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Roland Gesthuizen

Mixed Messages And Simple Truths « Graham Wegner - Open Educator - 17 views

  • it is interesting how connecting to lots of non-edugurus has helped me spot the mixed messages and view this dispensed wisdom through a more critical (some might say cynical) lense
  • We, as educators, are so conditioned to the notion that our knowledge isn’t expert enough, that our day to day experiences aren’t enough to grasp the bigger picture that we concede the higher factual ground to those on the stage or behind the podium.
  • Confront the mixed messages, don’t take the word of any guru as gospel, and look for the truths that emerge as you do so
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    "Over time, we as educators have become used to listening to and reading from gurus with simple truths. So many of us feel that we are well below the expertise of these edugurus (and I don't mean to single out the examples above as being the only ones going around) so we pack into venues, feverishly copying dot points from slideshows, handing over cash to buy the book and match up the dispensed wisdom against our own learning, our own classrooms and schools to see if we are headed in the prescribed direction"
Holly Barlaam

Child Exploitation Online Video - 76 views

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    An AWESOME video on child exploitation/social media dangers. I think everyone should watch this and maybe try to incorporate it into class or suggest to your administration to use it at an assembly or a similar venue.
Roland Gesthuizen

Art lovers offered virtual galleries - ABC News (Australian Broadcasting Corporation) - 68 views

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    "Art lovers will be able to stroll through some of the world's most famous galleries at the click of a mouse after Google put the venues online using Street View technology. In a collaboration with 17 leading galleries in nine countries, the US internet giant took equipment from the cars it used to map cities and recorded the galleries so they can now be enjoyed by anyone with web access."
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    Virtual art tours by Google
Ed Webb

» Features » The Future of Unemployment - 0 views

shared by Ed Webb on 10 Feb 09 - Cached
  • (There is a rich - if unexpected - source of inspiration for this kind of collaborative space in the history of the 19th century mutual improvement societies, reading clubs and other self-organised, working class institutions. For example, the church halls and upstairs rooms of pubs where many of them met are still common enough - and would be worth exploring as possible venues for a group trying to set up such a space today.)
    • Ed Webb
       
      Not so unexpected - the Workers' Educational Association is one important part of the genealogy of Edupunk.
Freewoman Longlife

Shaklee Videos: How to Earn - 15 views

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    Do you need to earn an extra income? Are you a communicator?
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    This doesn't seem like the right venue for this type of posting. Postings should be about education.
Randolph Hollingsworth

Blog U.: Barefoot Teaching - University of Venus - Inside Higher Ed - 18 views

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    "it's women who worry most about maintaining "authority," which simply reinforces "patriarchal" teaching methods and squelches critical thinking among students. I know that as a rookie teacher early in my graduate career, I was terrified of losing any control because it would reveal my inexperience. I think that is a fairly common phenomenon for any young teacher (take a look at how harshly grad TAs tend to grade, for example), not just women."
Erin Warham

Online Learning is so last year… | 21st Century Collaborative - 97 views

  • It requires us to continually reinvent ourselves, to stay on top of where research and practice meet and to balance the desire for easy and structured with messy and self-directed.
  • are people confusing talking to people online with deep, connected learning?
  • Personal Learning Networks are one of the three prongs necessary to be a do it yourself learner in today’s world.
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  • If all I do is network I do not shift or grow because I am missing the opportunity to go deep and actually learn by doing. It takes both: Networks and Community. Online, global communities of practice and f2f learning communities in my local context.
  • those of us who are online learning prefer networks. Networks like we have on Twitter or other electronic spaces where we can share short snips of conversations and where our ideas are met with like minded support and agreement
    • A Gardner
       
      Are we settling for 'like minded' instead of seeking a little opposition to ensure the validity of our choices?
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    "Is there value in knowing how to start, lead, implement, empower, and use online communities for the type of collaboration that is going to provide significant shift? The kind where we all bring our best giftings to the table and use them together to create something new and powerful. Are online communities the focus or merely the venue through which we learn?"
Rafael Morales_Gamboa

Comparisons of Online Versus Traditional Education Miss The Point | The EvoLLLution - 21 views

  • One reason educators search for alternative education modalities is to provide access venues to overcome student challenges. For many students, online is the only modality by which they are able to attend college or continue with a college education. But it’s by no means a panacea.
meghankelly492

Music That Represents Culture: Selecting Music with Integrity: EBSCOhost - 4 views

  • The term authenticity has been applied to music in various ways. It might be used to describe a piece of music (recorded, notated, performed); the process by which the music is taught and learned ( through recordings, live models, notation); or the manner in which it is performed (venue, dress, behaviors).
  • In other words, authenticity lies within the perceptions of the individual.
  • Anthony Palmer, who teaches music education at Boston University, has said that music with "absolute authenticity" is performed (a) by and for members of the culture; (b) in a typical setting, as determined by the members of the culture; (c) with instruments specified by the creator(s) of the music; and (d) in its original language.[ 8] Inarguably, and as Palmer recognizes, attaining this level of authenticity is impossible in a school music program (unless we consider "school music" residing within a unique culture of its own). In school, music is separated from its primary source many times over. Music is passed from its primary source (composer, grandmother) to an intermediary (arranger, performer, notation, recording) and channeled through a publisher or presenter to the teacher and finally to students. To confound matters, there are variants of melodies, lyrics, dances, games, and performance styles.
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  • Ethnomusicologist Bruno Nettl explains that "societies differ, however, in their attitude toward musical stability; to some it is important that a song remain stable and unchanged, while in others individual singers are encouraged to have their personal versions."
  • but he believes educators must determine at what point that musical experience is no longer acceptable as representative of that culture.
  • Having clear visions of educational goals and the broad curriculum is vital to making these determinations.
  • Bennett Reimer states, "Those inner workings are themselves the project of cultural systems, so they must be revealed in their contexts, historical, cultural, and political, in order to be grasped appropriately; that is, 'knowing about' becomes an essential ingredient of artistry and of listening."[ 15] For example, children might not fully understand the meaning of "Take Me Out to the Ball Game" unless they understand what baseball is or realize that the song is traditionally sung at baseball games.
  • text in an unfamiliar language should include a translation so students understand the meaning of the words.
  • However, a culturally valid work is not necessarily bias free; and conversely, bias-free music is not necessarily culturally valid.
  • Selecting the best music to represent a culture in an unbiased manner is a process of discovery. You will first need to educate yourself before you can educate others.
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