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ELAN description ELAN is a professional tool for the creation of complex annotations on video and audio resources. With ELAN a user can add an unlimited number of annotations to audio and/or video streams. An annotation can be a sentence, word or gloss, a comment, translation or a description of any feature observed in the media. Annotations can be created on multiple layers, called tiers. Tiers can be hierarchically interconnected. An annotation can either be time-aligned to the media or it can refer to other existing annotations. The textual content of annotations is always in Unicode and the transcription is stored in an XML format. ELAN provides several different views on the annotations, each view is connected and synchronized to the media playhead. Up to 4 video files can be associated with an annotation document. Each video can be integrated in the main document window or displayed in its own resizable window. ELAN delegates media playback to an existing media framework, like Windows Media Player, QuickTime or JMF (Java Media Framework). As a result a wide variety of audio and video formats is supported and high performance media playback can be achieved. ELAN is written in the Java programming language and the sources are available for non-commercial use. It runs on Windows, Mac OS X and Linux.

"Data docs is a video platform that allows filmmakers and journalist to combine elements from the web, such as interactive graphics, text and scraped information, with linear media, such as video and audio. Having worked in video both in long-form documentary and web video, we understand the power of visual media. Videos are powerful vehicles that we can use to tell personable or explanatory immersive stories. But one of the drawbacks of video as a medium is that they are finished products, which, after they have been published, become outdated fairly quickly. Advances in technology and data bases has allowed for data to be more flexible than video. Data visualizations and interactive infographics, for instance, can be up-to-date at any moment in time if they are hooked up to the right data bases. Think of charts of stock markets that updated every millisecond because APIs or other technological mechanisms feed them live data. We wanted to combine those two worlds - the world of immersive video storyelling and that of live and constantly updated data. This is why we created Data Docs. Through the Data Docs code library filmmakers and developers can 'hook up' their video to live data and other up-to-date information from the web. The library also allows you to integrate your own interactives with specific fonts and styles into your video. It enables you to project HTML, CSS and JavaScript-based graphics on your video. This helps you make videos that will never be out of date or, in other words, to make videos that are evergreen."

How to: verify content from social media Experts advise on the process of verification Posted: 3 April 2012 By: Rachel McAthy 0 Comments and 0 Reactions Facebook and Twitter for how to There are a wealth of questions, tools and techniques journalists can use to verify content from social media The mass of information now available and being shared online offers a fantastic arena for journalists to engage with online communities and pick up on breaking news at the same time. This means journalists are also having to sharpen their verification and fact-checking skills in a digital environment. This how-to features advice from a panel of experts on the key considerations, questions and tools journalists should have in mind when carrying out verification of content that surfaces via social media, be it a news tip, an image, a piece of audio or video. The process covers three main stages: monitoring of social networks and the online community before news breaks, checking the content when it comes into play and subsequently reporting that content once verified. The comprehensive advice outlined in this how-to guide offers practical steps, specific questions and cross-checks journalists can make at each stage, as well as online tools to support them.

Site available in Spanish and English Medialab-Prado is a program of the Department of Arts of the City Council of Madrid, aimed at the production, research, and dissemination of digital culture and of the area where art, science, technology, and society intersect. Many workshops for the production of projects, conferences, seminars, encounters, project exhibition, concerts, presentations, etc. take place in its versatile space. All activities are free and open to the general public. Our primary objective is to create a structure where both research and production are processes permeable to user participation. To that end, Medialab-Prado offers: A permanent information, reception, and meeting space attended by cultural mediators. Open calls for the presentation of proposals and participation in the collaborative development of projects. We have several on-going programmes, which are as follows: Interactivos?: creative uses of electronics and programming Inclusiva.net: research and reflections on the network culture Visualizar: data visualization tools and strategies Commons Lab: trans-disciplinary discussion on the Commons AVLAB: audio-visual and sound creation http://medialab-prado.es/article/que_es

How It Works SpeakerText combines artificial and human intelligence to offer low-cost, high-quality video transcription. Sign up for an account Import your video library (we currently support Ooyala, Brightcove, YouTube, Vimeo, SoundCloud, Wistia and Blip.tv), or add your videos one-by-one. Choose which videos you want to transcribe. Check out and pay. SpeakerText sends you an email when your transcripts are finished. Download your transcripts as text or XML files from SpeakerText OR install CaptionBox and download your transcripts as HTML code to place on your website. Guarantee We guarantee that your transcripts will get back to you in less than 72 hours and be of the highest quality. Give it a try now! http://speakertext.com

This is the first I've heard of a tool like this doing a creditable job. I suspect there is some machine transcription going on, but then the first pass is sent to India or Jamaica to be polished. Here's an example of how the NYTimes used this tool: http://www.nytimes.com/interactive/2009/01/20/us/politics/20090120_INAUGURAL_ANALYSIS.html