!

The fact of the matter is that Arab women, throughout the region, are exercising their moral and political agency, but not necessarily in the ways we might expect.

The reality is that democracy and liberalism do not necessarily go hand-in-hand, at least not in the Arab world. If anything, the opposite is true. Democracy means that governments need to be responsive to the will of the people. But the will of Arab men, and even Arab women, does not seem to be particularly supportive of the Western conception of gender equality.

What if Arabs decide they want to be illiberal?

"One of the most problematic assumptions behind quotas is that having more women in parliament somehow represents a de facto gain for women's causes."

To grasp our strength, we must accept that freedom involves freedom of expression, which is not about right or wrong but rather the right of choice, including the right to choose and use our sexuality.

Here is where American Muslims become so important. As it has in other countries, Islam as practiced in the United States is taking on many of the cultural norms of American society. American Muslim women drive cars. No one advocates genital mutilation here. Muslim women enjoy the rights and privileges of all American women. These new practices are transforming Islam here and, as with so many other immigrant groups, American Muslims are positively influencing events back in their native countries.

they also fear us, as much as our dictators feared us

Quotas, like any top-down solution, fail to address the root of the problem -- that the prevailing culture in the Arab world, for now at least, does not view women the same way that Western cultures do. In other words, getting to gender equality is probably going to take a very long time. The other possibility, and the more likely one, is that Arab societies will decide to go their own way -- a different way -- on women's rights. And they may do so both democratically and with the support and active encouragement of Arab women themselves.

The image of Nekkid Burqa Woman is lazy and insulting. Let's talk lazy first. And by lazy I mean editorially. Illustrations for print stories are meant to illuminate the text, to present a further dimension to the written word. They are not incidental to the item. The image of a naked woman with a painted-on burqa does nothing to illuminate the essay it accompanies. It's trite and boring -- been there, done that. Nekkid Burqa Woman is, in fact, so common that she doesn't even shock or provoke anymore. Her image simply elicits, in the language of the Internet, a "Really, Foreign Policy? Really?" The covered-yet-naked-yet-covered Unknown Brown Woman is all over the place. You can find her on book covers and in movie trailers. You'll see her used in making the case for war and you'll see her used in making the case for jihad.

Muslim women are typically presented in two ways in the West: traditional/veiled/subservient or modern/unveiled/autonomous. In the Muslim world, it's the reverse. The best, most free woman is the most covered. Uncovering is for a woman without morals, one who is oppressed by her own desires. In both views, Muslim women are defined by how they (un)dress.

The further insult stems from the fact the woman in the picture is inactive. She is simply presented for consumption.

And it's not just about Muslim women. The illustration is insulting to women in general. It takes the profound problem of gender-based violence and reduces it to sexual imagery: "Hey, we might be talking about the endemic hatred of one gender for the other but here's a naked painted lady to keep you company!"

Bowles did not create the “myth of Tangier,” but he gave it a literary respectability and an American cast.

In the early 1950s, Burroughs, Ginsberg, Kerouac, Bryon Gysin, Tennessee Williams, Truman Capote, and Susan Sontag all gravitated to this “portal to the unknown,” as one author christened Tangier. So did European writers like Genet, Juan Goytisolo, and Joe Orton, but Bowles’s influence was not limited to the literary community. In later decades, his recordings and promotion of Moroccan music would draw producers and recording artists from Patti Smith to the Rolling Stones.

Paul Bowles traced the history of the medina from the early 1930s to independence. He chronicled how the sultan’s crackdown on Sufi practices (“the great puritanical purging”) in central Morocco inched northward.

I gave him a copy of my thesis. He looked up from the title page: “‘Orientalism’?—that’s a bad word, isn’t it?” Faux-naïveté, I would learn, was part of his manner. He told me to come back the following day.

I was, he said, the first Moroccan researcher—a Tangier native, to boot—to defend him. He added his signature beneath my printed name. (A few weeks ago, I got goosebumps when I found the same copy that I gave him, albeit coffee-stained, in the archives at the University of Delaware’s Paul Bowles Collection.) Later, the thesis was included in a collection titled Writing Tangier (2004). I still see citations occasionally in student dissertations on Bowles noting that one Tanjawi, at least, did not regard him as an Orientalist.

Tangier’s collective memory is steeped in nostalgia and centered around the medina, the old city. The medina, the elders told us, was once the epicenter of the Islamic world: it was from the port where the medina meets the sea that Tariq ibn Ziyad had set sail and conquered Spain in 711. After the fall of Granada in 1492, it was to Tangier’s medina that the Jews and Moriscos fled, settling in its alleyways, preserving the mosaic of Islamic Spain

The economic misery and political repression of the 1980s and 1990s made it hard to believe that the medina was ever a free space. Most locals had never heard of these famous writers. I only heard of Bowles when, in 1988, a film crew began working in front of our family restaurant at the entrance to the Kasbah as Bernardo Bertolucci began filming The Sheltering Sky. As teenagers, we came to wonder what truths the books from the Interzone contained, and if Tangier had indeed been better-off under Western rule, as the nostalgists, local and foreign, seemed to imply

The narrative we learned at school was that the monarchy had liberated the north from colonial oppression. But what liberation did the regime (makhzen) bring? After independence, as a local intelligentsia began forming in Tangier, many came to see the American corpus of writings about 1950s Tangier as an invaluable record of a lost golden age.

I made a point of reading the American authors who had written about Tangier’s Interzone. Besides Bowles, I was intrigued by the Beats, especially the Columbia University alums—Kerouac, Ginsberg, Lucien Carr—students of Lionel Trilling and fans of Arthur Rimbaud who had somehow mapped Greenwich Village onto Tangier, turning the Boulevard Pasteur into a “North African Bleecker Street.” But even as a college sophomore, I realized that their writings were more about the straitjacket of McCarthyite America that they were running from, rather than about Morocco as such.

It was even gratifying to see that Tangier, like Berlin, had played a significant role in launching a gay literary movement—in some ways ahead of the West, in having its finger on the “prognostic pulse of the world,” as Burroughs called it. But what was startling was that, while these writers basked in the city’s pleasures, they—with the exception of the Bowleses—didn’t really like Tangier. The Beats had a casual disdain for the natives, invariably describing Moroccans as “rakish” or “raffish.” Capote found Tangier too alien, describing the men as “noisy heathens” and the women as “anonymous bundles of laundry.” He warned friends in New York about the “smell of the arabe.” Burroughs referred to the locals as a “bunch of Ay-rabs,” and in 1958 he pronounced: “Tanger [sic] is finished. The Arab dogs are among us.”

Bowles’s defense of the Amazigh, or Berber, population was daringly transgressive. Morocco’s culture “is not predominantly Arabic, but Berber,” he insisted—in the face of Arab nationalists who acted as though they believed “Berbers have no culture at all,” as they tried to drag the country into the Arab League. “The general opinion is that the autochthonous population must at all costs be Arabized if it is to share in the benefits of independence,” he observed acidly. “No one seems to have conceived of the possibility of an independent Berber Morocco. In fact, to mention the Berbers at all qualifies one as a pro-French reactionary. At present, to become modern means to become Egyptian.”

In 1972, Tahar Ben Jelloun publicly accused Bowles (and the Beats) of exploiting illiterate, vulnerable youths in Tangier not just artistically but sexually. Choukri in 1997 would echo this charge, claiming Bowles suffered from a sexual illness. These allegations became more commonly heard once Farrar, Straus and Giroux published Bowles’s correspondence in 1994, although he expressed some reluctance about its release. The volume included letters in which he described the boys he slept with, in one letter even bragging about how cheap sex was in Algeria. “Where in this country [America] can I have thirty-five or forty people, and never risk seeing any of them again? Yet, in Algeria, it actually was the mean rate.” (In the correspondence, he reminisced about how he “never had sexual relationships without paying,” and viewed paying for sex as a form of “ownership.”)

Reading these words in my dorm room in wintry Pennsylvania in 1992 was both thrilling and frightening. We as Moroccans—especially those of us from the northern Berber region—grew up in a climate of fear, and I had never heard or read anyone publicly criticize Arab nationalism, or speak so openly of the Moroccan hinterland’s animus toward Fez, the city of the interior regarded as the seat of the regime. To hear this American writer openly excoriate the Moroccan ruling elite for its cruelty and skullduggery was exhilarating

Bowles prompted me to think beyond the binary of “Western” versus “Arab.”

The Moroccan reaction against Bowles began to take form in the early 1970s. His earliest critics were the philosopher Abdallah Laroui and Ben Jelloun, who both chided the American writer for promoting an image of the country as a land of primitivism, drugs, and unlimited sex. Laroui also lambasted the Moroccan bourgeoisie for buying into and reproducing Bowles’s “folkloric” portrayal of their country. Ben Jelloun, writing in 1972, accused the American of belittling the nation’s literary patrimony.

Bowles, in the mid-1960s, had begun translating the memoirs and stories of down-and-out illiterate youth in Tangier. (While he could not read Arabic, Bowles did understand darija, the spoken dialect.) The most prominent of these were Larbi Layachi’s A Life Full of Holes (1966), about a petty thief and male prostitute and his experiences dodging police and servicing tourists (the book was made into a BBC film); Look and Move On (1967), the tales of Mohammed Mrabet, a hustler and golf caddie who worked for an American couple; and the best-known, Mohammed Choukri’s For Bread Alone (1972), an account of his migration from the Rif to Tangier, his life as a street kid in the International Zone, and his becoming a schoolteacher, which he recounted to Bowles in Spanish. These books were marketed in the West as “Moroccan literature,” and for many in the Anglophone world, this was their introduction to it.

in effect erased an earlier literary tradition that had seen Moroccan writers published in French and Spanish since the 1930s, let alone the preceding centuries of poetry and other writing in Arabic

Laroui acted as an adviser to the king and was a strong proponent of Arabization. Tangierians saw his attack on Bowles as another attempt by the Arab nationalist elite to subdue the “sin city.” Ben Jelloun also had a complicated relationship to Tangier. The son of a merchant, a Fassi (a person from Fez) who settled in Tangier in the early 1960s, he had attended the French lycée and was seen as part of the new Francophone Fassi upper class—comprising the Alaoui, Alami, Ben Jelloun, Berrada, Omrani, and Tazi families—that had fanned out across the country as the French departed, assuming top government positions. Like Laroui, Ben Jelloun spoke neither of the two common local tongues of the north, Spanish and Tarifit (the Berber language). A paradox of Ben Jelloun’s work, in particular, was that it often featured the very tropes of mysticism, violence, and sexual deviancy he denounced in Bowles’s work. For his part, the American writer dismissed his Moroccan critics as “confirmed Marxists.”

as long as America was seen as a political friend, Bowles was viewed favorably. Not surprisingly, after the Gulf war of 1990 and the release of Bertolucci’s film of The Sheltering Sky that same year, more articles started to appear across the Middle East critiquing Bowles’s representations of Morocco, accusing him of racism and Orientalism

I myself was part of this trend—defending Bowles against the Arab nationalists who were trying to tear him down and impose their political preferences on us. In his final interviews, when asked if he was an “Orientalist,” Bowles would often cite me, noting that a Tangier-born scholar now in America had judged him not to be.

“Paul Bowles loves Morocco, but does not really like Moroccans.” Choukri had some powerful evidence on his side. Over the decades, Bowles had made countless derogatory remarks, speaking of Moroccans as “childlike,” “purely predatory,” and “essentially barbarous.” He claimed also that Muslims aimed for world domination through “the sword and the bomb.”

He was sympathetic to the Amazigh, whom he saw as the original inhabitants of North Africa, a fiercely independent people only “partially Islamicized.” This affection nevertheless rested on some unsettling ideas about racial hierarchy. Bowles was profoundly influenced by the “Hamitic hypothesis,” a late nineteenth-century anthropological theory that saw almost everything of value in Africa as imported by the Hamites, a branch of the Caucasian race, who were held as superior to the Negroid peoples. Berbers, whatever their actual skin tone—even the typically dark-skinned Tuareg—were for Bowles essentially a white “Mediterranean race.”

In Bowles’s idiosyncratic hierarchy, it was Berber music that encapsulated Morocco’s true African identity—and this cultural essence was threatened by the Arabs and their music. The recently released Music of Morocco collection reflects this bias, giving credence to Choukri’s claim that Bowles deliberately misrepresented local culture to reflect his personal vision of Morocco.

I began to realize that Bowles’s fondness for the Berbers and his animus toward Arabs was, in many ways, a reflection of French colonial policy. Although he was well aware of the violence of French imperialism, he enjoyed its amenities—“the old, easygoing, openly colonial life of Morocco”—and as early as the 1950s, Bowles began to lament the loss of “colonial Tangier.” Above all, he believed in the International Zone, seeing its “anarchy” and “freedom from bureaucratic intervention” as an extraordinary political experiment. But these liberties, which is what drew many of the Beats, were the privileges of Europeans and Americans—ones generally not enjoyed by the city’s Muslim and Jewish natives.

Through the 1960s and 1970s, he focused instead on recording and translating from darija (Moroccan Arabic dialect) the oral histories of men he met in Tangier’s cafés. By the time of his death, in 1999, the idea of Tangier as a place for self-discovery had become received wisdom in the West and the Arab world, and Bowles was established as a giant of American letters despite decades of silence.

Although the letters simply lent credence to rumors long circulating in Tangier, Choukri and other Tanjawi writers were still shocked by them. The literary reaction in Morocco fed into a larger effort there by human rights activists campaigning against sex tourism and child prostitution. Whereas Bowles had always seemed more judicious and reputable than the Beats—in contrast, say, to Burroughs’s open bragging about buying “pre-pubescent gooks” and Ginsberg’s boasting about “paying young boys” for sex—it became increasingly difficult to defend him. For a man who had called Moroccans “purely predatory,” his own behavior now appeared in rather grotesque relief.

The more time I spent at the Schomburg Library uptown, the more I discovered an alternative American literature about Tangier. I stumbled upon Claude McKay’s memoir A Long Way from Home about his time in Tangier in the late 1920s, where he completed his novel Banjo; the actress Anita Reynold’s diary about life in the Interzone in the 1930s; Josephine Baker’s papers, where she talks about filming Princess Tam Tam (1935) in the International Zone, and jazz recordings produced by African-American musicians living in Tangier. Although they had their own dreams about a “Mother Africa,” the African-American writers did not see Tangier as a brothel, or its residents as primitives who needed to be contained or civilized. Most wrote and produced art in solidarity with the disenfranchised local population, connecting the civil rights struggle to North Africa’s anticolonial movements.

In 1998, armed with this newfound knowledge, and as a conscious revision of my earlier guiding, I began giving walking tours of “Black Tangier.” We would would meet at Cinema Mauritania, the theater where Josephine Baker had performed many times, up until her last show there in 1970. She had lived in the International Zone, then joined the French Liberation forces during the war, and later had an affair with the vice-caliph of Spanish Morocco. On the first floor of the Mauritania, pianist Randy Weston had once operated African Rhythms, a music spot that drew the likes of Max Roach and Ahmed Jamal. Then we’d walk down to the Fat Black Pussycat café where the poet Ted Joans, one of few black writers in the Beat movement, played trumpet and “blew” jazz poems.

Next, we’d hit Galerie Delacroix, where Joans once hosted a four-hour tribute to his mentor Langston Hughes, and had the late poet’s verse read in Arabic, English, French, and Spanish. (In 1927, Hughes had visited Tangier and written a lovely poem about travel and unrequited longing, “I Thought It was Tangiers I Wanted.”) Then we’d walk to the majestic Teatro Cervantes built in 1913, where Weston had organized the first pan-African jazz festival in Morocco in June 1972 (revived in 2002), which brought Dexter Gordon, Odetta, Billy Harper, and Pucho and the Latin Soul Brothers to the city. Our last stop was the Hotel Chellah, where, as local legend had it, the Martinican anticolonial thinker Frantz Fanon stayed overnight on July 3, 1959, following a car crash on the Morocco–Algeria border rumored to be the handiwork of La Main Rouge, the paramilitary group run by French intelligence to assassinate leading supporters of Algerian independence. Fanon was flown to Rome the following day on a Moroccan passport.

Paul Bowles and King Hassan II died in 1999, a few months apart. The novelist and the tyrant who had towered over Tangier for generations had more in common than either would have admitted—and that in part explains the reverence Bowles still enjoys in official Morocco

both shared a disdain for leftist, Third-Worldist politics. Both hated pan-Arabism, and loved Berber culture as long as it was “folkloric” and apolitical. They each thought Moroccans were congenitally ill-suited for democracy.

both Bowles and the monarch celebrated a “primitive,” mystical, unlettered, unfree Morocco, sharing a special appetite for the intoxicating rhythms of the Berbers. No wonder King Hassan II, who expelled numerous critics—from Arab intellectuals to French journalists and American professors—never bothered Bowles.

The Ministry of Culture, which almost blocked his recording project in 1959, published a remarkable essay in 2009 on the tenth anniversary of his death defending Bowles against criticism from Moroccan nationalist intellectuals, underscoring how he presciently warned of the threats that modernization posed to Morocco’s cultural and physical landscape. Government mouthpieces such as Hespress run flattering pieces about “the American who loved Morocco.”

The Morocco that Bowles dubbed a “land of magic” is one the Ministry of Tourism sells to the West

his emphasis on Morocco’s “African” essence suits the country’s recent geopolitical turn and reentry into the Africa Union

for all his misgivings about Western modernity, he thought Morocco as an African country would be better off attaching itself to the West. This is now the position of a significant segment of Morocco’s ruling elite.

That the regime celebrates Berber folklore and the oeuvre of a novelist who wanted an “independent Berber republic” even as it imprisons Berber activists across the country is evidence for many of the regime’s fraudulence and bad faith. In this respect, Bowles’s continuing eminence suggests how little has changed in the kingdom since the colonial era, with an authoritarian regime and repressive social order remaining largely intact.

As for Bowles’s work, I had come to realize that it reflected poorly on Morocco and America. Yes, he had brought attention to the suppression of Berber history and made invaluable musical recordings, but decolonization was supposed to dismantle colonial representations, and instead, the Moroccan regime was validating and institutionalizing Bowles’s depictions of Morocco

today, a new generation of Moroccan writers—among them secularists, Berber activists, music critics, and pan-Africanists—are claiming Bowles as an ally. And that is why I found myself writing about Bowles once more.

Indeed, the hatred of the people, women and men, has been a, if not the, unifying characteristic of col

Hatred is irrational. It is a state or emotion. As Wendy Brown reminds us, such emotional or affective states are understood to be outside of, or unwelcome in, liberalism.

critical thinkers have long argued that this practice has more to do with the lack of economic opportunity for women, the imperative to marry, and the hardening and modernization of tradition in response to colonial and neocolonial interventions (including rights frameworks) than some irrational and razor crazed “hatred.” The same insight could be extended to the question of ages of consent. A reductive framework of hatred makes these topics even more difficult to critically think about and work on.

to reflect on why the liberalism that Sha‘rawi and her cohorts fought for—men and women—drastically and resoundingly failed. One reason, and there are many, was that liberalism resonated with only a small elite. As Hanan Kholoussy points out, women under domestic confinement who like Sha‘rawi were expected to don the face veil made up only two percent of Egypt’s five million females at the end of the nineteenth century

moderate Islam has often been produced on the wings of women's and minority rights

in the Palestinian context, the women’s movement lacked a coherent strategy linking gender equality to democracy. The women’s movement thus appeared to be sponsored by the Palestinian Authority; its fate became dependent on that of the political system

Turkey, Algeria, Egypt are situations where you have small women’s movements whose popular legitimacy is lost because over time they have been seen as linked to or sponsored by authoritarian secular regimes.1

We respectfully invite El Tahawy to join the conversation among women and men in Tahrir and outside of it. After all, the shameful and state-sanctioned sexual violence of the Supreme Council of the Armed Forces’ “virginity tests” did not take place in silence. They happened a day after International Women’s Day when women claimed Tahrir as a space of gender equality and liberation. The “virginity tests” did not meet silence either, as El Tahawy herself points out. Samira Ibrahim continues her fight; her following and her courage are formidable.

There is no one answer because there is no single culprit, no single “culture” or “hatred” that we can root out and replace with “tolerance” or “love.” Similarly, the absence of a sustained and critical attention to sex and gender cannot be solved, syllabus style, by a separate glossy special “Sex Issue,” the content and form of which reproduce what it purports to critique.

Those Jews who agree with our idea of a State will attach themselves to the Society, which will thereby be authorized to confer and treat with Governments in the name of our people. The Society will thus be acknowledged in its relations with Governments as a State-creating power. This acknowledgment will practically create the State.

two territories come under consideration, Palestine and Argentine. In both countries important experiments in colonization have been made, though on the mistaken principle of a gradual infiltration of Jews. An infiltration is bound to end badly. It continues till the inevitable moment when the native population feels itself threatened, and forces the Government to stop a further influx of Jews. Immigration is consequently futile unless we have the sovereign right to continue such immigration. The Society of Jews will treat with the present masters of the land, putting itself under the protectorate of the European Powers, if they prove friendly to the plan. We could offer the present possessors of the land enormous advantages, assume part of the public debt, build new roads for traffic, which our presence in the country would render necessary, and do many other things. The creation of our State would be beneficial to adjacent countries, because the cultivation of a strip of land increases the value of its surrounding districts in innumerable ways

Palestine is our ever-memorable historic home. The very name of Palestine would attract our people with a force of marvelous potency. If His Majesty the Sultan were to give us Palestine, we could in return undertake to regulate the whole finances of Turkey. We should there form a portion of a rampart of Europe against Asia, an outpost of civilization as opposed to barbarism. We should as a neutral State remain in contact with all Europe, which would have to guarantee our existence. The sanctuaries of Christendom would be safeguarded by assigning to them an extra-territorial status such as is well-known to the law of nations. We should form a guard of honor about these sanctuaries, answering for the fulfillment of this duty with our existence. This guard of honor would be the great symbol of the solution of the Jewish question after eighteen centuries of Jewish suffering.

It is easy to criticise an unlovely regime like that of Hosni Mubarak, and both public and private figures in the US rise enthusiastically to the task. But just let them glimpse a realistic prospect for the Egyptian Muslim Brothers to gain a significant share of power, and their enthusiasm will rapidly wane. I and others who believe as I do remain convinced that this is a significant mistake, and that the prominent current of thinking in the US which refuses to make a significant distinction between groups like the Muslim brothers and the violent Islamists who embrace the banner of Al Qaeda is wrong-headed. Our problem is that we simply cannot find compelling evidence to make our case. Absent new facts, which only the people of the region can provide, we are destined to lose the debate.

Other teachers had complained that the Prevent duty had inhibited classroom discussions about issues of terrorism and extremism, Anderson said.One teacher had told him how she would use discussion about the Islamic State (IS) group to encourage a debate about the use of violence, about Martin Luther King and Mahatma Gandhi and peaceful political activism, and whether IS was the same as the IRA.“The toxic views would come out and they would hopefully either be blunted or neutralised, or [the students] at least would be given something to think about,” Anderson said. “She said if that happens now you choke off the discussion because teachers are watching their backs and don’t want to be reported.”

Muslim communities had not been properly consulted or involved as the strategy had evolved under the current Conservative government.

The UK had not made it illegal to be a Communist during the Cold War, but the current proposals were “not too far away from that”.

Prevent could infringe on European human rights laws guaranteeing freedom of religious expression and cited the case of a Muslim boy who wanted a place to pray at his secondary school.“There was a faith room in school but the godless Christians who made up most of the school's population were not very interested in using it. When asked if they could use it for Muslim prayers a panic ensued and various contradictory answers were given and eventually the room was locked as the most effective answer.”

The fact that the meme of the Muslim woman who must be saved from Islam and Muslim men – through the intervention of a benevolent western state – 11 years after the very real plight of Afghan women was cynically deployed to legitimise a global war, and long after the opportunism of this imperialist feminism was decisively exposed, points to a serious and deep investment in the assumptions that animate these claims. These assumptions come out of a palpable dis-ease with Islam within the liberal mainstream and portions of the Left, a result of the long exposure to Orientalist and Islamophobic discourses.

secularism is posited as the necessary prerequisite for achieving equal rights for women

The less-than-enthusiastic support for the Arab Spring by liberals on the basis of a fear that the Muslim Brotherhood would come to power (thereby implying that the human rights/women’s rights record of the regimes they were replacing was somehow better) illustrates the liberal anxiety regarding democracy when it comes to the Arab/Muslim ‘world’ and hints at the historical relationship between women’s movements and authoritarian regimes in the postcolonial period

Even as the United States officially begins to wind down its war in Afghanistan, the GWoT – recently rebranded as the Overseas Contingency Operation by President Obama – is spreading and intensifying across the ‘Muslim world’, and we can expect to hear further calls for the United States and its allies to save Muslim women. At the same time, we are seeing the mainstreaming and institutionalisation of a gendered anti-Muslim racism within the west, which means that we can also expect to see more of the discourse which pits the rights of Muslim men against those of Muslim women.

caution against seeing Muslim women as exceptional victims (of their culture/religion/men), and to point out both that there are family resemblances between the violence suffered by women across the world and that there is no singular ‘Muslim woman’s experience’

they spread their ideas through a network of small conferences, tea party groups, conservative churches and Jewish groups, and right-wing news outlets such as Breitbart

Most important of all, they said, was to stop the advance of what they labeled “creeping sharia,” an alleged Muslim plot to impose Islamic law across American institutions.

not everyone in the movement rallied immediately around Trump. Some, including Gaffney, initially joined the campaign of Sen. Ted Cruz (R-Tex.), and Ben Carson also won support with references to “civilization jihad.”

Newt Gingrich (R-Ga.) offered a darker vision. In a speech at the American Enterprise Institute, he said sharia is “a mortal threat to the survival of freedom in the United States and the world as we know it.”

it makes sense that sharia has worked as a focal point for the anti-Muslim movement. For many Americans, the definition offered by the activists was also their first introduction to the concept.

The business of speaking out against Muslims also has been lucrative. Seven charitable groups provided $42.6 million to “Islamophobia think tanks” such as those run by Gaffney and Gabriel between 2001 and 2009, researchers at the Center for American Progress found.

drafted a law to ban sharia, and with the help of Act! for America began shopping the draft to lawmakers in Southern states

In previous presidential campaigns, the Republican candidates “beat back” the movement’s conspiracy theories, said Ken Gude, a senior fellow at the Center for American Progress, who co-authored an updated report on the movement last year. “Now we have a campaign that not only isn’t pushing back against them, but is also pushing and advocating those kinds of views.”

When Trump in December first called for a “total and complete shutdown of Muslims entering the United States,” he cited a widely debunked poll , conducted by Conway for Gaffney’s Center for Security Policy, that claims that 25 percent of Muslims surveyed supported violence against Americans and that 51 percent think Muslims should have the choice of being governed by sharia in America.

A large number of Americans have long recognized “the jihad threat,” and Trump is giving voice to those sentiments, Geller said. It’s only the mainstream media, “a Soros-funded propaganda arm for the far-Left and its Islamic supremacist allies,” she said, that has stood in the way of broader acceptance.

diversity and disagreement on their own are not sufficient to bring about a culture of debate (otherwise the Middle East, the Balkans and many other places would be philosophical debating clubs!). Instead they often generate frustration and resentment or, worse, erupt in violence. That’s why we need a culture of debate

If we take taqlîd to be a fact about human psychology and agree that it is an undesirable state to be in — at least when it comes to the core convictions that underlie our way of life and worldview — then we should particularly welcome debates across cultural boundaries. For if we engage someone who does not share the cultural narratives we were brought up in (historical, political, religious etc.), we cannot rely on their authority, but are compelled to argue for our views

Some advocates of multiculturalism ask us to celebrate, rather than just tolerate, diversity, as if our differences weren’t a reason for disagreement in the first place, but something good and beautiful — a multicultural “mosaic”! Others argue that our moral, religious, and philosophical convictions shouldn’t leave the private sphere. A good example is French laïcité: you are a citoyen in public and a Jew, Christian, or Muslim at home. Both models try to remove our reasons for objecting to beliefs and values we don’t share — one tries to remove them altogether, the other tries at least to keep them out of sight. A culture of debate, on the other hand, allows us to engage our differences in a way that is serious, yet respectful and mutually beneficial.

With the end of the Soviet war in Afghanistan — in which the Americans and Muslim jihadists were allies — and the fall of the Soviet Union, a new dynamic began to set in. The 1991 Gulf War raised the specter of an American hegemon and also led inadvertently to the development of al-Qaeda as an anti-Western force. Over the next two decades, underlined by the 9/11 attacks, the notion of Samuel Huntington’s clash of civilizations appeared to be coming to fruition. With the Iraq and Afghanistan wars in full throttle, alongside the second Palestinian intifada, this divide sharpened in the early 2000s.

in recent years approximately 90% of terrorism-related fatalities have been Muslim

In 2008, Hezbollah leader Hassan Nasrallah, Syrian President Bashar al-Assad and Iranian President Mahmoud Ahmedinejad were regarded as the most admired leaders in the Arab world. Subsequent events and sectarian strife have made such a result today inconceivable

The ripping open of the political space in Egypt, Libya, Yemen and Tunisia has brought contestation for power into play, and in the spotlight stands the debate over the role of Islam

three concurrent battle lines pitting Muslim against Muslim across the region: militants versus the state, Shiites versus Sunnis (and Salafists versus Sufis) and secularists versus Islamists