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douglasteach

Microsoft Word - The Trouble with Texting - The Trouble with Texting.pdf - 11 views

cguhsd.blackboard.com/...20Trouble%20with%20Texting.pdf

shared by douglasteach on 18 Aug 16 - No Cached
    • douglasteach
      douglasteach on 18 Aug 16
       
      Q: How do you increase your digital dexterity? A: I think the constant practice with texting increases the speed and accuracy of texting.
  • But personal challenges aside, texting is not the way to negotiate a relationship.
  • discuss or argue abou
  • ...1 more annotation...
  • meone who is all thumbs with my thumbs
Nigel Coutts

Transforming Homework to Home Learning - The Learner's Way - 40 views

thelearnersway.net/...ming-homework-to-home-learning

homework education teaching learning

shared by Nigel Coutts on 07 May 17 - No Cached
  • Nigel Coutts on 07 May 17
     
    A recent strategy to alter the negative image that homework has built is to re-brand it as "home learning". But is this enough and if we are going to "get it right" what do we need to change besides the name?
meghankelly492

Project MUSE - Learning from Masters of Music Creativity: Shaping Compositional Experiences in Music Education - 7 views

muse.jhu.edu/224140

world Music

shared by meghankelly492 on 22 Jul 19 - No Cached
  • n contrast to others who are not as prone to divulge their feelings about their creative process
  • "Variation in style may have historical explanation but [End Page 94] no philosophical justification, for philosophy cannot discriminate between style and style."3
  • The testimonies of the composers concerned bear on questions about (a) the role of the conscious and the unconscious in music creativity, (b) how the compositional process gets started, and (c) how the compositional process moves forward
  • ...39 more annotations...
  • It is hoped that the themes that emerge by setting twentieth and twenty-first century professional composers' accounts of certain compositional experiences or phases of their creative processes against one another will provide a philosophical framework for teaching composition.
  • Furthermore, the knowledge of how professional composers compose offers the potential of finding the missing link in music education; that is, the writing of music by students within the school curriculum
  • Such involvement may deepen their understanding of musical relationships and how one articulates feelings through sounds beyond rudimentary improvisational and creative activities currently available
  • raw philosophical implications for music composition in schools from recognized composers' voices about their individual composing realities
  • It is hoped that the direct access to these composers' thoughts about the subjective experience of composing Western art music in the second half of the twentieth and the beginning of the twenty-first century may also promote the image of a fragmented culture whose ghettoization in music education is a serious impediment to the development of a comprehensive aesthetic education.
  • n other words, there is a striking unanimity among composers that the role of the unconscious is vital in order to start and/or to complete a work to their own satisfaction.
  • I need . . . to become involved, to come into a state where I do something without knowing why I do i
  • This is a complex problem and difficult to explain: all that one can say is that the unconscious plays an incalculable rol
  • Nonetheless, these self-observations about the complementary roles of the unconscious and conscious aspects of musical creativity do not cover the wide range of claims in psychological research on creativity
  • I strongly believe that, if we cannot explain this process, then we must acknowledge it as a mystery.25 Mysteries are not solved by encouraging us not to declare them to be mysteries
  • When Ligeti was commissioned to write a companion piece for Brahms' Horn Trio, he declared, "When the sound of an instrument or a group of instruments or the human voice finds an echo in me, in the musical idea within me, then I can sit down and compose. [O]therwise I canno
  • Extra-musical images may also provide the composer with ideas and material and contribute to musical creativity.
  • ome composers need to have something for it to react against.38 Xenakis, however, asserted that "all truly creative people escape this foolish side of work, the exaltation of sentiments. They are to be discarded like the fat surrounding meat before it is cooked."
  • as, as these examples show, dreams can also solve certain problems of the creative process.
  • In other words, to compose does not mean to merely carry out an initial idea. The composer reserves the right to change his or her mind after the conception of an idea.
  • n sum, self-imposed restrictions or "boundary conditions"55 seem to provide composers with a kind of pretext to choose from an otherwise chaotic multitude of compositional possibilities that, however, gradually disappears and gets absorbed into the process of composition which is characterized by the composers' aesthetic perceptions and choices.
  • Therefore, it is not surprising that influences from the musical world in which the composer lives play an important role in the creative process
  • Thereby the past is seen as being comprised by a static system of rules and techniques that needs to be innovated and emancipated during the composers' search for their own musical identity.
  • I strongly suggest that we play down basics like who influenced whom, and instead study the way the influence is transformed; in other words: how the artist made it his own.
  • Nothing I found was based on the "masterpiece," on the closed cycle, on passive contemplation or narrowly aesthetic pleasure.61
  • Furthermore, for some composers the musical influence can emerge from the development of computer technology.
  • In sum, the compositional process proceeds in a kind of personal and social tension. In many cases, composers are faced with the tensive conflict between staying with tradition and breaking new ground at each step in the process. Thus, one might conclude that the creative process springs from a systematic viewpoint determined by a number of choices in which certain beliefs, ideas, and influences—by no means isolated from the rest of the composer's life—play a dominant role in the search for new possibilities of expression.
  • If a general educational approach is to emerge from the alloy of composers' experiences of their music creativity, it rests on the realization that the creative process involves a diversity of idiosyncratic conscious and unconscious traits.
  • After all, the creative process is an elusive cultural activity with no recipes for making it happen.
  • n this light, the common thread of composers' idiosyncratic concerns and practices that captures the overall aura of their music creativity pertains to (a) the intangibility of the unconscious throughout the compositional process,68 (b) the development of musical individuality,69 and (c) the desire to transgress existing rules and codes, due to their personal and social conflict between tradition and innovation.70
  • In turn, by making student composers in different classroom settings grasp the essence of influential professional composers' creative concerns, even if they do not intend to become professional composers, we can help them immerse in learning experiences that respect the mysteries of their intuitions, liberate their own practices of critical thinking in music, and dare to create innovative music that expresses against-the-prevailing-grain musical beliefs and ideas.
  • Therefore, it is critical that the music teacher be seen as the facilitator of students' compositional processes helping students explore and continuously discover their own creative personalities and, thus, empowering their personal involvement with music. Any creative work needs individual attention and encouragement for each vision and personal experience are different.
  • After all, the quality of mystery is a common theme in nearly every composer's accoun
  • Failing this, musical creativity remains a predictable academic exercise
  • Music teachers need to possess the generosity to refuse to deny student composers the freedom to reflect their own insights back to them and, in turn, influence the teachers' musical reality
  • Indeed, it is important that music teachers try to establish students gradually as original, independent personalities who try to internalize sounds and, thus, unite themselves with their environment in a continuous creative process.
  • Music teachers, therefore, wishing student composers to express and exercise all their ideas, should grant them ample time to work on their compositions,
  • n sum, music knowledge or techniques and the activation of the student composers' desire for discovery and innovation should evolve together through balanced stimulation.
  • While music creativity has been a component of music education research for decades, some of the themes arising from professional composers' experiences of their creativity, such as the significance of the unconscious, the apprehension towards discovering ones' own musical language, or the personal and social tension between tradition and innovation, among others, have not been adequately recognized in the literature of music education
  • By doing this, I strongly believe that musical creativity in general and composing in particular run the risk of becoming a predictable academic exercise
  • which merely demands problem-solving skills on the part of the student composers (or alleged "critical thinkers").
  • . On the other hand, only few music educators appear to draw their composer students' attention to the importance of the personal and social conflict between staying within a tradition or code, even if it is the Western popular music tradition, and breaking new ground at each step in the creative process and, possibly, shaping new traditions or codes.
  • Culture is a precious human undertaking, and the host of musics, arts, languages, religions, myths, and rituals that comprise it need to be carefully transmitted to the young and transformed in the process."85
  • Nevertheless, further research is needed in which women's voices can be heard that may offer an emancipatory perspective for the instruction of composition in education which will "challenge the political domination of men."
Nigel Coutts

Thinking and learning in the postnormal era - The Learner's Way - 8 views

thelearnersway.net/...learning-in-the-postnormal-era

thinking learning postnormal post truth education teaching

shared by Nigel Coutts on 01 Sep 19 - No Cached
  • Nigel Coutts on 01 Sep 19
     
    We live in a time of chaos, complexity and contradiction. (Sardar, 2010 [1]) Where rapid changes and transformations through technology, politics, globalisation and the climate, conspire against normality (Friedman, 2016 [2]) These times demand a fresh approach to education, one that provides learners with the thinking dispositions they need to turn challenges into opportunities, to connect their learning to their passions and emerge from their years of formal education as self-navigating life-long learners. 
Nigel Coutts

Teaching and Learning as Dialogue with the World - The Learner's Way - 13 views

thelearnersway.net/...ing-as-dialogue-with-the-world

teaching learning world dialogue learner education collaboration

shared by Nigel Coutts on 01 Dec 19 - No Cached
  • Nigel Coutts on 01 Dec 19
     
    Learning should always be an active process and a two-way partnership between teaching and learning. In essence, learning and its counterpart exist as a vibrant dialogue between individuals whose role in the relationship is continually transformative. I'd like to explore this thinking further.
Nigel Coutts

Collaborative Learning with Google Docs - The Learner's Way - 72 views

thelearnersway.net/...tive-learning-with-google-docs

collaborative learning google docs education technology tools

shared by Nigel Coutts on 29 May 16 - No Cached
  • Nigel Coutts on 29 May 16
     
    Something is missing from my classroom lately and I am quite happy to have seen it disappear. It is the traditional line at the teacher's desk formed by students awaiting feedback on a recently completed piece of writing. What has replaced this is our use of Google Docs and Slides as a tool for the collaborative development of ideas from initial thinking and strategising through to final editing and refinement. It has introduced a new workflow to the class that both streamlines the process of providing feedback, allows for greater detail and transforms the process into one that is richly collaborative.
Nigel Coutts

From Good to Great: Writing well by Thinking like Authors - The Learner's Way - 15 views

thelearnersway.net/...-well-by-thinking-like-authors

writing literacy education teaching communication learning

shared by Nigel Coutts on 05 Apr 20 - No Cached
  • Nigel Coutts on 05 Apr 20
     
    A common challenge for students and teachers is how to develop a great idea for a piece of writing. Too often students struggle with the process of finding inspiration for their writing. They have a vague idea for the story they hope to tell, but all too quickly it transforms into a list of events with little or no detail. The goal here is to provide our students with a process to use during the planning process. The hope is that by identifying the type of thinking required during the early phases of ideation and to focus their attention on details, that the stories our students subsequently compose will be more enjoyable to read. Hopefully, this process helps.
Nigel Coutts

PZ Sydney Network becomes PZ Australia - The Learner's Way - 4 views

thelearnersway.net/...y-network-becomes-pz-australia

thinking education learning research network

shared by Nigel Coutts on 11 Oct 20 - No Cached
  • Nigel Coutts on 11 Oct 20
     
    The PZ Sydney Network has achieved many of its goals in the past five years. Most importantly the network has been able to provide high-quality professional development to many educators through free events large and small and both face-to-face and online. The PZ Sydney Network has been able to expand its reach and in recognition of this is transforming to become the PZ Australia Network.
matt oconnor

Why Curation Will Transform Education and Learning: 10 Key Reasons - 102 views

www.masternewmedia.org/ion-for-education-and-learning

curation education

shared by matt oconnor on 08 Oct 12 - No Cached
  • matt oconnor on 08 Oct 12
     
    "The Educational / Learning Climate Is Ready for Massive Change"
Sirkku Nikamaa-Linder

CBI: Change is possible - but we must be clearer about what we ask schools to develop in students and for what purpose - 1 views

www.cbi.org.uk/...change-is-possible

CBI Education campaigns

shared by Sirkku Nikamaa-Linder on 22 Nov 12 - No Cached
    • Sirkku Nikamaa-Linder
      Sirkku Nikamaa-Linder on 22 Nov 12
       
      Question: What are the goals set out on the political level? What does Gove want to achieve?
  • lacks
  • guardrails
  • ...46 more annotations...
  • which makes transformational change
  • ifficult
  • In Finland, the goals of education are explicitly linked to competitiveness, research and innovation.
  • nowhere in the UK do they really drive the terms under which schools are assessed.
  • In England, the government has defined its approach as being based on curriculum rigour.
  • This lack of a comprehensive statement of the achievement we are looking for schools to deliver is a key failing.
  • best schools
  • areas of high disadvantage
  • define the outcome they need
  • in the face of the complex and inconsistent demands the system places on them.
    • Sirkku Nikamaa-Linder
      Sirkku Nikamaa-Linder on 22 Nov 12
       
      Clear indication that the system as a whole is not supporting a generally accepted set of goals. Instead, the schools are trying to achieve a goal they see as important at worst while fighting the systemic demands.
  • One such school leader told us they had taken a conscious decision with one group of young people to focus on five key subjects and some life skills, knowing that the accountability system would score them down for it, as it expected eight qualifications from all students at that time.
  • Our system should reward schools making brave decisions which focus on boosting long-term outcomes for pupils, not punish them.
  • It should be able to survive changes of government and provide the test against which policy changes and school actions are judged
  • shine the light on whether the system is truly addressing the needs of all students, rather than just the few required to meet a government target.
  • Focus on raising the ambition and attainment for every child as far as their abilities permit
  • guide young people effectively on their choice of enabling subjects…
  • thos and culture that build the social skills also essential to progress in life and work, and allow them time to focus on this
  • Have a school accountability and assessment framework that supports these goals rather than defining them.
  • social literacy
  • a range of core subjects
  • ncluding critically maths, English, the sciences
  • effective use and understanding of computer science.
  • ‘enabling subjects’
  • humanities, languages, arts, technical and practically-based subjects
  • equip a young person to move on
  • o university, or to an apprenticeship or vocational qualification
  • a set of behaviours and attitudes,
  • An exclusive focus on subjects for study would fail to equip young people with these, though rigour in the curriculum does help
  • ‘employability skills’
  • Behaviours can only be developed over time, through the entire path of a young person’s life and their progress through the school system.
  • right context at school
  • A supportive culture, pastoral care and the right ethos are all needed to make the difference.
  • a long tail of pupils failing to achieve the desired outcomes can no longer be accepted.
  • enable all of our young citizens to reach the desired standards.
  • conflicting expectations placed on schools.
  • renewed system should be able to judge performance against the goals based on more complex metrics.
  • judgement
  • on overall culture and ethos, teaching and governance
  • group of data points, including testing but also outcomes data.
  • Development of a clear, widely-owned and stable statement of the outcome that all schools are asked to deliver.
  • beyond the merely academic, into the behaviours and attitudes schools should foster
  • basis on which we judge all new policy ideas, schools, and the structures we set up to monitor them
  • Ofsted
  • asked to steward the delivery of these outcomes
  • resourcing these bodies to develop an approach based on a wider range of measures and assessments than are currently in use,
Eric Robertson

New Podcast: Classroom Identity and Authenticity - 11 views

bettereducators.com/...icity-with-professor-rita-soza

authenticity student connections leadership

shared by Eric Robertson on 04 Mar 13 - No Cached
  • Eric Robertson on 04 Mar 13
     
    As a former Bailey student and current community college professor, Soza has been inspired to spend seven years researching Dr. Bailey's life and work, particularly her unshakeable belief in her students' potential and profoundly effective non-traditional teaching approaches. Professor Soza explains how Bailey's authenticity and willingness to share so much of her self-her paintings, her scholarship, her travel experiences, and even her home-left behind a legacy of students whose lives were transformed by their professor's faith and personal investment in them.
Jodie Slothower

Infusing-Technology-into-the-Classroom.pdf - 191 views

www.giftedguru.com/...hnology-into-the-Classroom.pdf

resources technology

shared by Jodie Slothower on 09 Mar 13 - No Cached
  • Jodie Slothower on 09 Mar 13
     
    good resources for teaching with technology
  • Angie Sutherland on 11 Mar 13
     
    Great list of resources! Brian Housand, in my book however, has it backward. "Starting with the technology" is a big no-no. This leads to technology as a "replacement" vs. a "transformation." Starting with the objective and then using technology effectively to reach that goal while engaging students in 21st Century learning skills is key.
anonymous

The Australian Curriculum v4.1 Information and Communication Technology (ICT) capability - Learning continuum - 0 views

www.australiancurriculum.edu.au/...Continuum

shared by anonymous on 24 Mar 13 - No Cached
  • apply practices that comply with legal obligations regarding the ownership and use of digital products resources
  • identify and value the rights to identity, privacy and emotional safety for themselves and others when using ICT and apply generally accepted social protocols when using ICT to collaborate with local and global communities
  • select and use ICT to articulate ideas and concepts, and plan the development of complex solutions
  • ...3 more annotations...
  • design and modify simple digital solutions, or multimodal creative outputs or data transformations for particular audiences and purposes following recognised conventions
  • use appropriate ICT to collaboratively generate ideas and develop plans
  • select and use a range of ICT tools efficiently and safely to share and exchange information, and to collaboratively and purposefully construct knowledge
Sean Seaton

Wrong Focus: Teacher-Centered Classrooms and Technology | Diigo - 78 views

www.diigo.com/...blog

shared by Sean Seaton on 23 Jan 13 - No Cached
    • Sean Seaton
      Sean Seaton on 23 Jan 13
       
      I have always felt that focusing on what teachers do with technology instead of what students do with technology is the wrong approach. Unfortunately, many teachers feel they can't let their students use technology in the classroom unless they have somewhat mastered it themselves. I have learned a lot about how technology can transform learning by just letting kids spend some time exploring how a particular technology can be useful to them.
Carrie Stringer

Jan Brett's Blog - 0 views

janbrettsblog.com

shared by Carrie Stringer on 20 Feb 13 - Cached
  • In this book I had three elements of color that I knew were going to be influential.
    • Carrie Stringer
      Carrie Stringer on 20 Feb 13
       
      What three element of color does Brett list as influential to her new book's illustrations?
  • When the book is about half completed, we (my editor, art director, and designer, Margaret, Cecilia and Marikka) start thinking about the jacket design, probably the most important image in the book. That is when some of the colors that tell the story can be used, and they will add to personality of the book.
  • As a child, the part of the Cinderella story I liked best was the transformation of the mice, pumpkin and rat to coach, footman and coachman.
  • ...7 more annotations...
  • Thank you everyone for entering the contest on my website, for a school visit. I will never forget the wonderful people in Windsor, Newfoundland where I visited last spring. Next time I go, I would like to drive and go on the ferry, so I can stop and see things, and go out whale and bird watching. There is one Moose for every 4 people in Newfoundland, so I would hope to see a Moose as well. Windsor is not a large town, so don’t get discouraged about the contest if your community is not large. The website tabulates how many “likes” they have put on the Facebook page.
  • Now that I’m back in my art studio, I am hard at work on CINDERS which I need to complete by just after Christmas. I took special time with the jacket, a very important element in the book, because it asks the viewer to open the book and read it.
  • Thank you to everyone who attended my booksignings. I hope many of you had fun drawing Mossy along with me. If you weren’t able to go to a booksigning, you can see the How To Draw demonstration on a video on my website.
  • Truthfully, a chicken is hard to paint and to capture its beauty.
  • Since I begin work on the story in January, December is the time I’m tying things together – in this case my “chicken” Cinderella story.
  • Normally, a children’s picture book has 32 pages, but in this one instance the printer will configure the dimension of the pages so they will open up from a folded position so I will have twice as much space to draw the dancing chickens.
  • Next time you are in a bookstore you can see the work of some of the world’s most talented book designers on the jackets of the books. The size and shape of the letters are important, as well as where they are placed on the jacket, and the color too
Scott Kinkoph

BYOD: Increase Chances for Success! - 44 views

image

started by Scott Kinkoph on 22 Oct 12 no follow-up yet
Jørgen Mortensen

What Happens When Teachers Connect - 31 views

www.teachthought.com/...when-teachers-connect

teachers news

shared by Jørgen Mortensen on 31 Aug 16 - No Cached
  • Digital and social media have replaced the landscape for education. This isn’t a case of mere impact or transformation–it’s all different now. Everything–the tools, the audiences, the access to content, the data, the opportunity.
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