Inspired by the hyper realistic paintings of the 15th-Century Flemish masters, Laurie Lipton has developed a unique, decidedly painterly graphic technique using a permanent-point pencil. At first glance her drawings look like photographs, upon further inspection many thousands of distinct, precise, cross-hatched pencil-strokes, build up the rich and monochromatic tones. While working exclusively in black and white (“because those are the colours of memories and phantoms” she says) her unsettling and macabre images resonate a slanted psychological realm where rooms are ghost traps filled with yearning souls, secret fears and disturbing memories.
Contents contributed and discussions participated by Petar Jankovic
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