Skip to main content

Home/ Diigo In Education/ Group items tagged student success

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
Sara Stanley

Picture Word Inductive Model - 1 views

www.edutopia.org/...ell-engagment-using-photos

resources tools

shared by Sara Stanley on 11 Oct 12 - No Cached
  • Sara Stanley on 11 Oct 12
     
    I have used this strategy with great success with special ed students - PWIM is a great, research-based option for building writing and vocab skills!
Scott Kinkoph

BYOD: Increase Chances for Success! - 44 views

image

started by Scott Kinkoph on 22 Oct 12 no follow-up yet
Dan French

Education Quality - Success for Every Student - 5 views

vsa-vscea.vted.org/education-quality

education quality

shared by Dan French on 12 May 12 - No Cached
  • Dan French on 12 May 12
     
    This work was developed over a two-year period by the Vermont Superintendents Association to define a quality education - see the attachment at the bottom of the page. The work is a synthesis of Vermont progressive education thinking mapped to a contemporary design blueprint.  It is intended to inform educational leaders and other interested parties in how to move forward in the post NCLBA era.
A Gardner

10 Reasons the Tests Are Lowering Our Standards « Cooperative Catalyst - 94 views

coopcatalyst.wordpress.com/...sts-are-lowering-our-standards

cooperative catalyst reasons tests lowering standards blog

shared by A Gardner on 06 Feb 12 - No Cached
  • Kids will work hard to learn, because they are naturally curious.
  • extrinsic motivation
  • extrinsic motivation, it moves to economic norms, where they learn to do the least possible work for the highest results
  • ...5 more annotations...
  • The test is longer than the Bar Exam or the MCATs. It’s insane
  • Students should be able to have instant feedback regarding how well they did.
  • two things vying for a student’s attention: the grade and the learning
  • Risk Aversion: Learning involves taking risks.
  • same myopic view of success
Jennie Snyder

Creativity is rejected: Teachers and bosses don't value out-of-the-box thinking. - 47 views

www.slate.com/...e_out_of_the_box_thinking.html

creativity thinking innovation

shared by Jennie Snyder on 08 Dec 13 - No Cached
  • This is the thing about creativity that is rarely acknowledged: Most people don’t actually like it. Studies confirm what many creative people have suspected all along: People are biased against creative thinking, despite all of their insistence otherwise.
  • Staw says most people are risk-averse. He refers to them as satisfiers.
  • Satisfiers avoid stirring things up, even if it means forsaking the truth or rejecting a good idea.
  • ...8 more annotations...
  • Uncertainty is an inherent part of new ideas, and it’s also something that most people would do almost anything to avoid. People’s partiality toward certainty biases them against creative ideas and can interfere with their ability to even recognize creative ideas.
  • Unfortunately, the place where our first creative ideas go to die is the place that should be most open to them—school. Studies show that teachers overwhelmingly discriminate against creative students, favoring their satisfier classmates who more readily follow directions and do what they’re told.
  • It’s ironic that even as children are taught the accomplishments of the world’s most innovative minds, their own creativity is being squelched.
  • All of this negativity isn’t easy to digest, and social rejection can be painful in some of the same ways physical pain hurts. But there is a glimmer of hope in all of this rejection. A Cornell study makes the case that social rejection is not actually bad for the creative process—and can even facilitate it.
  • Truly creative ideas take a very long time to be accepted. The better the idea, the longer it might take.
  • Most people agree that what distinguishes those who become famously creative is their resilience. While creativity at times is very rewarding, it is not about happiness. Staw says a successful creative person is someone “who can survive conformity pressures and be impervious to social pressure.”
  • To live creatively is a choice.
  • You have to let go of satisfying people, often even yourself.
  • Jennie Snyder on 08 Dec 13
     
    We say we like creativity, but we really don't. Thoughtful post on the resistance to creative thinking.
Kate Pok

Taking Lecture and Class Notes - 68 views

www.dartmouth.edu/...notes.html

teaching

shared by Kate Pok on 08 Apr 10 - Cached
    • Kate Pok
      Kate Pok on 02 Nov 11
       
      Useful site with handouts for students on note-taking.
anonymous

Anatomy Arcade - 138 views

www.anatomyarcade.com/index.html

anatomy science interactives games

shared by anonymous on 07 Apr 11 - Cached
  • anonymous on 07 Apr 11
     
    A collection of interactive activities about the body systems.
  • A Gardner on 08 Apr 11
     
    I had several students have great success with the skeletal and muscular systems using this. They loved it.
A Gardner

The Teaching Profession Must Police Itself | Reflections of a Math Teacher Candidate - 44 views

mathequality.wordpress.com/...-profession-must-police-itself

teaching profession blog

shared by A Gardner on 01 May 11 - No Cached
  • how can teachers be assessed fairly to make sure they perform their duties competently?
  • teachers must propose some method to police our own
  • A deeper question to me is, how are lawyers, doctors, and other professionals judged?
  • A Gardner on 01 May 11
     
    If a student improves, learns, and progresses beyond where he/she was when they entered my class, yet remains below "proficient," I am to receive a failing grade. I think success needs redefined.
Erin DeBell

Indirect Object Pronouns: Part Three - 0 views

www.studyspanish.com/...iopro3.htm

shared by Erin DeBell on 17 Jul 11 - No Cached
    • Erin DeBell
      Erin DeBell on 17 Jul 11
       
      SCROLL DOWN FOR AN IMPORTANT RULE FOR SENTENCES WITH MULTIPLE VERBS (BACK TO BACK VERBS)
  • When a sentence has two verbs, the first verb is conjugated and the second verb remains in the infinitive form.
  • Puedo pagar
  • ...10 more annotations...
  • prefiere hablar
  • In sentences with two verbs, there are two options regarding the placement of the indirect object pronoun.
  • Here are examples of the indirect object pronoun placed before the conjugated verb:
  • Here are examples of the indirect object pronoun attached directly to the infinitive:
  • Here are the two methods side by side. Neither method is "better" than the other.
  • you must learn to recognize whole groups of words, rather than inspecting each word independently.
  • Your success in being able to recognize these groups is largely dependent upon having learned previous material -- namely verb conjugation.
  • You need to be able to quickly recognize a conjugated verb and an infinitive. You need to automatically recognize "necesito comprar" as "I need to buy."
  • If you can do that, it is just one small step to recognize "te necesito comprar" as "I need to buy for you." From there, the final step is easy: "Te necesito comprar un regalo."
    • Erin DeBell
      Erin DeBell on 17 Jul 11
       
      How quickly are you able to recognize and produce conjugations of key verbs?  Most students are not as confident with conjugation as they should be when they start studying object pronouns.  No wonder it does not come easy!  Want to fix this?   Visit this link to practice conjugating common irregular verbs in the present tense.  If you like it, keep practicing all the other tenses you need to know!
    • Erin DeBell
      Erin DeBell on 17 Jul 11
       
      http://conjuguemos.com/home/docs/nologin/spanish_verbs_verbs_6.html This link also includes regular verbs, FYI.  Follow the link and click START to begin!
Randolph Hollingsworth

Gallup-Purdue Index Releases Inaugural Findings of National Landmark Study | Lumina Fou... - 13 views

www.luminafoundation.org/...2014-05-06.html

retention student success internship community-based learning civic engagement

shared by Randolph Hollingsworth on 30 May 14 - No Cached
  • Randolph Hollingsworth on 30 May 14
     
    It's Not 'Where' You Go To College, But 'How' You Go To College
Matt Renwick

Closing the Math Gap for Boys - NYTimes.com - 20 views

www.nytimes.com/...ng-can-close-the-math-gap.html

closing math gap boys nytimes connected-student

shared by Matt Renwick on 01 Feb 15 - No Cached
  • these economists are selling teenagers short
  • adolescence, like early childhood, is a “period of tremendous ‘neuroplasticity,
  • “It’s friendship and pushing — they nag them to success,”
Nigel Coutts

Between the sprint and the marathon - 12 views

thelearnersway.net/...en-the-sprint-and-the-marathon

tools education learning

shared by Nigel Coutts on 14 Feb 16 - No Cached
  • Nigel Coutts on 14 Feb 16
     
    The start of a new school year brings with it great excitement and just a little sense of panic and chaos. We have new students, new classes, new teachers and new challenges. We spend time getting to know each other and building trust. But what happens next sets the tone for the year and determines our ultimate success.
grayberg

Blended learning: Uncovering its transformative potential in higher education - 48 views

cecs.anu.edu.au/...ernet-and-Higher-Education.pdf

e-learning blended

shared by grayberg on 26 Sep 12 - No Cached
  • grayberg on 26 Sep 12
     
    This article is one of the many written by D. Randy Garrison on the value of e-learning both as an independent entity and (as in this article) part of the blended learning environment. The authors are Dr. D. Randy Garrison, professor and academic director of Learning Commons at the University of Calgary; and Dr. Heather Kanuka, professor and academic director of the Centre for Teaching and Learning at the University of Alberta. Both authors have written extensively on the topic of e-learning, distance education, and adult education. This article discusses the potential of blended learning in higher education. The authors conclude that blended learning can have a substantial benefit for the student both in terms of logistics and educational satisfaction. "Blended learning is about rethinking and redesigning the teaching and learning relationship." However, it requires that the program's administrative and leadership issues are addressed and a solid action plan is in place. A "community of inquiry" must be formed by good course design which can be at the same time quite simple and yet complex. This topic is of great interest to me as I would like to reinstate a successful blended learning program at the college where I teach.
meghankelly492

Music performance skills: A two-pronged approach - facilitating optimal music performan... - 1 views

journals.sagepub.com/...0305735618765349

anxiety Music

shared by meghankelly492 on 21 Aug 19 - No Cached
  • music performance anxiety (MPA)
  • The concept of “flow”, describing the subjective psychological state in which a person is completely immersed and fully concentrated in an activity which is enjoyable and rewarding, is often associated with optimal functioning
  • Anxiety is generally regarded as having an antithetical relationship with flow
  • ...19 more annotations...
  • The clinical implications of this negative association between MPA and flow suggest that a two-pronged approach focusing on facilitating flow and positive functioning as well as reducing pathological MPA may bring about improvements in the performer’s subjective performing experienc
  • Seligman’s (2011) most recent model of well-being, from the field of positive psychology, understands well-being as comprising five elements: Positive emotion, Engagement, Relationships, Meaning and Achievemen
  • There is a substantial body of Music Performance Anxiety (MPA) research providing evidence that MPA is a debilitating phenomenon (Kenny, 2011) which can affect musicians at any stage of their careers, from highly experienced professional performers (Fishbein, Middlestadt, Ottati, Straus, & Ellis, 1988; Kenny, Driscoll, & Ackerman, 2014) through to child beginners
  • Anxiety is often described as having an antithetical relationship to the experience of flow (Csikszentmihalyi, 1975), and it has been suggested that fostering techniques for facilitating flow may provide a powerful tool for reducing MPA and encouraging optimal performance
  • “when performance anxiety was highest, flow was lowest and vice versa … the presence of one minimises the magnitude of the other” (Fullager et al., 2013, p. 251), and a recent study found evidence of a strong, significant negative association between flow and MPA amongst 200 professional orchestral musicians (Cohen & Bodner, 2018), supporting Kirchner et al.’s (2008) earlier findings with music students
  • Investigations of the efficacy of existing methods for treating MPA indicate that Cognitive Behavioural Therapy based interventions are most effective (for an overview, see Burin & Osorio, 2016).
  • However, evidence suggests that pharmacological methods, particularly beta-blockers, are most commonly used, often in the absence of medical supervision (Cohen & Bodner, 2018; Kenny et al., 2014) and that the subject of MPA is still stigmatised, with many musicians and teachers unwilling to talk openly about it
  • Csikszentmihalyi’s nine dimensions of flow as follows
  • Although there was an increase in flow over time, this was not significant, F(1, 20) = 4.27, p > .05, η2 =.18, and there was no evidence of a significant interaction between group and time, F(1, 20) = 0.56, p > .05, η2 = .03, indicating that the hypothesis that there would be an increase in self-reported levels of flow in the intervention group, was not supported.
  • Figure 4. Judge-rated musical performance quality and signs of performance anxiety in the intervention group.
  • These results support the fourth hypothesis that there would be an increase in judge-rated PQ and a decrease in judge-rated SPA.
  • Results showed evidence of a significant negative association between MPA and flow, and three out of the four study hypotheses were supported: the music performance skills intervention was found to be effective in reducing pre-/post-test MPA in the intervention group compared to the wait-list control group; there were significant improvements in positive and negative affect and state anxiety associated with the performance situation in the intervention group; and there were significant improvements in judge-rated PQ and behavioural signs of performance anxiety. However, there was no significant change in pre-/post-test measures of flow. These findings will now be discussed in more detail.
  • This supports the understanding of MPA as a specific type of anxiety, where the performer suffers from MPA without necessarily being generally anxious or impaired in any other areas of his/her life (Clark & Williamon, 2011; Hoffman & Hanrahan, 2011) and corresponds to Kenny’s (2011) description of the first and most mild of three types of MPA (for full coverage of this issue, see Kenny, 2011).
  • Thus, the absence in improvement in levels of flow in the current study could also be due to the low average hours of daily practice reported
  • The increases in participants’ positive affect and decreases in negative affect after the second simulated performance compared to the first indicate that the intervention was effective in facilitating positive emotion, the first component of Seligman’s (2011) PERMA model of well-being
  • Evidence of improvements in judge-rated performance quality indicate that the intervention was also effective in facilitating the fifth (Achievement) component of the PERMA model.
  • “Ironically, it may be that the last people to receive some benefit from the therapeutic value of music may be the musicians themselves” (Brodsky, 1996, p. 95).
  • Hopefully, such an approach will enable developing musicians to acquire the skills necessary to enjoy satisfying, successful and healthy lives as performing musicians, in which the threat of debilitating MPA and the need to recourse to beta-blockers are a thing of the past.
  • Cohen, S., & Bodner, E. (2019). Music performance skills: A two-pronged approach – facilitating optimal music performance and reducing music performance anxiety. Psychology of Music, 47(4), 521–538. https://doi.org/10.1177/0305735618765349
« First ‹ Previous 181 - 197 of 197
Showing 20▼ items per page